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High school concert report
High school concert report
High school concert report
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On the Nineteenth of December, as snow fell outside, The Timberline High School Choirs and Orchestras put on a Holiday Celebration that can’t quite be called a concert, It was more of a spectacle centered around music.
The night began with the A Capella Choir’s procession into the dark auditorium. While processing, the men in the choir began singing Alleluia, Rejoice with bright, forward, and powerful tones. This beginning to the concert set an energetic tone for the rest of the night. There is the saying that one only remembers the first song and the last song of a concert. I believe that there is certainly some truth to this, as this first song left a lasting impression. As the A Capella Choir’s set continued, the sheer power of the choir struck me. The incredible size (approximately 80 people) of the choir likely contributed to this aspect of their sound.
After the first concert set was finished, the seamless transition into the Chamber Orchestra’s piece “Masters In This Hall” impressed me and caused fellow audience members to think of the concert not as just another high school concert, but as a polished, professional feeling show.
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Whether it was a student quartet, or an audience sing-along that kept people engaged, one song that perfectly embodied this energetic, lighthearted fun was “12 Days of Christmas”, arranged by Straight No Chaser, and performed by the A Capella Men. This piece allowed the singers to be performers as well and have fun with the song. Due to the immense energy that the A Capella men invested in the song, the song became hilarious and entertaining, as many audience members laughed aloud throughout the piece. In addition to all of this, the power of a men’s choir truly broke up the concert and added a sense of completeness to the
The choir immediately captured my attention and seemed to do the same for everyone else in the audience. I was very impressed by the fact that the choir was made up entirely of college students. It was also stated that some of them sing in the choir just for fun as they are not music majors. There seemed to be an appeal in the fact that the singers were mostly very young. The piece as a whole was also very enjoyable.
The concert began with an incredibly brief introduction from the president of the Rochester Oratorio Society, after which the society performed a piece that is not listed on the program. After hearing the raw talent the choir displayed in their first performance the crowd praised them, and at this time a representative from the city’s mayor office took the stage and presented the society with a proclamation. The proclamation was on behalf of the city offices and expressed thanks for their 70 years of musical performances and education. Afterwards the society performed Norman Dello Joio’s “A Jubilant Song,” which served as a transition for the Houghton College Choir to take the seats of the men’s choral section. The college choir was approximately a third the size of the society choir, but still managed to perform with a lot of talent. The Houghton College Choir performed Kenneth Jennings’ “The Lord is the Everlasting God” and Larry Farrow’s “Give Me Jesus.” After a quick intermission the Rochester Oratorio Society took to the stage to perform Brahm’s Requiem, which is typically performed with an orchestra, but in their rendition a two person piano served as a replacement. Brahm’s Requiem is in German, making it difficult to understan...
The first song played was from a genre that I had previously taken a test on, Sonata. The musicians played the song by the book. There were three movements and polyphonic texture. It was even fast and jerky. Nonetheless, this is the part where my rollercoaster was going down. In my opinion it was boring. Although very well played, the song itself did not interest me. I did not like the roadrunner, coyote essence of the song. The piano accompaniment would sometimes play the melody and let the clarinet follow and then they would switch. This to me seemed force instead of like the Sonatas that I listened to in class. However, apart from the musical aspect of the first piece there was a certain intensity expressed by the performers. I had never seen a
I have been to many different concerts throughout my life but this year I experienced two exceptionally unique ___ that I had never seen before. The first one was a spectacular chamber recital that took place at the Chicago Symphony Orchestra performed by pianist Yefim Bronfman and violist-violinist Pinchas Zukerman. The program included Schubert's Violin Sonatina No. 2 in A Minor, Beethoven's Violin Sonata No. 7 in C Minor, and Brahms’ Viola Sonata No. 1 in F Minor. The second was a performance by the notable quartet “Anonymous 4” presented by the Universality of Chicago at the Rockefeller Memorial Chapel. The program included a series of medieval French motets from the 13th Century French polyphony, taken from the Montpellier Codex. The two performances were extremely different in nature and but at the same time very similar in what they were trying to achieve. For instance, while the first concert consisted entirely of an instrumental performance, the other was exclusively vocal. However, both were able to bring to life great examples of iconic artists from our past. I left both c...
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
The concert was on March 13, 2014 at 12:30 pm the performers were Lisa Fujita, Brendan O’Donnell, Daniel Mitnitsky, Yannick Rafalimanana they performed five different Piano Quartet pieces. The first was a Piano Quartet No. 1 in C Minor, Op. 15 it was Allegro Molto Moderato, the next was III. Adagio and both of these pieces were written by Gabriel Faure. The next was a Piano Quartet in E-Flat Major, Op.47, called Sostenuto assai- Allegro ma non troppo this was written by Robert Schumann. Lastly there is the Piano Quartet in G-minor, K.493, I. Allegro, III. Allegretto and these two pieces were by W. A. Mozart. This was not the exact order and they did change a few thing like the way things would be played and they change the Quartet from E-Flat major to G-Minor because they said that it was difficult to play. By playing different types of music they offered us diverse experience. I really enjoyed the entire performance. Each of the Performers played a different instrument. Lisa Fujita played the violin, Brendan played the viola, Daniel played the cello and Yannick played the piano. Each of them played a very important role. Each of the performers looked calm and as if they knew what they were doing, they were dressed very formally but the audience was not dressed as formally due to the fact that it was during the school day and the event wasn’t a black tie event.
The pianist and concert conductor, Christian Zacharias opened the Los Angeles Philharmonic Classical Music concert with a fascinating performance that left the audience in party mood and in happy f...
I think that this gave the performance dimension and kept your mind moving and gave u something to think about rather then just the entire choir singing for the entire time.
On Wednesday, May 23rd, I attended the College Choir concert in the Reamer Campus Center. The choir performed a variety of songs, ranging from pieces in Latin to traditional American folksongs. Two of the pieces featured solos, and one even featured percussion instruments. Mrs. Elinore Farnum provided piano accompaniment for each of the songs, and performed beautifully. I was extremely impressed by the talented choir members and their ability to sing such a varied range of songs.
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
In the Winter Concert: sound of seasons, every singer sang a song together at final stage of performance. The name of song was “Deck the Halls” that is one of very famous piece of christmas song in U.S. I was very impressed by how singers feel the music and get into the rhythm together. It seems every people in the concert enjoy the song together. I haven’t heard this song before I listened in the class. However, the song rapidly became very familiar to my ear and body through singing just several times with others.
Musical concerts are undoubtedly an incredible opportunity to experience a great aesthetic pleasure by listening to the musicians perform in front of your eyes. The power of music can hardly be overestimated – it can transfer a number of messages, thoughts and feelings through the performed sounds. Therefore the one can comprehend the music in the best possible way only when it is heard live. Musical concerts are often revelatory and highly impressive experiences to me. This essay thereby aims to provide my reflections and impressions of the concert of Gregory Porter & the Metropole Orchestra which I had the opportunity to attend in Nashville, TN.
The season shuffled along with surprising ease. By this time we had learned all of the show and were weeding it out to make it perfect. While fulfilling the amount of work needed to create a spectacular performance, we had a little fun in Fort Collins at the CSU Band Day. Along with the CSU Marching Band, our band learned their marching songs and sets and performed a show for a crowd of over 15,000 people!
Together, the lights and music gave an almost sweeping feeling to the show, the kind that keeps the audience on its toes and the edge of their seats. The music itself is much more classical than the usual pop-rock/contemporary musical more commonly seen today, which dually fits the cathedral-like chamber singing to be expected but also conveys the mood in each song. The point of musicals, generally speaking anyways, is to use music during the highest points of emotional tension, and the score for this show is more stoic in group numbers and touching in solos. The lyrics themselves in group numbers are used in a way that narrates and provides dramatic irony while displaying character motivations. However what makes the music memorable and moreover lovable is the repetition at pivotal moments of the same tune, but in a different key; this transforms the tone to fit the plot.
By the twelfth song which was the last I could still feel the atmosphere, the pride and the gratitude of the people. We were just happy to be in their presence. For the last song the whole crowd moved together in a bizarre, alternative. dance. I am a sassy girl.