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Film techniques in edward scissorhands
Edward Scissorhands Film Techniques - Characterisation
Film techniques in edward scissorhands
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In the movie Edward Scissorhands, a lot of different cinematic techniques are used. This movie mostly focuses on lighting, usually using darker low-key lighting throughout most of the film to create a darker, creepy tone. Low-key lighting is used mostly in scenes with Edward scissorhands in them, not as much with the girl. A good example of these low-key lighting scenes are the beginning ones, when the girl first enters Edward’s castle. The atmosphere inside is dark and creepy, adding to the already mysterious and dark tone of the movie. Another example of a scene with low-key lighting is the very beginning of the credits screen. The words are displayed in white with the rest of the background as a dark and evil setting. This already gives
The use of colors and camera shots are not only used to support the dominant discourse, but also to make a clear view of Edward’s difference to the society. The director uses camera shots and angles from the castle window where Edward lives to show how all of houses look the same and insignificant. Uses of color such as the repetition of all houses being in all a pastel color encourage the viewers of the conformity of the town. Also, the bright pastel colors of suburbia and dark and gloomy image of the gothic castle show how awkward an individual like Edward can be seen in such town.
Tim Burton also uses great Lighting to make Edward look like shouldn't be there, for example, it shows Edward cramped into a small car and with bright colors in the background. In the scene where they enter Edwards garden it seem so beautiful up close, but like hell far away because its very dark over there, then when it enters back into the house it seems like it would be from a horror movie. And the make up on his face makes it more fit with the lighting because of the scars with his pale white face and his crazy black hair.
In the movie Edward Scissorhands, the dark and shadowy castle looks like something out of a horror movie. This is one of Tim Burton’s lighting techniques to make everything look grotesque and ominous. When Charlie’s house was being shown in Charlie and the Chocolate Factory, the house looked dark and hopeless. Charlie’s family doesn’t look sad at all though, in fact they are happy because even though they live in the worst house in the town, they have a home and a meal every night and they are one big happy
-Steven Spielberg’s use of editing and cut scenes is one of the biggest factors in this movie. He uses contrast in certain scenes to amplify one and somewhat down play the other. The intensity in one scene can form an overstatement on what is really going on even when the setting itself is very relaxed. One scene the really exemplifies this is one of the first scenes when Chrissie runs into the water and is dragged under water by the unknown, but a bit after we realize that she is actually being attacked by a great white. The camera cuts back to Tom laying down, completely unware of the events presiding. Him laying down enjoying the sun is a complete contrast and also the slight note screaming that is playing is very opposite Chrissies which makes the intensity shoot up when we
The costuming in Edward Scissorhands was very thought out and was used to develop the characters, as well as the story. For example, the townspeople who took in Edward seemed to be regular people in a regular town. The people wore bright colored clothing with colorful accesories as well. The women wore bright clothing, either dresses or a pair of leggings, with bright makeup as well. The men wore casual work clothes, and all of this gives of a normal vibe to the town as if nothing out of the ordinary happens in it. Another example of the clothing in the film is when Peg (Avon lady) sees Edward for the first time. This moment can make the audience start to compare the moods that both characters give off. Edward lived in a dark, gloomy place
If the lighting is happy light then it may convey a more laid back scene, but if the lighting dark and shadowy it might mean the scene is scary or tense. Lighting also lets the viewer know what time of day it is by being morning or night. Another thing that plays into the film is how it is color corrected. In “Hugo” the color correction is made up of blues and grays. Color correction helps give the tone of film and mood as well. In “Hugo” the color correction is light and colorful, but the blues help convey there is a sadness to the story.
In Tim Burtons films the main idea for him is to make it sound mysterious, and the lighting that he uses fits the part that he is shoot in the movie that he is creating. In Edward Scissorhands It make the old mansion on the hill look very scary and mysterious. In the mansion where Peg could Edward the lighting made it look very horrifying, because it way so dark in the room. The
Tim Burton uses the cinematic technique of lighting in order to flawlessly portray dark, mysterious and creepy scenes. In his movie, Edward Scissorhands, Burton effectively uses low key lighting in the scene where Peg enters Edward’s mansion and uses it in the opening credits to create tense and suspenseful scenes. Burton also uses high key lighting to his advantage when the neighbors and Peg throw a party for Edward. The scene was flooded with light to create a scene of happiness, amusement and surprise during the party. His use of lighting, though, is taken to new levels in his other movie Frankenweenie.
Tim Burton used three different types of camera angles in Edward Scissorhands. The three different camera angles involved are eye level, high angle, and low angle. The first eye level shot was when the little girl was laying in bed. Most eye level shots were shot when people are talking so it can focus on them, their face, or facial expressions. One high angle was when Avon was going up the stairs arriving at the castle. It was shot from a high angle just off the top of her head showing her fully. One shot that was shot in a low angle was when the teenager was out playing in the snow. It was shot as if the camera was on the floor looking up grabbing and recording. Some camera angles didn’t feel right or fit in with some scenes making it boring,
Tim Burton, the director of the film Edward Scissorhands uses a mixture of different genres, themes and ideas to not only give an important message to the viewers but to also make a social statement on small town America and general stereotypes as well. Edward is the main character of Tim Burton’s film Edward Scissorhands. He is an immortal being who was created by a lonely old inventor. The pair lived up on a gigantic hill, in a gothic medieval castle which was only accessible through a long sloping stretch of road. The old castle stood tall, overlooking the tiny cookie cutter town below which was soon to become Edwards new home. Apart from Edward dressing in dark, gothic clothing, which in some ways represents the castle in which he lives
Out of all three of these Burton films, “Edward Scissorhands” most strongly engages the use of makeup and costuming to convey its message to the audience and to aid in the depiction of characters. For example, when Peg first brings Edward home, his wardrobe changes dramatically from that of an all black leather, button down suit in which suggests that his character is dangerous and evil to a more docile and societally acceptable white shirt with black pants. This outfit represents Edward's attempts to conform to the uniform structure of the town he’s abruptly been made a part of. However, the fact that Edward’s still wearing black foreshadows that his is still an outsider. Also, as the story continues, Edward’s costume gradually
For example, the town that Edward is introduced to, is completely flooded in high key lighting to signify that it is the life that he never had. Edward pursues to be accepted and loved as he once was with his inventor, and this is the utopian like society “appears” to be the perfect place for him. The audience receives the knowledge that his fantasy is unrealistic and there is no way he can live normally, to try to fit in and reject his differences. Unfortunately, for Edward, the outcome of the film results in continuing life inside the empty mansion consumed of low key lighting signifying the lonely reality of his home. By making use of low and high key lighting, Burton provides the audience to comprehend the idea of what is real and what is only a fantasy. Though the notion of reality and fantasy can be identified by the audience through lighting, but low key lighting patterns in his films where the outcast character such as Edward and Willy Wonka ( for a temporary period of time ) is imprisoned to his or her own life unable to join the rest of the world.
The nature of humans is to seek happiness, which may possibly result in chasing illusions rather than settling for harsh realities. In “The Lamp at Noon”, Sinclair Ross uses the wishes of the characters Paul and Ellen, as well as their difficult situation to contrast the concepts of dreams and realities. Specifically, Ross displays the gap between dreams and realities through Paul’s hope for the land to return and his ideal of being a successful farmer to explain that what outcomes may occur if one neglects reality and blindly pursues their dream. Paul wishes to stay on the farmland and believes that the land will be able to cultivate crops. However, Ellen persists that where they are living is a “desert” and reminds him of “the lamp lit at noon” (Ross
Thomas Edison and Nikola Tesla were two of the most influential minds of the 1800s. Edison, the Wizard of Menlo Park, worked hard his whole life to achieve great feats in science. Tesla, the Master of Lightning, had a brilliant mind and contributed to an electronic growth that changed American history. Thomas Edison is such a familiar name, but Tesla on the other hand is more obscure. Edison is widely known by the American public, but his intellectual equal and adversary is often forgotten. Edison and Tesla were once friends and worked on many projects together, but an argument over a bet changed their friendship and the world forever (D’Alto). Both men challenged each other throughout their lives, and their differences in inventions, productivity, financial success, and fame should have etched their names into history for eternity, but that is not the case. Thomas Edison has always been in the hearts and minds of the American public as the greatest inventor, but the facts may proclaim Nikola Tesla to be the better man and more deserving of the public’s admiration.
It hints of danger when Peg sees a man standing in a dark corner of the room looking like it was a bad guy, so Peg got scared when she first saw him standing there. It also made the audience have a scary feeling. Tim also uses low-key lighting in the movie Bettlejuice, there was a moment when Adam and Barbra made this secret door inside their attic and it had a low-key lighting effect, so it made it look like it was dangerous because it was a mysterious door. Now I have listed some examples when Tim Burton uses low-key lighting in his