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How does the media influence public perception
Media influence on the public
Media influence on the public
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The curse of the pharaoh originated from the inscription on the walls of King Tutankhamun’s tomb warning intruders that “they who enter this sacred tomb shall swift be visited by the wings of death”. It evolved from the time of the opening of the tomb to the present. The belief in the superstitions of the time and the influence of the media upon the public in an effort to move the news out of the mundane stories it had focused on since the end of the war was influential in its increasing popularity among the populace. With the large variety of sources connecting incidents to the curse of the tomb, it grew from the death of Lord Carnarvon to today’s conglomeration of stories. The newspapers follow the evolution of the curse at its beginning …show more content…
Newspapers from around the world were prepared for the story, but they were infuriated about the Time exclusive so they were looking for anything to undermine the excavation. This can be seen in all the newspaper articles: “Howard Carter, of Tutankhamun Fame, Very Ill”, “Scarabs of Ancient Pharaoh Strike at American Savant”, “Peer Leaps to Death, Ninth Victim of King Tut’s Curse” and “Curse Fears Win Laugh”, which were from The Atlanta Constitution, The Washington Post, and the Los Angeles Times. Throughout all of them, they keep a running theme of the deaths and their connections to the tomb of Tutankhamun, specifically the death of Lord Carnarvon. With his death so soon after the opening, they latched onto his death as a source of news. Taking all the circulating superstitions, the world-wide phenomenon known as the curse of the pharaoh was invented (Luckhurst,1-3). The newspapers took his death to new heights and found incidents to connect back to the opening of Tutankhamun’s tomb such as when Carter got sick days before they began to bring the sarcophagus out of the tomb (“Scarabs”, 1). This can be seen with the deaths of all that were involved with the tomb. The deaths were secondary to their connection to the tomb; in addition, with the search for something sensational in the post-war era after World War I, anything exciting was pushed to the forefront of the news to appease their bored readers …show more content…
According to “The Mummy’s Curse”, there was no curse inscribed anywhere (“The Mummy”, 3). This supports Nelson’s conclusion that the curse was simply a hoax that did not exist; moreover, it shows that the media did incite the curse of the mummy (Luckhurst, 2). However, there is no actual clear base for the legend of the mummy. Carter is quoted as saying, “all sane people should dismiss such inventions with contempt” (Luckhurst, . In “The Mummy’s Curse”, it goes into further depth about the various famous stories that were the basis for the curse that parallels with the variety of tales mentioned in all of the newspaper articles. It ends with the conclusion that the curse does not exist and in a study by Dr. Mark Nelson in “Old Legend Dies Hard”, he has proved that their lifespans were not
The Mummy Case of Paankhenamun has great significant in that it provides us with very fundamental evidence from ancient history. It does not only exhibit a complex form of art, but it also demonstrates the religious practices of ancient Egyptians in association with their beliefs in life after death, as well as their great fascination with immortality. It not only teaches us about the great science of mummification, but it also provides us all with the incredible opportunity to learn about the life of an ancient person.
Perhaps the most notorious of burial practices originating in Egypt is that of mummification. Why such an extraordinary attempt was made to preserve cadavers may seem
Some people believed in the cursed and some people thought it was baloney. Carnarvon one of the people that worked there got killed. The thing that killed him started small he got bitten by a mosquito but then he cut the mosquito bite when he was shaving then he got blood poisoning then had to go to the hospital. Next was Sir Bruce Ingham cater gave him a paperweight as a gift and inside was a mummy's bracelet the said: "Cursed be he who moves my body." I'm sure "and severs my hand to use it as a trinket" then a few days after Carter gave the gift his house burnt down. The next victim was George Jay Gould he visited the tomb then got sick and died. Then Carnarvon's brother lost his vision then hey thought to pull out his teeth he would get his sight back but that didn't work instead he got blood poisoning and died. Then Hugh Evelyn-White was so afraid of the cursed he killed himself. Next was Aaron ember he was friends with a lot of people that opened the tomb then his house burnt down he could have exited safely but he wanted to give after x-raying king tut's body then got sick the next day and died three days later. Arab the book he was working on the Egyptian book of the dead. Richard Bethell was next she was carter's secretary she died in 1929 it was seven years apart but when you die at age 35 you have to think. The second last
Next, Poe mentions the "damp ground of the catacombs," which are a more obvious symbol of death. Eventually, Poe launches into a vivid description of the piles of human remains which line the walls of the crypt into which they enter. At this point, the morbidity of the symbolism is clear, and this symbolism has helped to create suspense.
One large coffin capable of fitting an adult and a smaller coffin presumably of a young child. The significance of the inclusion of a child’s coffin is an example of how slave life was hard on everyone, including the children of slaves who were slaves themselves. This is made further evident by the nearby wall containing photographs of the remains found at the site with the age and gender listed below each. I found this the wall of photographs to be particularly haunting not only because of the graphic imagery, but because it illustrates how young many of the bodies were. It is estimated that nearly forty percent of the bodies excavated at the burial ground were under the age of 15, with infants under age 2 possessing the highest mortality rate. Malnutrition and disease are considered to be the cause of the majority of deaths of slaves as a result of the poor and harsh conditions slaves had to live
Dried onions were stuffed into the ears of the mummies and along the bandages although the significance of this is still unknown. The modern examination of mummies has enabled us to ascertain various facts about everyday Egyptian life. The mummy of Maat-ka-re is a virgin. priestess had for thousands of years been thought to have been mummified. with a child in mind.
“No more, she lives no more, serpent in her room. No more, he has killed Cleopatra…” The “serpent” imagery here is the symbol of treason and disloyalty. Her angry lover compares her to a serpent. Rather than her being in her room, it is empty of her presence and instead a lingering feeling of grief and anger fills her empty space. “No more, he has killed Cleopatra” refers to two aspects: her death by means of the serpent, and her serpent-like character which was the cause of her demise. “Death” Could refer to his love interest figuratively being dead to him because of her
He dives into an evaluation of the Usher’s, “corpse, and a victim to the terrors he had anticipated” (335). This statement left a depressing vibe comparable to an opiate expression. There are a lot of valuable key words and phrases the reader can gather about the mystery in the story. The existence of a frightening tone is unmistakable: the metaphor used to make sense of the word gloomy, particularly "dull,” and "ghastly."
The writing style of Edgar Allan Poe shows the writer to be of a dark nature. In this story, he focuses on his fascination of being buried alive. He quotes, “To be buried alive is, beyond question, the most terrific of these [ghastly] extremes which has ever fallen to the lot of mere mortality.” page 58 paragraph 3. The dark nature is reflected in this quote, showing the supernatural side of Poe which is reflected in his writing and is also a characteristic of Romanticism. Poe uses much detail, as shown in this passage, “The face assumed the usual pinched and sunken outline. The lips were of the usual marble pallor. The eyes were lusterless. There was no warmth. Pulsation had ceased. For three days the body was preserved unburied, during which it had acquired a stony rigidity.” page 59 paragraph 2. The descriptive nature of this writing paints a vivid picture that intrigues the reader to use their imagination and visualize the scene presented in the text. This use of imagery ties with aspects of Romanticism because of the nature of the descriptions Poe uses. Describing the physical features of one who seems dead is a horrifying perspective as not many people thing about the aspects of death.
1. Head trauma on the young King "had led to the suggestion that his death resulted from an accident... It has also emerged the speculation that he was murdered"(Editors of Time of Life Book 149).
There has been a lot of evidence stating that the curse isn’t real. “He didn't even invent the idea himself--an editor suggested it to him.” declared Jack Rakove in his 2004 article “The Curse that Won’t Quit” He also writes about how
Scientist have done research that has shown Ancient Egyptian mummies were without any cancer or tumors. They are sure of this because during mummification, these types of things are kept inside the body. The absence of cancerous tumors in Ancient Egyptians show their rarity during these days. This indicates that cancer causing factors are restricted to societies with modern industry such as ours (Stevenson 1).
To begin in “South”, Trethewey alludes to a battlefield where the bodies of African-American soldiers are left to decompose. “Unburied until earth’s green sheet pulled over them, unmarked by any headstones.” (46) This is the only time in the collection that the speaker ever refers to an unmarked grave. This is significant as these men were intentionally left to decompose and in the present, there is nothing to serve as a reminder to them, to the sacrifices which they made. Because of this we do not remember them, and they are lost to history. The bodies are left for such a long period of time that the earth, which moves extremely slowly, has to take action and bury the dead. This same idea is articulated within “Providence” where there is “a swamp where graves had been.” (42) This is significant as it is a callback to an image seen at the beginning of the collection in “Theories of Time and Space.” In this poem, there is a man-made beach that is referred to “26 miles of sand dumped on the mangrove swamp” (1). If the reader remembers this line it brings up the idea of a person purposely dumping sand on these graves, erasing them from sight and therefore from
Superstition has been around almost since people first inhabited the earth. For this reason, it has played a main role in many classical pieces of literature. One of Shakespeare’s tragedies, The Tragedy of Julius Caesar, is full of superstition and the supernatural. It contained so much superstition in order to foreshadow key events in the plot, to further develop characters, and to thrill and relate to the Elizabethan audience for whom the play was written.
One is exposed to superstitions and curses from a young age as a way to blame something that could have caused the effect of the circumstance. There are a few superstitions that people believe in today: If you walk under a ladder you would receive bad luck, knock on wood to avoid bad luck, avoid a black car, or break a mirror and you would acquire seven years of bad luck. Superstition is an illogical belief in supernatural influences that evolved due to ignorance or fear of the unknown. Superstition and curses can't be proved with physical facts or logical evidence from scientists. However, superstitions and curses are believed by humans because of supernatural beliefs and try to find fault in these superstitions then find a rational explanation.