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Society's perspective on silence essay
Tones in poetry
Analysing tone in poetry
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The author, W.S. Merwin, uses a paternal tone with varying intensity to personify his book and make it a child being released into the world alone. “Go on then In your own time This is as far As I will take you I am leaving your words with you As through they has been yours All the time” (W. S. Merwin) Above is the opening stanza of the poem “To the Book”. This stanza begins to set the overall tone and audience of the poem. The first line of the poem, “go on then”, sets a harsh tone. As if the author or speaker of the poem is commanding the unknown audience to leave them. This is the same diction a parent would use to tell a child to get away or do to something. The author uses this tone to inform the reader as to his sentiments on the book. This would be considered a harsh statement it seen alone, but the following like softens it entirely, adding, “in your own time”. By adding this, the author implies a sense of fondness to the audience. As if Merwin did not want to pressure them into doing something to quickly. The idea of a parent-child sort of relationship is continued. This is shown by the fond, yet firm tone that he uses to talk to the audience of this poem. At this point in the poem, the audience is unclear. All that can be known is that the title of the poem implies that the poem is directed to the book of poems itself, as if it is a love note from a parent to a child. The stanza then continues this tone toward the audience in the following line, “as I will take you.” These words become a sort of delay in the poem. As if the author is reluctant to let go of the poem, in a similar manner of a parent dropping a child off at school. The next part of the sets itself separately from the beginning of the poem, and allows the... ... middle of paper ... ...n to take it itself. Following these lines mark a shift in the author’s audience for the final time. The last lines read, “Whoever I was When I made you up” (W.S. Merwin) these lines are again the author addressing himself. He is quantifying his writing. The lines function as a caveat to the entire poem. He abdicates responsibility and disassociates himself from the rest of the poem. IN these lines he is saying that he is no longer the same author of the poem or the book. He can not possibly held responsible for the book if he did not write it. The lines diction also causes the reader to get the feeling that the author has completely let go of his work. The author uses the word “whoever” and the phrase “made you up” to end the poem in an off the cuff manner. The author ends the poem by letting the child go, like a parent sending their child into the world alone.
This is shown through the tone changing from being disappointed and critical to acceptance and appreciative. The speaker’s friend, who after listening to the speaker’s complaints, says that it seems like she was “a child who had been wanted” (line 12). This statement resonates with the speaker and slowly begins to change her thinking. This is apparent from the following line where the speaker states that “I took the wine against my lips as if my mouth were moving along that valved wall in my mother's body” (line 13 to line 15). The speaker is imagining her mother’s experience while creating her and giving birth to her. In the next several lines the speakers describe what she sees. She expresses that she can see her mother as “she was bearing down, and then breathing from the mask, and then bearing down, pressing me out into the world” (line 15 to line 18). The speaker can finally understand that to her mother the world and life she currently lived weren't enough for her. The imagery in the final lines of this poem list all the things that weren’t enough for the mother. They express that “the moon, the sun, Orion cartwheeling across the dark, not the earth, the sea” (line 19 to 21) none of those things matter to the mother. The only thing that matter was giving birth and having her child. Only then will she be satisfied with her life and
The Author to Her Book, by Emily Bradstreet is a poem in which Bradstreet is laments about the publishing of her writings without her permission. The purpose of the piece is for Bradstreet to express the love, pride and remorse she feels toward her new book and is displayed elegantly through the metaphor of a mother and child. Lines eleven and twelve contribute to the poem’s purpose; they show that Bradstreet is unsatisfied with her work, and desires to fix it. Unfortunately, the book has already been published, and it is too late for her “child” to attain perfection in its mother’s eyes.
The lapse separating the octave and the sestet also serve as a shift in the poem, after the break in the verse, it becomes deeply reflective and more remorseful. Together all of these literary concepts allow the reader to become the speaker in only fourteen lines of poetry.
The poem being in sonnet form, is ironic as naturally sonnets are about love and its emotions, “In the park” however, highlights the absence of love within the protagonist and portrays a certain harshness of character emotion from change that has already taken place. The beginning of the poem presents the audience with a woman seamlessly trapped by domesticity, suffocated with motherhood and the role given to it by society. Her children “whine and bicker”, draw “aimless patterns in the dirt” - the patterns symbolising the woman’s life and showing her internal and honest thoughts. Bringing attention away from the so called ‘maternal love’, the second stanza links to the first by enjambment in which a person whom was once meaningful in her life as more of a romantic love, is now nothing but ‘someone’ who gives her just a ‘casual nod’. They converse in such a clichéd manner with language of no meaning or emotion using phrases such as “how nice” and “et cetera” which puts across the façade being held, the tone making it clear to the reader she regrets not being able to avoid it as she’s clearly ashamed and embarrassed of what she has become – of how motherhood has consumed her. This external superficial appearance being upheld continues in the last stanza as they both mouth hypocritical statements – the woman’s in particular completely juxtaposing her initial thoughts about her three children in the first stanza. The man enquires about the names and age of her children in whom he evidently has no interest in, and the woman replies with “It’s so sweet…to watch them grow”, her pride leading her to give her past lover a positive impression of her life trying to hide how consumed she really feels by her role and identity loss. The resolution of the poems form, “They have eaten me
...very line of the poem, helps to advanced the story. It is also more straightforward and readers could easily see the characters' character through the surface, as well as the author's intentions for writing this poem.
To convey this thought I believed the most logical way for this to be shown is a set of word pairs; with each one relating the last word to the beginning word of the next pair. Ending with an eventual tie from the last word of the poem to the very beginning; this builds up an internal cycle within the poem itself, thus, reflecting the overall theme of the poem. The poem itself exists and thrives on repetition, for without it the poem itself could not have the tying of words, which forms the literal and psychological meaning
as described in this poem. It is found that the poem is set during the post
The poem is about the mother talking to her daughter about an argument they had while she sleeps. She explains if she was a lover or a husband, she would have “thrown them out” or would of had “a bitter sweet reconciliation”. But since she was her daughter, she will learn to forget and continue their relationship and journey the way it was. The message of unconditional love between a mother and daughter ties into the overarching theme of family members having the strongest connections. The poet's use of literal language helps give the poem a sense of realism and depth. The line “But as you are my child, I watch you sleep tangled in bedsheets and tear stains, and try to plan the shortest way out of town”, is a prime example of depth in the poem. Another text which has similar ideas of unconditional love is the poem Mother love your
...has to be read more than once to be understood and this makes it so we as the reader can enjoy this poem and in reality isn’t that why poems are made? The poem provides many examples that there are sad elements and that they are mainly shown though the grandmother. Because of the sad elements this poem makes the reader understand the elements on a deeper, more personal level, this is a part that Bishop is explores a slightly darker area which she seems to have a great grasp on.
The main issue in this poem, divorce is a common problem that damages everyone involved in its circumstances. However, in the very first line, the narrator declares, without shame, that he or she was glad when his or her parents got divorced. This strange feeling is not often associated with kids when their parents split; the feeling is usually one of remorse and sadness. This strange feeling is made reasonable as it is indicated that her mother “took it and took it in silence”—a rather dark selection of words which suggest that the father is the source of the family’s difficulties (1-2). The father’s departure is even compared to the departure of one arguably the most hated president in the history of America revealing that the children and mother had no desire for him to stay. Furthermore, the speaker elaborates on the father’s problems after
He writes about the hardships of being a child in that time and place, about the
The poem is divided into 2 Stanza's with 3 lines each. And there are an
In addition there is a shift in the poem around line 9 similar to the a shift in an Spenserian sonnet.
In relation to structure and style, the poem contains six stanzas of varying lengths. The first, second, and fourth stanzas
The construction of the poem is in regular four-line stanzas, of which the first two stanzas provide the exposition, setting the scene; the next three stanzas encompass the major action; and the final two stanzas present the poet's reflection on the meaning of her experience.