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The archetype of shadow in literature
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Neil Gaiman’s American Gods is in a modern society, but with a twist. The twist is that there are a bunch of Old and New Gods, which all range from Norse to Egyptian ones to just plain old made up ones, like “Mr. World” and “Media” and “T.V Lady.” The main argument here is to believe and discovering oneself. To show this theme throughout the story, the main character Shadow his constantly visited by the buffalo-man in his dreams, that give him advice throughout his travels. The one thing that sticks out most to Shadow is the piece of advice that he tells him is to “Believe”. Shadow is constantly met with Old Gods who give him valuable lessons in life as well as helping him in his journey to stop the coming war between Old and New Gods. Although there are some hints of magic within this piece, they are brushed off to the side by Gaiman as dream-like moments from Shadow. Shadow starts off normal getting out of a prison, but then is suddenly thrown into a fantasy-like scenario. Overall, Gaiman is showing a connection between his readers and the world he creates in his novel.
Some common elements and subjects is the made up factor
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She loses her marriage prospects when her boyfriend falsely claims to have deflowered her before marriage. Leesha's reputation is ruined and she becomes an apprentice to the village gatherer, a sort of medicine woman with knowledge of herbs and potions. She uses this knowledge of herbs and potions to fight off demons. On the other hand Rojer's house wards fail when he was a small boy. His family is killed by demons, but he escapes with a traveling jongleur a kind of bard who entertains villages with songs and tricks. Rojer becomes the jongleur’s apprentice and becomes a master fiddle player. He can control the demons with his fiddle playing skills, which help calm the demons down and control them. The three of them finally meet paths and set out to be humanity’s hope against the
In Shadow House:The Gathering, by Dan Poblocki, he writes this book in 3rd person omniscient. He includes horrific pictures and events that happen in the book, so this book’s genre is horror and mystery. He makes the book nerve racking, engaging, and a terrifying adventure. This book includes 215 pages of non-stop thrills.
In Native American literature, both creation myths and trickster tales were frequently told and passed down through generations upon generations orally, and then eventually written down. A creation myth is a tale that tells of how the world began or how people first came to live here, while a trickster tale is a short story that tells of a “trickster” with vacuous behavior, whose actions are meant to teach a lesson. Both types of literature are still relevant in modern society, whether it’s through pop-culture or re-told stories, and continue to guide individuals through their life, teach lessons about life on earth, morals, and human nature.
...ere watching the actual God. In this work, the events and nouns in nature symbolize the presence of God; whether it is beautiful and giving such as the pear tree, or destructive and vengeful such as the hurricane. Many events of the book revolve around the weather and the climate, the seasons, and it shows that religion is open-minded, and that it can be interpreted in many different forms.
They have been called "gods." These almighty, powerful beings that are far too superior for us to understand; or so most of us have been made to believe. Some may say he is a Great Examiner, others could say he is the Creator. Some could even say he doesn't exist. Frankly, what I want to emphasize is how such beliefs could reduce even the bravest and strongest of us all to a whimpering child. Something that we ar...
From before the dawn of civilization as we know it, humanity has formed myths and legends to explain the natural world around them. Whether it is of Zeus and Hera or Izanami-no-Mikoto and Izanagi-no-mikoto, every civilization and culture upon this world has its own mythos. However, the age of myth is waning as it is overshadowed in this modern era by fundamental religion and empirical science. The word myth has come to connote blatant falsehood; however, it was not always so. Our myths have reflected both the society and values of the culture they are from. We have also reflected our inner psyche, conscious and unconscious, unto the fabric of our myths. This reflection allows us to understand ourselves and other cultures better. Throughout the eons of humanity’s existence, the myths explain natural phenomena and the cultural legends of the epic hero have reflected the foundations and the inner turmoil of the human psyche.
Ged, the main character in The Wizard of Earthsea, by Ursula K. LeGuin, through an act of pride and spite unwittingly unleashes a powerful shadow creature on the world, and the shadow hunts Ged wherever he goes. After failing to kill Ged the first time, he learns the only way to destroy the shadow is to find its name. What Ged must realize is the shadow was created by the evil in his own heart. Also, the shadow is not entirely evil, and Ged can actually draw strength from it. In doing so, Ged will realize that the only way to discover the shadow’s name is to discover that he and the shadow are one. Carl G. Jung in Man and His Symbols, describes the shadow as containing the hidden, repressed, and unfavorable “tendencies” of the conscious personality. “Such tendencies form an ever-present and potentially destructive ‘shadow’ to our conscious mind.”
Caldwell, Richard S. The origin of the gods : a psychoanalytic study of Greek theogonic myth
...vior. In that same realm, Mink finds salvation as a repentant and punished sinner. On television and in the novel, harmlessness always prevails.
Myths relate to events, conditions, and deeds of gods or superhuman beings that are outside ordinary human life and yet basics to it” ("Myth," 2012). Mythology is said to have two particular meanings, “the corpus of myths, and the study of the myths, of a particular area: Amerindian mythology, Egyptian mythology, and so on as well as the study of myth itself” ("Mythology," 1993). In contrast, while the term myth can be used in a variety of academic settings, its main purpose is to analyze different cultures and their ways of thinking. Within the academic setting, a myth is known as a fact and over time has been changed through the many different views within a society as an effort to answer the questions of human existence. The word myth in an academic context is used as “ancient narratives that attempt to answer the enduring and fundamental human questions: How did the universe and the world come to be? How did we come to be here? Who are we? What are our proper, necessary, or inescapable roles as we relate to one another and to the world at large? What should our values be? How should we behave? How should we not behave? What are the consequences of behaving and not behaving in such ways” (Leonard, 2004 p.1)? My definition of a myth is a collection of false ideas put together to create
Slabbert, Mathilda, and Leonie Viljoen. "Sustaining the Imaginative Life: Mythology and Fantasy in Neil Gaiman's American Gods." Literator 27.3 (2006): 135-155.Humanities International Complete. Web. 9 Feb. 2014.
Throughout the course of a lifetime, a common phrase heard is “don’t judge a book by its cover”. This phrase indicates the fact that it is nearly impossible to truly evaluate the life and feelings of a person just by what can be seen about them. This is the case in the film Citizen Kane, directed by Orson Welles. Charles Foster Kane is a man who would appear to the general public as having it all. A very popular man, Kane owns a successful newspaper company for which he is known worldwide. He builds a gigantic mansion for his second wife and himself, surrounded by intricate and expensive statues. Kane seems to be perfect in every single way, and one may think that he is the happiest man alive. However, Charles never had the things that
Campbell, Joseph. The Masks of God: Creative Mythology. New York: The Viking Press, Inc., 1968.
As human beings, we are designed to belive in something. Although the belief in a higher power or religion is diverse, many theologies share common themes. “The Epic of Gilgamesh” and the Hebrew book of “Genesis” are seemingly polar opposites. Christianity, demonstrated in Genesis, is monotheistic, and the Hebrews base their faith on their relationship with God. On the other hand, Sumerian philosophy, found in Gilgamesh, is polytheistic, and the Sumerian people base their theology on fear. Ancient polytheistic literature forms an archetypical pattern of the mortals trying desperately to please the gods. A mortal’s entire existence rests in the hands of the sometimes childish gods. In spite of this, these two stories
The myths which prove the contradictory behavior of the gods, acting as both benefactors and tormentors of man, can readily be explained when viewed in light of the prime directive for man, to worship the gods and not “overstep,” and the ensuing “Deus ex Mahina” which served to coerce man to fulfill his destiny as evidenced by the myths: “Pandora,” “Arachne, and “Odysseus.” Humankind and it’s range of vision over the gods beauty and power portrayed them to be benefactors but unseemingly it depicted their affliction towards humans.
Mythology: used in numerous religions to rationalize the unexplainable. The creation of the universe remains unknown to this day. Greek and Norse mythology concluded their own philosophy of how the earth came into existence. The creation of gods allows people to identify with their religion through shared characteristics. Brave tales of heroes represent the best qualities of man-kind: courage, wisdom, and devotion. Mythology allows people to feel a sense of belonging while also describing the creation, origin of gods and goddesses, and the heroic deeds of mankind.