The Mormon Movement

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After the founding of the Church of Jesus Christ of the Latter Day Saints (LDS) in 1830, the church moved westward to spread the faith throughout the western United States and eventually abroad. The United States was seen as a staging ground for the spread of the religion, and spreading the religion in distant lands would establish the power and recognition of the Church. The imperial agenda of the Mormon Church and that of the United States mirrored each other for much of this decade, with the Latter-day Saints moving west in sync with the United States, “latching on to the American nation and supporting its interests,” and appreciating the opportunity to continue “missionary-led expansion… with the legal blessing of national governments.” …show more content…

A century before the establishment of the Polynesian Cultural Center, the Mormons arrived in Hawaii, New Zealand, and Samoa after a missionary’s vision in 1851 lead the Church to believe they had religious destiny in Polynesia and Israel. During this time, church leaders had been stating that the Polynesians might be descended from Lehi, an important religious figure in the Book of Mormon- particularly the Maori people. Upon arriving in Hawaii, the church sent missionaries to Lanai, but after corruption and difficult environmental conditions, the church refocused their efforts. In 1920, the LDS church built a temple in La’ie, a town on the coast of the Oahu island of Hawaii. La’ie, the home of the Polynesian Cultural Center and the Church College of Hawaii, became the main outpost of the Mormons in the Hawaiian Islands, and when the school opened in the 1950s followed by the opening of the Polynesian Cultural Center in 1963, it remained an incredibly important location for the Mormon …show more content…

The Polynesian Cultural Center provides entertainment and a tourist draw to the La’ie town, which makes money for the Church. This center was created for the tourist perspective, and the imperial gaze of tourism as mentioned in Haunani-Kay Trask’s From A Native Daughter applies here. The Polynesian Cultural Center is a “cultural theme park” which showcases seven Polynesian-themed villages representing the Hawaiian, Tahitian, Marquesan, Samoan, Tongan, Maori, and Fiji cultures for the tourists gaze, with the idea that a tourist could go to the Cultural Center and experience the “reality” of these island nations. In fact, the park promises to give three levels of performance: “theme parks and living museums, hotel entertainment, and fictionalized real encounters,” each of which are meant to make the tourist feel that they are experiencing these cultures

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