Visual Analysis All Amerikkkan Badass Album Cover All Amerikkkan Badass, the sophomore album from proclaimed “Rap King of New York City” Joey Badass, is a pointed message at the government regarding the racial climate and bigoted history of America - and you don’t even need to listen to the album to see the message. Badass developed an album cover to create a visual that encapsulates the themes of the music itself; a rarity in the rap music space. If you were to compare Badass’s album cover to that of similar artists, it becomes apparent that he’s doing something unique. Part of this comes from the fact that there are rappers who don’t have a discernibly consistent message in their music, which naturally makes it difficult to create an …show more content…
Badass, being a 23 year rapper from Brooklyn, garners a fan base primarily composed of young hip hop fans and social activists. This being said, social activism in the realm of today’s youth most often takes place on the internet, a place safe from the dangers of protests that took place back in the Martin Luther King Jr. era. While this safety net is a positive in terms of participation, it has been argued that its passive nature lessens the impact of the activism itself. Coined “cyborg activism” by academic Hans Asenbaum, this brand of activism differentiates from traditional activism in a few key …show more content…
Badass employs an emotional message in a few different ways, but most notably with the paisley print on the American flag. Drawing direct comparison to the print commonly seen on bandanas and other gang paraphernalia, Badass is making a connection between American oppression of African Americans to the prevalence of gang activity in Black communities. In the awarding winning novel by Ta-Nehisi Coates, Between the World and Me, Coates places blame for American gang violence on the power structure of the American government, and the damage subtle wordings and policy can inflict on black bodies. “But all our phrasing—race relations, racial chasm, racial justice, racial profiling, white privilege, even white supremacy—serves to obscure that racism is a visceral experience, that it dislodges brains, blocks airways, rips muscle, extracts organs, cracks bones, breaks teeth. You must never look away from this. You must always remember that the sociology, the history, the economics, the graphs, the charts, the regressions all land, with great violence, upon the body,”
In this passage from the novel Between the World and Me, Ta-Nehisi Coates utilizes meaningful, vivid imagery to not only stress the chasm between two dissonant American realities, but to also bolster his clarion for the American people to abolish the slavery of institutional or personal bias against any background. For example, Coates introduces his audience to the idea that the United States is a galaxy, and that the extremes of the "black" and "white" lifestyles in this galaxy are so severe that they can only know of each other through dispatch (Coates 20-21). Although Coates's language is straightforward, it nevertheless challenges his audience to reconsider a status quo that has maintained social division in an unwitting yet ignorant fashion.
When listening to rap music we get to experience the environments that the MC lived through. Most MC’s use music as a way of coping with reality, their violent and hard life. In this way they find a kind of shelter in their songs even though these songs describe their life and how hard it is.
Both of these Kanye West Albums are great albums that will always show the talent Kanye has. It is clearly shown the progress and change he has made as an artist, not just through his music, but it is clearly shown in the album cover as well. The first album is dark, almost creepy like with the bear having a confused of scared look to him. However, the Graduation album has life to it through the expressions and very bright and vivid colors. It expresses Kanye Wests’ creativity that has been developed over the few years between the albums, and the excitement he has for his future career
From beginning to end the reader is bombarded with all kinds of racism and discrimination described in horrific detail by the author. His move from Virginia to Indiana opened a door to endless threats of violence and ridicule directed towards him because of his racial background. For example, Williams encountered a form of racism known as modern racism as a student at Garfield Elementary School. He was up to win an academic achievement prize, yet had no way of actually winning the award because ?The prize did not go to Negroes. Just like in Louisville, there were things and places for whites only? (Williams, 126). This form of prejudice is known as modern racism because the prejudice surfaces in a subtle, safe and socially acceptable way that is easy to rationalize.
In the novel “Between the World and Me” by Ta-Nehisi Coates, the story is a direct letter to his son. This letter contains the tools and instructions that his son will need in order to be a successful “black body” in the modern society. Coates explains his life experiences and hardships he had to overcome because of the color of his skin. Coates pushes an urgent message to the world; discrimination is still prevalent and real in today 's society, and the world is still struggling to accept an equal life for blacks. Coates writings alter the minds of his readers and allow them to experience life through a black man 's eyes. Ta-Nehisi Coates does this by the use of rhetorical strategies like, repetition and tone, metaphors and similes, and
“My job is to write shocking lyrics that will wake people up,” said Chuck D. This was his goal as the leader of Public Enemy (Dery, 1990). He wrote lyrics that were awakening and energizing. Public Enemy was a spokesperson for the African American community. Their lyrics contain controversial and popular issues such as drugs, crime, racism, and poverty. As well as the lyrics, the instrumentals are significant to conveying the group’s goal. The instrumental/sound part creates the mood, sets the beat, and prompts the engagementengages of the people. In the late 1980’s, Public Enemy introduced an intense, hard, hip-hop sound, which changed the sound of hip-hop. According to Rolling Stone magazine, “Public Enemy’s inventive production team, the Bomb Squad, tailored a unique, noisy, layered avant-garde-inspired sound that incorporated sirens, skittering turntable scratches, and cleverly juxtaposed musical and spoken samples ” (Simon & Schuster, 2001). All these brand new sounds of their songs were musically revolutionary during the late 1980’s. Public Enemy’s music consists of inspirational lyrics as well as strong and innovative sound. The lyrics and the sound work together, in addition to visual media to make it possible to reach millions of people as political commentary.
On a lighter note, he explains his inspirations for his dream of making music in the song ‘Juicy.’ Biggie’s writing went in depth to show his audience where he came from and to also inspire other artists working their way up in the music industry. Lastly, Kendrick Lamar’s piece Good Kid m.A.A.d City is a coming of age story from the perspective of teenage Kendrick living in Compton, California. This album shows the dark side of Kendrick’s life, as well as his lighter moments of aspiration. There are vivid depictions of violence that he endured as a teen, as well as the influence of money and power.
Racism is not only a crime against humanity, but a daily burden that weighs down many shoulders. Racism has haunted America ever since the founding of the United States, and has eerily followed us to this very day. As an intimidating looking black man living in a country composed of mostly white people, Brent Staples is a classic victim of prejudice. The typical effect of racism on an African American man such as Staples, is a growing feeling of alienation and inferiority; the typical effect of racism on a white person is fear and a feeling of superiority. While Brent Staples could be seen as a victim of prejudice because of the discrimination he suffers, he claims that the victim and the perpetrator are both harmed in the vicious cycle that is racism. Staples employs his reader to recognize the value of his thesis through his stylistic use of anecdotes, repetition and the contrast of his characterization.
Earlier in the semester we watched a video over Post-Traumatic Slave Syndrome by Dr. Joy DeGruy. This video was inspiring for people to look at what has happened in our history and society. This has been a major social injustice to African-Americans for so long, and it is now time that it needs to be confronted. People are often confused about why some people get upset about the way African-Americans react to some things, it is because they never had the opportunity to heal from their pain in history. In the article “Post-Traumatic Slave Syndrome,” it is talked about how racism is, “a serious illness that has been allowed to fester for 400 years without proper attention” (Leary, Hammond, and Davis, “Post-Traumatic Slave Syndrome”). This is
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
In 2014, Dr. Wallace Best wrote a candid article for the Huffington Post discussing what he deemed as the irrational fear of black bodies. The context surrounding this critique stemmed from the surge of black men dying by white police officers. In the article, Dr. Best provided historical insight into this deeply rooted, unwarranted anxiety that white Americans have used as probable cause to commit violent acts against blacks, as well as systemic control over black men as a means of protection to maintain societal order. With this assertion, Dr. Best offered a critical analysis in understanding the fanatical need to preserve ownership over black movement due to this ubiquitous threat of black skin and the African American male. However, what
For as long as I can remember, racial injustice has been the topic of discussion amongst the American nation. A nation commercializing itself as being free and having equality for all, however, one questions how this is true when every other day on the news we hear about the injustices and discriminations of one race over another. Eula Biss published an essay called “White Debt” which unveils her thoughts on discrimination and what she believes white Americans owe, the debt they owe, to a dark past that essentially provided what is out there today. Ta-Nehisi Coates published “Between the World and Me,” offering his perspective about “the Dream” that Americans want, the fear that he faced being black growing up and that black bodies are what
In Yankovic’s version, the clothes worn by Weird Al are nearly identical to those worn in Chamillionaire’s video; Weird Al is making fun of the way gangsters dress by wearing oversized sweatshirts with big graphic letters, thick chains, and bandanas. The video portrays Weird Al attempting to rap in
In the book Between the World and Me, Ta-Nehisi Coates speaks on racial encounters developing while growing up and gives a message to his son about the unfair racial ways he had to overcome in his life. Through Coates racist and unfair lifestyle, he still made it to be a successful black man and wants his son to do the same. He writes this book to set up and prepare his child for his future in a country that judges by skin color. Coates is stuck to using the allegory of a disaster in the book while trying to explain the miserable results from our history of white supremacy. In parts of the story, he gives credit to the viewpoint of white
I love how Coldplay decided to make their album cover look like a battle they were trying to fight. The women on top holding the French Flag looks like it demonstrates victory, which in Coldplay’s position, accomplishment for creating a new album. I feel like the album is a good example that demonstrates what they were going through since they were “fighting” to create an amazing album for fans since before Via La Vida, Coldplay hadn’t created an album with new released songs in almost 3 year. The scrip of “ Viva La Vida” stands out to viewers since its scripted in Bold & White reflecting on the background of the war scene.