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The influence of technology on our society
Relationship between culture and technology
The influence of technology on our society
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Since the beginning of the industrial age, representations of technology have always been associated with eroticism and gender roles. Industrial machinery, as well as cars, have been framed as objects of sexual desire and invested of techno-erotic impulses. Engines and machines have been described through sexual metaphors and have been made an object of cult by artistic movements such as Italian Futurism. The passage from the industrial to the digital age has modified our relationship to technology and the awareness of our body through the use of technological objects –yet techno-eroticism still remains a central drive.
Why is technology a source of erotic thrill? A central motivation is the relationship with power. Technology provides control over power, and, by extension, power over the "Other". After the beginning of the nineteenth century, machines came to be perceived as threatening and uncontrollable entities, and thus made the object of displacement and projection of patriarchal fears towards female sexuality. The physical manifestations of industrial machines, such as size, shape and motions (thrust/pause/press), provided straightforward metaphors for human sexual responses, and the increasingly widespread use of cars made it possible to the large mass of consumers to experience the extension and transformation of the human body through exhilarating blasts of speed and power. The drastic changes in technology have brought a new kind of awareness. As an object of erotic attraction, electronic technology is of a different order from the industrial one exemplified by the car. The masculine power of size and motion has been replaced by the feminized and miniaturized intricacy of electronic circuitry. Re-production has supplanted production and space has become an abstract entity hidden behind the opaque screen of computers and electronic equipments. The more overt sexual connotations of power and strength of industrial machinery has given way to an ambiguous relationship with gender roles and sexual identity. Small size, fluid and quiet functioning computers, which provide the practical possibility to assume on-line personae, invert or blend gender roles. The erotic and exciting feeling experienced with electronic circuitry transgresses the notion of solely body control, in that cybernetics enables control over the information and, for those who own the technology, control over the consumer classes. Donna Haraway's call for a feminist embrace of technology is grounded on the recognition that the technological evocation of feminine metaphors in terms of appearance and functioning does not acknowledge the dangers hidden behind the process of miniaturization: "small is not so much beautiful as pre-eminently dangerous as in cruise missiles" (153).
In the stories from The Illustrated Man by Ray Bradbury, “The Veldt” and “Marionettes, Inc.” the abuse of technology is a frequent theme. In both stories, the characters were trying to escape a problem. In “The Veldt,” the technology could be easily controlled, so the kids figured out how to use the house as a weapon. In “Marionettes, Inc.” the husbands both thought they could escape their wives by using technology, but it backfired on both of them. One positive of technology is that it can be very helpful. In “The Veldt,” if the family hadn’t had so much technology in their house, using the playroom would have been a privilege for the kids. In “Marionettes, Inc.” the robots would have been a good idea, except the husbands were trying to misuse
Lorde’s 1978 essay “Uses of the Erotic: The Erotic as Power” explores this very inter-sectionality (-the description of way multiple oppressions are experienced) of sexuality, gender, class and race. In this essay, Lorde argues against a restricted use of the erotic; an example of this usage is pornography where the female body isobjectified, thereby never affording the female an opportunity to express and/or recognize
...istful portrayal of our affaire de cœur with technology and its larger socio-cultural insinuation is hard to miss. This is especially relevant to our current societal trajectory where the hand of technology is omnipresent. In this not so distant future portrayal of the world, the boundaries between man and technology have been erased, and the concept of privacy is defunct. It is a world where humans are more connected and in sync with their gizmos than fellow humans. Emotions are no longer defined as an instinctive, intuitive feeling, but a commodity that has been monetized by reducing it to binary code and installed in artificially intelligent operating systems. If this is the future powered by man’s technological genius, then it should give us all pause and make us think twice before we decide to distract ourselves with gadgets in the face of human interaction.
...or Cyborgs: Science, Technology, and Socialist Feminism in the 1980s.” In Coming to Terms: Feminism, Theory, Politics, edited by Elizabeth Weed, 173-204. London: Routledge, 1989.
Technology has improved drastically in the past few years, improving society a large amount, but what if these new electronics are not actually improving it but instead making it worse? What if all of these advances are only taking away humanities? Bradbury’s short stories “The Pedestrian” and “The Veldt” tell about technology in the future and what it will do to humans. Bradbury’s views on technology’s growth predict that technology takes away what makes humans, human.
In ‘A Cyborg Manifesto,’ Haraway uses proof surrogate and contemporary hypophora in order to make her ideas appear more concrete. Haraway focuses on the two main types of feminism she has witnessed and their connections to cyborgs in the way of balance. Through the use of rhetorical devices, Haraway makes her claim of comparing balancing human and machine to patriarchy and feminism in order to address her audience of feminists and possible feminists.
Karl Capek’s Rossum’s Universal Robots follows an unexpected theme of gender. Even though the main aspect of the book is robots who have no real gender the book explores societies ideas of masculinity but more prominently femininity. While this work was published in 1921 it’s misogynist ideas and language cannot be overlooked.
The technological advancements of recent years have been astonishing.Technology has evolved with humanity and been molded to fit the needs of people today. Brave New World by Aldous Huxley is a warning of over dependency on technology. Societal standards have changed drastically through the years thanks to the massive improvements in technology and the world. With that, the diversity available between the consumer and the standards of beauty have transformed. Proponents of technological advancements and its effects claim that it is harmless. However, a more accurate view of this issue is that over dependency will lead to a social downfall and the thin line between actuality and make-believe will become blurred.
Margaret herself saw robots until the early ‘70s, which was only a robotic arm and hand. And people never thought that these golems would widely serve in people’s daily life. Robots have so many advantages and can help people do something hazardous.However, the robots also have their hidden downsides, like men and women may fall in love with this artificial technology and think to the edge, what about the human nature? Remote sex? Remote kiss? “That’s one of the questions our robots — both real and fictional — have always prompted us to think
Even with Steampunk’s mounting popularity, the question of what exactly is Steampunk still finds its way on people’s lips, and for good reason. To the outside observer, Steampunk may seem to be something entirely unapproachable at times simply because the outside observer may know nothing of the genre, and therefore feel uncomfortable around it. This lack of knowledge is understandable, Steampunk isn’t necessarily taught in schools and the ‘punk’ sub-cultures aren’t exactly mainstream. It can seem complex and is often misunderstood as merely an ‘Industrial’ fashion with a few quirks.
In summary, both the article and the novel critique the public’s reliance on technology. This topic is relevant today because Feed because it may be how frightening the future society may look like.
Moreover, new technology advances are being produced every day, so people fantasise over them. Technological progress have driven the society unconditionally deranged. People always pursue the latest IPhone, tablet, or laptop, having possession of those items makes them feel “popular”, and
With the exposure and allure of ‘Coming’ technology presented, to past generations in the media they viewed, to the concepts and imagination of the ‘Now’ future technology for what has seemed almos...
In Conclusion William Gibson created a cyberpunk/ postmodernism tale that has blurred not only the physical state between mechanics and human anatomy, but has as well blurred the line between the natural and virtual world. He is making the reader contemplate how both software and hardware have influenced the natural world. Gibson’s fictional world would have not been possible without the existence of software and hardware, that is why the distinction between them is very crucial and play a different part within the text. Without these two things, the reader would not be able to comprehend and relate to Gibson’s view on how our society is interlocking with the advances of technology and the normality of today will no longer exist in the future.
Women’s and gender studies have interdisciplinary views on gender formation and the points of intersection with other subjects of concern such as religion, sexuality, nationality, race, age and class. Gender is not delineated by our analytical methodologies leaning on the social side of human kind and technology as just a constituent surrounding us, but these two have a close range relationship (Bobbie, 2008). Both gender and technology ideologies, as viewed in a historical and a social perspective, are dynamic. Technology, under this perspective, studies not only material things but also choices of humans, their knowhow and creativity, assumptions and the values explored concurrently from the people’s technological activities (Ada, 2008). Gender is simply an identity working as a symbol and a representation with the assumption that both male and female are alike.