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Tim burton film analysis
Tim burton film analysis
Tim burton film analysis
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Born in 1958, Tim Burton directed over 35 films including Charlie and the Chocolate Factory, Edward Scissorhands, and Alice in Wonderland. He is known for his quirky horror and his grotesque but child like style. He has always been inspired by Edgar Allen Poe and his dark way of writing which appeals to emotions and has a dramatic effect on the story. In many of his live action films, Burton is able to create different moods through his use of lighting. In Burton’s movie Charlie and the Chocolate Factory, which was released in 2005 had low and high key lighting which was used to give certain settings different moods. In the movie, Charlie lives in a run down house which always seemed to have low key lighting. The lighting makes the house …show more content…
In the beginning of the movie, Peg, an Avon representative walked to a dark, creepy mansion. When she walked in, most of the scenery had low key lighting. This created a suspenseful mood and foreshadowed a bad event. When she got up to the attic, Edward Scissorhands approached her, the somber lighting made him seem ominous and frightening. The audience knew something bad was going to happen but after he took another step forward, the lighting changed to high key lighting revealing his innocent character. In addition to the mansion scene, high key lighting was found in the neighborhood. This made the neighborhood seem a bit plain, traditional, and flawless. When Edward would walk around the bright colorful neighborhood in his dark colored eerie clothes, the audience can get a sense of awkwardness and could feel how odd Edward was compared to the bright, happy neighborhood. Another example of lighting in Edward Scissorhand, in this case to show the odd one out, is how compared to the cheerful neighborhood, Edward’s mansion is really scary. The mansion is always shown with low key lighting giving the audience an uneasy feeling. The mansion looks sinister combined with the low key lighting giving the audience a sense that the antagonist lives there. The neighborhood is so perfect, the high key lighting makes the neighborhood …show more content…
In the beginning of the movie after Alice falls down rabbit hole and opens the door to Wonderland, Wonderland is shown with high key lighting to give the the audience a feeling of astonishment. The setting feels unbelievable and almost alluring. The high key lighting gives the audience a hint that this was a happy place where the good characters are compared to the Queen of Hearts castle which is shown with dimmer lighting. Later in the movie, Alice and the Hatter were walking through the dimly lit forest. The low key lighting made the ominous forest foreshadow a bad event. The audience could feel a bad event approaching and the forest was not a safe place to be. Lastly, when the Queen of Hearts ordered to bring out the Jabberwocky, the egg was shown with low key lighting to hint to the audience; this was the antagonist. The low lighting gave the Jabberwocky a scary, powerful image and gave the audience a daunting feeling towards Alice. On a whole, Burton used both high and low key in Alice in Wonderland to foreshadow event and create a certain mood so the audience can feel happy, excited, or scared throughout the
In the movie Edward Scissorhands, a lot of different cinematic techniques are used. This movie mostly focuses on lighting, usually using darker low-key lighting throughout most of the film to create a darker, creepy tone. Low-key lighting is used mostly in scenes with Edward scissorhands in them, not as much with the girl. A good example of these low-key lighting scenes are the beginning ones, when the girl first enters Edward’s castle. The atmosphere inside is dark and creepy, adding to the already mysterious and dark tone of the movie. Another example of a scene with low-key lighting is the very beginning of the credits screen. The words are displayed in white with the rest of the background as a dark and evil setting. This already gives
The director Tim Burton uses colors to create a happy mood during the scenes in the movie Edward Scissorhands. He portrays the neighborhood and all the people that live there in bright pastel colors which gives off a happy feeling. These bright colors give off the impression that everything is picture-perfect and everyone is content. The whole neighborhood is unchanging and routine. Throughout the movie Burton shows the men have left for work at the same time every day and everything is a lively color. When Edward arrives, he is dressed in all black and is
in the book is very dark, and it helps set the awful mood for the rest
The film Of Mice and Men used many technical elements to establish the mood and atmosphere of the film. The three main elements used to establish mood and atmosphere were lighting, sets, and music. In the film, lighting is used very strategically to differentiate between the good and bad scenes, as did the novel. For example, when Lennie is shot by George, it is a dark scene which creates a mood because a person’s mind naturally knows that dark is bad and light is good. Therefore, by using dark lighting in the scenes where bad actions are committed, the persons mind makes them feel a certain way. Secondly, the sets were used to create mood and atmosphere. In the movie, sets were used to create mood and atmosphere by the way they were set up. For instance, the bunkhouse created a sympathetic mood because it shows how hard the men have it and makes the viewer feel bad about the life they are living. Furthermore, the music, one of the biggest components of creating mood, is used very well throughout the movie. Music is used to create mood because music can very easily change a person’s state of mind. For instance, when George is going to kill Lennie, the music switched to a depressing sound, in order to trigger one’s mind that it is a sad scene; therefore creating a mood.
Typically, in each of Burton’s films, there is a dark, eerie setting, and a bright, vivid setting. The example of vivid versus eerie settings is showcased in Miss Peregrine’s Home for Peculiar Children. In Miss Peregrine’s time-loop, everything is bright and full of life. There are vibrant flowers, bushes, trees, and creatures, with brilliant sunlight, giving every detail a special quality. The high-key lighting gives off a warm, nostalgic mood, and it also supports the positive connotation we get with the peculiars. The mansion and the time-loop are both vibrant and so are the individuals living inside. In contrast, the tavern/hotel and the rest of the island in Whales is downcast and gloomy. Ordinarily, it is partly cloudy, and when it is not, the sun hinders the setting just as much as the clouds do. Most of the buildings are built in the same way with the same architecture and the same gloomy overcasting light. Accordingly, this low-key lighting has a negative connotation and so do the characters in the setting. This along with the contrast of the bright setting supports the message of individuality versus conformity. Another one of Tim Burton’s films that uses contrasting settings to prove his message is Edward Scissorhands, only this movie twists it around. What Burton does is he switches the vivid and gloomy settings around, creating
Lighting tells the mood and gives audience a feeling to tell whether the scene would be pleasant or deceiving . In the movies Charlie and the Chocolate Factory , Edward Scissorhands
Essential to the look and feel of a scene, lighting plays a key role in the mise-en-scene of The Wizard of Oz. Two basic types of lighting are used throughout the film: high-key lighting and low-key lighting. Used to convey emotion during the opening sepia scenes, three-point lighting also finds practicality here, helping the viewer to get in touch with Dorothy’s sadness, it provides a basis for reality, providing a stark contrast to the color fantasy sequences to come.
It hints of danger when Peg sees a man standing in a dark corner of the room looking like it was a bad guy, so Peg got scared when she first saw him standing there. It also made the audience have a scary feeling. Tim also uses low-key lighting in the movie Bettlejuice, there was a moment when Adam and Barbra made this secret door inside their attic and it had a low-key lighting effect, so it made it look like it was dangerous because it was a mysterious door. Now I have listed some examples when Tim Burton uses low-key lighting in his
The lighting in this movie is very effective. It helps to establish the characters very well. The audience is helping in distinguishing the bad and the good characters through the lighting. The movie overall is very stylized. There are some other strange lighting patterns brought out by Hype Williams, but by far the most effective lighting patterns are ones that help to characterize the main players in the film.
This low key lighting film technique creates a sense of scariness and suspense. This was seen when Elliot was moving in the field not sure what he was about to find. We see it again in the scene where E.T. calls home, and we see how the light is restricted to what the blinds allow in. The shadows on the faces and objects within the house are a lot and it adds to the overall suspense of what is happening in the scene. The lighting is what most times tell us what is coming because when it’s bright the characters tend to be more relaxed as opposed to the low lighting which alluded to the fact that something would most likely happen. The lighting in a way kept the movie going as we looked forward to what would occur
An example of this is the scene of Vickie in the pool. The light shines on her, showcasing her beautiful face,platinum hair and uses slow motion and zoom to focus in on her sexy legs gently kicking in the water. It draws our attention to her in the same way Jake is staring at her lustily taking in her beauty. Throughout the film I felt Vicki was always portrayed light and brighter giving us the idea she is the one good thing in Jake’s life. In the fight scenes , the high contrast lighting focuses our attention on Jake. The crowd is always shown darker and more
You wouldn’t see dark colors and lighting used in a children cartoon, instead you see bright colors and bright lighting. And vice versa; most horror films don’t focus on bright colors and bright lighting. In The Wizard of Oz (Dir. Victor Fleming, 1939), the director uses bright colors and lighting to portray the moods of happiness, joy and innocence in Dorothy’s life. In contrast, dark colors and lighting that go hand in hand with the evil parts of Oz portray the moods of mystery and suspense.
The mood of this film is truly captured in the lighting and the lighting plays a key role in the accenting the humor of the film. “Deep inky blacks and desaturated colors that characterized the look of Jean-Pierre Jeunet and Marc Caro’s Delicatessen” (McGrath). The dark nature of the film is maintained using lighting. This helps to set the mood for many scenes and is what provide the juxtaposition. In the few scenes of the film that are purely comedy the dark moody lighting helps to provide contrast to the humor and makes the character’s actions seem even more out of place and
Director Tim Burton has directed many films. He started out working at Disney, but shortly after he decided to make his own films. He split away from Disney because they wouldn’t let him add the scariness and darkness he has in his films. After he left he created many great films and also developed his own style. He uses many cinematic techniques in his films for example he uses close-up camera angles on symbolic items, he uses music to show foreshadowing, and he uses lighting and color to show mood
Out of the many technical features in the film, the mise-en-scene strikes the audience the most and has relevance with the plot and story of the film. The lighting styles are an element of mise-en-scene that have been featured constantly throughout the entire duration of the movie and they accurately express the overall sense of the different scenes. Specifically, high-key lighting shows the happiness of the past and the peacefulness of Heaven, and low-key lighting expresses the danger and spookiness of Hell and the tragic car accidents. Annie’s brilliant artistic ability is also pointed out by the audience with her painting coming to life, meaning that her painting is used as a metaphorical prop, which is another element of mise-en-scene fascinating the viewers. This film also displays the various perspectives of Heaven, Hell, and the past and that all of them have completely different atmospheres from one