The Socio-Aesthetics Of Pink Analysis

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In her article “The Socio-Aesthetics of Pink,” Elisabeth Camp, like so many other feminist mothers, struggles with what to tell her young and impressionable daughter about womanhood. Although she acknowledges the connotations that are associated with the color pink, she seems indecisive about how to react. While she wants to support her daughter’s fondness of pink, Camp also wants to educate her about the messages that are inevitably linked to the color. However, Camp’s ultimate indecisiveness on the issue encourages perfectionist ideals of feminism. Because of Camp’s mixed signals, her daughter is unreasonably expected to embody both princess and feminist stereotypes. Camp feels a responsibility to tell her children about the social consequences of wearing certain …show more content…

However, Camp doesn’t recognize what is being implicitly stated by her inaction. While it is possible for girls to overcome the confining nature of pink that Camp illustrated, it is just as likely that girls will end up with their own damaging conclusions about femininity. For example, Camp mentioned the marketing of pink, flower-embossed LEGOs to young girls. Perhaps toys like this do, as Camp suggests, support patterns of inferiority. However, a girl may also draw the conclusion that she needs to be both a LEGO architect as well as a dainty princess that resides in the castle she has just built for herself. Neither conclusion is healthy for a girl’s self-esteem. However, Camp denies their relevance because she believes young girls simply don’t understand the implications. Although most girls do outgrow the pink phase, femininity manifests itself in different forms as girls age, all of which are equally limiting. What Camp assumes to be blissful ignorance of the social implications of pink may actually be an outlet for stereotypes to begin corrupting a girl’s self

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