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Assignment on content analysis
Assignment on content analysis
Assignment on content analysis
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Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness. Because of Victor’s need for fame and desire for power leads to Victor becoming a monster. Victor begins his quest to bring life to a dead person because he does not want anyone to feel the pain of a loved ones death. At first he is not obsessed with his project. As he moves along in the project he thinks about what will happen to him. "Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and source, many happy and excellent natures would owe their being to me." (Shelley 39) He realizes that he will become famous if he accomplishes the task of bringing a person back to life. The realization that he will become famous turns him into an obsessive monster. He wanted to be admired, and praised as a species creator. He isolates himself from his family and works on the creature. “I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation, but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (Shelley 156) By spending most of his time inside on his experiment, he has no time to write or contact his family. He puts fear within his family because they fear for him. Victor has a lack of respect for the natural world that leads him on the path to becoming a monster. In creating the monster Victor is trying to change the natural world. He is trying to play the role of god by creating life.
If Victor had stayed around and showed the monster the real world, he might have not have went on to perform violent actions. This portrays Victor as a selfish character and gives more of an insight on his personal life. As a child, Victor is only interested in furthering his own knowledge and not worried about anyone else. He spent much of his time “drawing the picture of [his] early days... when [he] would account to [himself] for the birth of that passion which afterwards ruled [his] destiny” (Shelley 34), or otherwise a magnificent creation that would change his future. When constructing the Monster, he put all of his relatives in the back of his mind, and only focused on his own success and victory. This further explains the theme of being selfless and only doing certain things that will benefit
As he goes off to college, interested in the science behind life and death, he ends up going his own way and attempts to create a living being. Victor “had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body” (Shelley 43). The being Victor has created does not by any means sit well with him. As victor is away from his family and for six years, he is neglectful to them, which only adds to his sorrow and misery. Victor’s isolation is brought upon him because of himself, however his creation, or “the monster”, is isolated from any connections with humans against his will. To start out, the monster would have had Victor there with him, but Victor is ashamed of what he has created, and abandons the monster. The monster is a very hideous being, which sadly is a contributing factor to his isolation. With nobody to talk to at any time, naturally this will be condescending and frustrating. Although the monster is able to
What is a monster, really? Is it really a Creature that has three eyes instead of two, with pus seeping out of every crevice in his face and an abnormally large form? Or is it someone with a mind so corrupt it rivals that of Satan? Mary Shelley’s Frankenstein is a story within a story that centers on the tale of a man with an immense thirst of knowledge and a fetish to imitate the Creator. Mary Shelley’s Frankenstein is a lot like the Greek mythological tale of the Greek God, Prometheus, and his brother, Epimetheus, who were assigned the task of creating man. The story captivates the theme of monstrosity. Mary Shelley wrote the novel in a form so the reader’s opinions never stray far from sympathy for the monster and apathy for Victor Frankenstein. The novel looks at “Monstrosity” and “Humanity” in a deeply analytical way.
When he finally finishes his research, he is able to bring his creation- the monster, to life. When Victor sees his own creation, and what he has brought to life, he panics. He realizes he has made a huge mistake. “…But now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (34). But rather than dealing with that mistake, he abandons it, leaving the monster for dead. The way Victor abandons his creation, is the prime example of bad parenting in the s...
The most prevalent theme in Mary Shelley’s “Frankenstein” is that of obsession. Throughout the novel there are constant reminders of the struggles that Victor Frankenstein and his monster have endured. Many of their problems are brought upon by themselves by an obsessive drive for knowledge, secrecy, fear, and ultimately revenge.
The monster is left to live his life with no help from his creator after being abandoned. While having the mind of a newborn, this is not easy for him. By not knowing right from wrong, he murdered Victor's loved ones in order to get attention. He never had anyone to teach him how to live life with dignity and respect. This is a major loss for a living being. The creator is at fault here because the monster does not know better. Victor should have taken responsibility by accepting, raising, and controlling the monster.
The monster wanted revenge only to satisfy his needs and to get even with his creator Victor. The only way the two would avoid any other conflicts that would have come their direction would be to eliminate and face the reality of their own catastrophe. Victor wanted to kill the monster because he killed and destroyed many things that he loved; however, the monster was the image of his own guilt and mind. The monster wanted closure and wanted to know why he was brought to the world only to be abandoned, lonely, and
Victor’s lack of compassion and sympathy towards the monster causes him to become angry instead of guilty. His cruelness to his creation made the monster kill and hurt the people he did but “when [he] reflected on [the monster’s] crimes and malice, [Victor’s] hatred and revenge burst all bounds of moderation,”(Shelley 325). Without compassion Victor thinks that the only way to stop the monster is to get revenge on him, instead of just giving him the empathy and kindness that monster craved. Victor realizes that "if he were vanquished, [he] should be a free man...balanced by those horrors of remorse and guilt which would pursue [him] until death. ”(Shelley 731).
Through out the novel we are under the assumption that the demon in the novel is the man who is disfigured and hideous on the outside. While we view Victor Frankenstein as the handsome and caring victim, even though sometimes a monster cannot be seen but heard. Looks can be deceiving but actions are always true.
Mary Shelley’s Frankenstein, is a novel about a man who lets the power of creating a paradox ultimately destroy his life as well as the lives of those he loved the most. The scientist, Victor Frankenstein, tells his story to a captain he meets by the name of Robert Walton to warn him not to meddle into the unknown. He tells him from the beginning that he was inspired by the thought of the creature looking to him as its God. His shallow ways drove him eventually drove him to his demise. He allows the power to take over his life, and ruin everything good he has going for him.
The monster does not resemble Victor physically; instead, they share the same personalities. For example, Victor and the monster are both loving beings. Both of them want to help others and want what is best for others. Victor and the monster try to help the people that surround them. Victor tries to console his family at their losses, and the monster assists the people living in the cottage by performing helpful tasks. However, Victor and the monster do not reflect loving people. The evil that evolves in Victor’s heart is also present in the monster.
Mary Shelley’s Frankenstein is a novel of a mad scientist Victor Frankenstein creates a hideous human creature made up of body parts. In his attempt at playing god and bringing his creation alive into the world, Victor Frankenstein creates a monster. Although the creator’s creation is pushed towards evil, it becomes obvious that Victor Frankenstein himself is the monster because he creates a human creature whom he abandons and fails to take responsibility for.
Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein, is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise. Throughout the novel, Shelley investigates the idea of monstrosity. She makes the point that a monster does not have to be genuinely evil in order to be considered monstrous.
The isolation that Victor feels is created by pursuing his interests of bringing the dead to life. He chooses to be alone “in a solitary chamber, or rather cell, at the top of the house” (Shelley 49). When Victor completes his masterpiece and the creature comes to life, he still feels alone. According to Diane Telgen, “Victor’s inquisitive nature causes his emotional and physical peril because he cannot balance his intellectual and social interactions” (188). He is not a very social person and he cannot be a scientist and a friendly person at the same time. Juggling a social life with an intellectual life becomes too much for him to bear so he chooses one: the scientific world. Victor appears to be more interested in himself, thus the chosen isolation in his room. However, he does have a family: his brother, William, his fiancée/sister, Elizabeth, his father, and best friend Henry Clerval. Paul Sherwin expresses that “[Victor severs] all contact with his family, other beings, and familiar nature [.] [H]e is intent on hollowing out a zone in reality where he can be utterly alone” (894). He chooses to push away everyone who cares for him so he can work on his masterpiece. Nothing in the world is more important to Victor than bringing this creation to life. He puts himself in confinement and ...
Frankenstein shows that what looks like a monster in appearance my not be and what looks normal on appearance may be a monster. While a scary ugly creature may look like a monster a true monster is formed from within and is scene through actions. Along with this knowledge is power and power has the ability to make monsters. The pursuit to know more is a never ending road that leads to lies, secretes, and monstrosity. “How much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow,” while knowledge is boundless and beautiful an excess of anything can create a monster.