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The portrayal of death in literature throughout the years
The portrayal of death in literature throughout the years
The portrayal of death in literature throughout the years
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As a young fellow, Victor's interests lie in science, science, and of the adjust and differences amongst life and demise. While a college understudy, Victor winds up plainly fixated on making life out of lifeless things and begins considering how to do as such. Victor thought he was doing an administration to humankind by making "another human."
At a certain point, Victor says, "another species would favor me as its maker and source; numerous cheerful and brilliant natures would owe their being to me. I may in procedure of time (in spite of the fact that I now thought that it was outlandish) restore life where demise had clearly dedicated the body to defilement." This quote demonstrates knowledge into Victor's inspiration: he needs to make
Victor’s obsession with the genesis of life prevents him from thinking clearly. Initially, Victor has a strong interest in science. However, during his time at Ingolstadt, when he becomes interested in the cause of the generation of life, he decides to create and animate a human being. He completely neglects his family and friends because his sole focus is on his creation. Victor prioritizes the creation of his creature over his own health and happiness. Since he works in complete secrecy, there is nobody to help him stop his obsession. In addition, there is nobody who can monitor the aesthetic quality of his creation. He is so fixed on completing his project that he fails to notice how ugly it is. As soon as the creature comes to life, Victor is so horrified and disgusted with it that he runs away. He feels like “the beauty of [his] dream [va...
A new species would bless [him] as its creator and source, many happy and excellent natures would owe their being to [him]” (Shelley 55). Life and death are natural things, but Victor thinks that he can “break through” them and create life. He alone would be the person to “pour a torrent of light into their dark world,” as if he was God, ruling over all of the world. This shows Victor’s lack of respect towards life and how he intends to overcome the boundaries set by nature.
Will you still love your father if he abandoned you? Will you still meet your ex-husband or ex-wife if you divorce with him or her? Most of you probably would say that is absolutely impossible. But in Because My Father Always Said He Was the Only Indian Who Saw Jimi Hendrix Play “The Star-Spangled Banner” at Woodstock, these two questions’ answer are yes. The author develops Victor as a main character, and narrates Victor’s family from Victor’s view. Victor’s parents’ marriage is deeply flawed, to the point that they seek a divorce. However, they also love each other intensely. Also,Victor and his father have a flawed but deeply meaningful relationship. There are many different relationships in Victor’s family, but they all include love.
Once the process of life has been initiated, individuals have a lot to consider. When Victor begins creating the first creature he is excited at the possibility of bringing his creation to life. He has no thoughts of destroying the creature at this time. However, once the creature is brought to life, and Victor realizes the monstrosity he has created, Victor wishes to abandon the creature.
Even the creation says, "I was benevolent and good; misery made me a friend. Make me happy and I shall again be virtuous" (Shelley 66). In the novel, Victor has two chances to provide this happiness for the creation. In both cases, all the creation desires is a companion, be it Victor or a new creation. And, in both cases, Victor is influenced by his initial reaction of disgust at the sight of his original creation.
Victor is so engulfed by his work that he is unaware of what is going on around him. He “bore onwards [with his work], like a hurricane, in the first enthusiasm of success” and he wants to “pour a torrent of light into our dark world" (Shelley 55). Blinded by his yearning for making new discoveries, Victor thinks that his knowledge of the sciences will be enough for him to be successful. However, he does not understand that in order to create an auspicious relationship between him and his creation, he needs to have knowledge of society as well. Once his creation is animated, Victor is unable to see that all the creature wants is to be loved and accepted. The creature craves the maternal love that Victor denies him. From the beginning, Victor is unable to realize the significance of his creation. He describes how the creature’s “yellow skin scarcely covered the work of muscles and arteries beneath... [and] his hair was of a lustrous black... [and] his shrivelled complexion and straight black lips” (Shelley 58). He immediately focuses on the negative features of his creation, and does not even attempt to learn the positive qualities. If Victor uses more social skills, rather than his knowledge of the sciences to manage his creation, all of the destruction the creation causes could have been
Furthermore, after his creation breathes its first breath, Victor already despises it, which leads to his health’s deterioration and hatred of his previous love. His love quickly changes to despise when he says, “I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardor that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (53). His statement shows how his heart does a complete 1800 and stops loving the monster the moment it lives. When Victor’s “…heart palpitated in the sickness of fear…” (54), it proves how his monster tormented his creator without having to be near him. Which also leads to the teaching of the lesson “think before you act”.
The pursuit of knowledge is at the heart of Frankenstein, as Victor attempts to go beyond the acceptable human limits and access the secret of life. Victor's experiment created in the name of science holds the key to which Victor believes is his future success. "The accomplishment of his toils" is a monstrous male figure created from parts of other corpses which he brings to life through his work (Frankenstein, 34). Victor's motivation for success and scientific exploration drive him to play God. "It was the secrets of heaven and earth that [he] desired to learn; and whether it was the ...
He not only turned away the being he had brought into the world; he also denied the creature companionship, friendship, and happiness while continuing to seek his own. Victor gained new purpose and even on his deathbed holds to the principle that he is justified in desiring the death of his enemy. Moment before his death he turns to Captain Robert Walton and says, “I feel justified in desiring the death of my adversary. During these last days I have been occupied in examining my past conduct; nor do I find it blamable” (156). He even begins to lose the small amount of compassion he had for the creature’s struggle.
Victor’s cruel and hostile actions toward his creature demonstrate his monstrous characteristics. One example of Victor’s inhumane cruelty is when he decides to abandon his creature. When Victor realizes what he has created, he is appalled, and abandons his creature because he is “unable to endure the aspect of the being [he] had created” (42). This wretched action would be similar to a mother abandoning her own child. Victor’s ambition for renown only fuels his depravity; he brings new life into the world, only to abandon it. This act of abandonment accurately depicts Victor’s cruelty because it shows his disgust toward his own creation, as well as his lack of respect for life. An example of a hostile action is when Victor destroys the creature’s
Everything starts to change once Victors ambitions become his life. He leaves to study at Ingolstadt, where his destiny begins to unfold. This is when Victor’s isolation begins. The search for the secrets of life consumes him for many years until he thinks he has found it. For months, he assembles what he needs for his creation to come alive.
Throughout the journey, Victor mourns for his deceased loved ones, but consistently blames the Creation as the murderer. He uses the blame as an escape and justification to end the creature. While he repents building the creature, Victor does not accept that his ambition led to the loss of his family and friends. As soon as Victor encounters the Creation, he chastises him of the “victims whom [the Creation has] so diabolically murdered!” (102). Victor presumes the Creation is the murderer without evidence, thus imposing the complete fault on him. Victor admits to being the creator, driven by compulsive passion, and regrets it. However, he refuses to consider how his desire to create and role as the creator led to the deaths. Victor uses self-deception to avoid the reality of his assistance in victims’ deaths. Marking the Creation as the sole murderer, Victor uses the belief as a basis for desiring revenge against the Creation. Victor defends his reasoning, “he destroyed my friends… he ought to die” (220). Similarly, Victor places the blame on the Creation, but uses it as a subterfuge. Victor’s previous fixation on bringing life to a corpse replicates itself, but in the form of revenge. He self-deceptively sees it as a logical reason and derives his enslaving obsession from it. Subsequently, Victor surrenders the rest of his life to pursuing the Creation, failing to distinguish reality from his flawed perception, even until his last breath. His self-deception of the Creation as the murderer begins as an excuse, but transforms into a reason to defeat
Because of Victor’s need for fame and desire for power leads to Victor becoming a monster. Victor begins his quest to bring life to a dead person because he does not want anyone to feel the pain of a loved ones death. At first he is not obsessed with his project. As he moves along in the project he thinks about what will happen to him. "Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and source, many happy and excellent natures would owe their being to me." (Shelley 39) He realizes that he will become famous if he accomplishes the task of bringing a person back to life. The realization that he will become famous turns him into an obsessive monster. He wanted to be admired, and praised as a species creator. He isolates himself from his family and works on the creature. “I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation, but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (Shelley 156) By spending most of his time inside on his experiment, he has no time to write or contact his family. He puts fear within his family because they fear for him.
The pursuit of knowledge is expressed through the alluring antagonist, Victor. Victors pursuit of knowledge lead him to a destructive future. It was his ambition and determination to animate a being lead him to a remorseful future. Victor ventured to go beyond human capabilities by ascertaining the elixir of life and attempting to outdo God, but it ultimately lead to his misery. Victor tells of his fascination with natural philosophy and works by Cornelius Agrippa, Albertus Magnus, and Paracelsus. Victor set off to college at Ingolstadt, he attended a presentation taught by M. Waldman which set the Victor on a path in which he would "pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation." He was in the anatomy of a human Victor’s goal was to ...
Victor’s obsession leads him down a dangerous path that caused his life to be ruined and shows the dangers knowledge can possess over one’s life. Victor became passionate in the building of the Creation, and lost himself in the process. When describing his experience to Robert Walton he states, “I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation” (Shelley 43). Victor had become narrow-minded and solely focused on the making of the creation. The danger of knowledge is the potential to lose oneself in this example. Later in the novel, Victor advises Robert Walton against following down a similar path that he had went down, referencing the destruction that knowledge had caused in his life. Victor advises, “I will not lead you on, unguarded and ardent as I then was, to your destruction and infallible misery. Learn from me, if not by my precepts, at least by my example, how dangerous is the acquirement of knowledge, and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow” (Shelley 39). Victor wishes to aid Walton in seeing the light, after Victor had lost everything, as in the aftermath of his creation,