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Analysis of Charlie and the Chocolate Factory
Analysis of Charlie and the Chocolate Factory
Cinematic techniques essay tim burton
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Timothy Walter Burton , most commonly referred to as Tim Burton is an American who makes films , animations , and writes . He is often thought of for creating visually conspicuous films that are part fantasy and part horrific comedy . Some examples of films he has created are Big Fish , Charlie and the Chocolate Factory , and Edward Scissorhands . Audiences can truly understand Burton’s style through his use of cinematic techniques such as : lighting , sound , and shots/framing . Lighting helps viewers that watch Burton’s films see what is happening . Lighting tells the mood and gives audience a feeling to tell whether the scene would be pleasant or deceiving . In the movies Charlie and the Chocolate Factory , Edward Scissorhands …show more content…
Non-diegetic and diegetic sound effects how the audience feels in that part of the movie . Sound and music will shape the audience’s mood . In Charlie and the Chocolate Factory , Tim Burton uses non-diegetic sound for the movies introduction to the Chocolate Factory making chocolate by machine use only . Burton used dramatic and loud music to mold a sense of intensity and how the movie will be . In the movie Edward Scissorhands , there is a scene where Peg , the sales woman , knocks on Edward’s door with a giant antique door knocker to try to sell her makeup . This scene uses diegetic sound when the rusty knocker makes a loud bang on the door which creates a horrifying effect , giving a sense of how old the house is . In Big Fish , when Edward confesses his love for Sandra , without knowing that she was engaged , her fiancé beat up Edward . Using diegetic sound to over exaggerate the fighting noises from Edward getting hurt to give off an impression that the fight is more dramatic than what we hear when people fight in real life . Tim Burton uses obnoxious punching sound effects to let the audience feel the pain Edward is going through in their minds
Tim Burton uses Music and sound when you see Edward in trouble it starts to play intense music like in the scene where he went down the hallway and went to the bathroom and cut the bathroom curtains it starts playing intense music every time he gets mad it kinda sounds like
The use of lights throughout the play did not vary often. Throughout most of the play, bright overhead lights portrayed the play’s main set room: a small town beauty salon. The lights created an atmosphere that was not only cheerful, but also warm and inviting. On each side of the stage, warm, more natural lighting was used to make the small outdoor areas more realistic. Lights were also used to convey
Tim Burton, in Edward Scissorhands, uses high key and low key lighting. For example, Peg’s town is flooded with high key lighting in order to make the outside seem joyful and peaceful. The outside may look cheery and bring, but most of the people living there were not the most pleasant people. The women gossip and create rumors; the men are rude and conceited. He used low key lighting in order to make the audience feel anxious about the upcoming events. An example would be when Peg walked up to the top floor of the mansion and noticed that someone was sitting in the corner. Edward’s shadow may have given him a frightening appearance, as he is a ‘man’ with scissors for hands. But Edward was a kind and caring gentleman. In conclusion, he used reverse lighting to add an irreplaceable, distinctive quality to his movies.
One of the techniques used to promote fear and suspense into the audience is the use of the music. This technique makes the audience afraid of the shark, whenever the theme song is played the audience is to expect another horrific attack from the deadly shark, which adds a lot of suspense and build-up to the scences following. Spielberg uses this particular sound to build-up the scene, such as in the beginning when the shark attacks the girl swimming. Spielberg uses this non-diegetic sound which is only heard by the audience, not by any of the characters in the film. A non-diegetic sound defined by film sound says, a sound neither visible on the screen nor has been implied to be prese...
For example, in Charlie and the Chocolate Factory (2005) Burton implements dim lighting during meaningful moments and bright lighting during more vibrant moments. This effectively conveys the tone set for the scene and maintains a clear balance in the scene. This helps the audience clearly understand the scene’s characteristics and its meaning to the film. Similarly, in Edward Scissorhands (1990) Burton utilizes lighting to set contrast between the characters. The superficial town is set in a bright, sunny setting, however, the lives the characters lead are quite the opposite of bright. These individuals spend their free time judging others and have no individuality whatsoever. Furthermore, Edward, one of the only characters who is kindhearted, is portrayed in dull, dark lighting. The lighting contrasts with his sweet personality to emphasize who is accepted and who is not. This contrast helps the audience understand the contradicting worlds of Edward and the frivolous town. In addition, in Big Eyes (2014) Burton implements lighting to show the slow transition of Margaret Keane’s life. The lighting depicts the dulling of her life as she faces troubles in her life. The use of lighting here helps the audience see the clear transition in Margaret Keane's life and clearly understand the conflict in her life. Similarly, Burton utilizes lighting in his films
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
Tim Burton is a well-known film directer and producer. He is known for his dark and somewhat gothic films that grab your attention. He chooses interesting cinematic techniques to produce strong awareness of the story. Burton uses sound, lighting, and camera angles to make his audience worried for the safety of the characters.
As, the scene fades back from black, non-diegetic sound takes place as the background sound source. Sound that hasn't been implied to be present in the action: added for the dramatic effect. The suspense in the scene is constructed from this sound. Furthermore, props throughout this movie are essential, the audience are
The film starts out with orchestral music, and shows James Dean's character, Jim, drunk on the ground of a sidewalk. The sound of a police siren is heard and used as a transition into the next scene that takes place, understandably, in a police station. While in the police station, Jim is yelling along with the sound of the siren, and humming loudly to give the impression that he is drunk. At one point in the scene he is brought into another room with an officer, and begins to punch a desk. The sound effects are loud, and the he pauses, and music begins again when he begins to hurt. Again, a siren is played at the transition to the next scene. However, for the most part, score music is played during all transitions.
The various show tunes from actual “toons” are all comedic and aimed at children while other elements, such as sexual innuendos, are aimed at adults. To properly transition “Who Framed Roger Rabbit” into the horror genre, the sound must be completely overhauled. The music should be more grim and ominous to give the viewer the sense that no location in the film is safe from any horror elements such as jump scares, suspense, and loudness. The music in the beginning of the film should also be altered to set the tone of horror in the film. The next sound aspect to be changed is the film’s dialogue. The dialogue is very comedic in “Who Framed Roger Rabbit” so it must be slightly changed to give a more suspenseful type of feeling to set up the viewer for a scare. The ambience in the film’s various scenes must have an echoic, ghastly feeling for the viewer to hear the terrifying atmosphere. Sound effects like these will give the full horror effect to completely alter the comedic and dramatic nature of “Who Framed Roger Rabbit.” Finally, the last key element to be added is silence. The film has many scenes where sound is heard, but almost no scene depicts complete silence. Silence can bring a certain feeling of helplessness to the viewer because they won’t know what is going to happen next. Sound is a key aspect of “Who Framed Roger Rabbit”
Director Tim Burton has directed many films. He started out working at Disney, but shortly after he decided to make his own films. He split away from Disney because they wouldn’t let him add the scariness and darkness he has in his films. After he left he created many great films and also developed his own style. He uses many cinematic techniques in his films for example he uses close-up camera angles on symbolic items, he uses music to show foreshadowing, and he uses lighting and color to show mood
Next, we hear Norman’s voice as he yells “mother, oh god, mother, blood, blood”; his voice, is a very distant, reverbed, non-diegetic wet sound. Afterwards, we hear the soundtrack, which is non-diegetic, playing simultaneously along Norman’s figure in frame. The reason behind it, is a way to demonstrate that he is, indeed, the killer, hence why the same track takes part when the killer commits the crime as well as when Norman approaches the room.
Sound is an extremely important element to a film. Music, the sound chosen in this scene, is categorized as non-diegetic, which means that the music is not in the story world. The directors use deep, dramatic, intense music when Nick is interrogating Judy about her speech. The music in the scene helps the audience feel the anxiousness that Judy is feeling towards predators, particularly Nick. As the music plays in the background, the intensity of the scene grows immensely. The directors use the music to help heighten the emotion during this encounter and reveal Judy’s inner fear of predators that gets the best of her in this
...te the mood and feeling that he wants from the film. In The Girl With the Dragon Tattoo sound effects are used in a very subtle manner to motivate large pieces of the plot. For example, in the scene when Martin Vanger allows Mikael into his house and treats him to wine and dinner, a constant whistling of wind can be heard until Martin eventually gets up and closes the door, allowing Martin’s mistress to reveal that nobody knows that she is there, and thus giving Martin the ability to kill her. This sound effect returns later at a very pivotal point in the story when Mikael breaks into Martin’s house to find evidence, and is caught by Martin because Martin hears the whistling of the open door and goes to close it. It is this kind of attention to detail that causes Fincher’s films to be so articulately entertaining, yet also extremely deep and important to his time.
According to Burt, an author who explains in his book that each type of music impacts films differently and it helps the film to create the atmosphere that is felt in the music. He mentions some of the main music types used in films, such as "Fearful /Tense", "Miserable/Unhappy", "Upbeat/Jolly", "Enchanted/Magical", "Energized/Action" and "Startling/Tense". The most common music type that is used frequently to create an atmosphere is the Terrifying or Scary, because it is suitable a lot for horror films. Horror films try to scare us by using a frightening sound of music that will help intensify the fear in us while watching. For example, as they speed the scary music, it will create a feeling if somebody is running after us or is getting close to harm us. Burt explains that the directors of films make sure to use the appropriate type of music that matches the film genre. Another example is the use of happy upbeat music a lot in films for kids, and soft beat love songs are used in romantic films. Without music the audience wouldn’t be able to experience the story and the atmosphere that is presented in the