Although the international limelight has not shined on Teodoro Fernandez, in his adopted country of Chile he plays a significant role in her architectural development. By the virtue of his longevity, travels and influences, his impacts span horizontally both in the professional and academic settings. Shortly after being born in Spain, Fernandez’s family immigrated to Chile; perhaps his family, like a lot of other European families, saw prospect in starting a new life. Later he attend Pontifica Universidad Catolica de Chile (U. Catolica), however he did not finish his studies there, he later briefly moved back to Spain to finish his schooling and worked for a few years . Fernandez later moved back to Chile and worked under Mario Perez Arce for …show more content…
It is the largest of the universities system campus and it adopts the ‘american’ style urban layout; detached buildings with plenty of green spaces in between. In the heart of the campus is the Chapel; it is meant to provide an introspective and personal refuge from the demands of schooling and life. It is not the tallest building on campus nor does it prominently stand out (unlike Aravena’s Siamese Towers); minus the bell tower, if one did not look hard enough they might confuse the Chapel for a typical classroom building. Personally, as someone with a more conservative background I am not sure, considering that it is a Catholic institution, that such characteristics are appropriate. St. Thomas University’s Chapel of Saint Basil is the most prominent building on her campus with its playful façade that is different from the typical style of the rest of its campus; it is a place of importance. In addition to the San Joaquin campus being designed as an ‘American’ style campus, the chapel itself takes ‘Protestant’ floor plan, Fernandez does not hide this fact stating takes precedence with the “historical allusion to the courts of the American temples of evangelization” . Nevertheless, the characteristics are emphasize placed on the acoustics and visual connection to the pulpit with seating taking an auditorium style layout in the square or rectangular space. This goes against the classical Catholic churches and chapels which place emphasize on the plan. Other than taking the shape of the cross, many churches try to tell a story as one walks from the doors to the pulpit, which allows for the possibility of a ‘transformative’ experience to the user. As one enters the door through the San Joaquin Chapel they have an immediate 180 degree view of roughly three-quarter of the chapel which I feel can lead to stimulus overload and lack of concentration. I also find it did not help
Teodoro Moscoso was born in Barcelona on November 26, 1910. His mother, named Alejandrina Mora Fajardo, was a Spaniard from the Balearic island of Majorca. His father, also named Teodoro, was a pharmacist. He wanted to have a son that could help him accomplish, a branch of pharmacies through Puerto Rico. Moscoso attended school in New York and became a good English speaker. He graduated from Ponce High School; soon after this, he was attending the Philadelphia School of Pharmacy. After studying there for 3 years he insisted to his father, to transfer him to the University of Michigan. He wanted to go there because it offered liberal arts courses which he wanted to study. After graduation in 1932 Moscoso returned to Ponce to work at his father’s pharmacy. He married Gloria Sánchez Vilella, sister of future Puerto Rico governor Roberto Sánchez Vilella (1965-1969).
In de-emphasizing the role of the Church, it’s rituals, and offices, and supplanting them with a more direct and personal approach to God and spirituality; the Protestant Reformation, through the works of Martin...
Ray Bradbury’s love for fantasy encouraged him to become a writer and to publish many books. Fahrenheit 451 is one of the many books that Bradbury published. This distopic, futuristic novel is based when color TV was hot. The Cold War was in play as well so, mix up Cold War with color TV and you get the scenery for Fahrenheit 451. You’ll get the fear that the government will step up and control anybody’s personal things that they do every day. What I’ll be talking about is my perspective of how good or bad this book came out to be.
The story begins in Key West, Florida where Theodore "Fats" Navarro was born of mixed Cuban-Black-Chinese parentage on September 24, 1923. His musical training began early with piano lessons at age six, but he did not start taking music seriously until he took up the trumpet at age thirteen. He became good during his high school years. He also played tenor saxophone and played briefly with Walter Johnson's band in Miami. Apparently Fats did not care much for Key West. He was once quoted as saying "I didn't like Key West at all. I'll never go back." So, after graduating high school, he joined Sol Allbrights's band in Orlando, so Fats traveled with him to Cincinnati, and took further trumpet lessons from an Ohio teacher. He then went on the road with Snookum Russell's Indianapolis orchestra. Russell's group, a band well known in the area in the 1940s, proved to be very good for Fats. It was a place where he developed, experimented, and made mistakes that no one would remember before heading on to the national stage. Fats stayed with Russell for about two years (1941-42) and became their trumpet soloist. Fats worked next with Andy Kirk and his Kansas City "Clouds of Joy." Here he made a friendship with trumpeter Howard McGhee.
When entering the Basilica one intakes the view of the catenary arches with light figures hanging down above them as well as beautiful Main Alter with the original paintings and statuary. The first thing at the door of the Basilica is a large black that holds the holy are. On the left there is a gothic style baptisrty The walls of the Basilica are white with several paintings hanging from them. On the right midway though the Basilica stand the Christ of King Shrine against the wall. On the left side midway though the Basilica the entryway to the chapel in which has the “Our Lady Bethlehem Shine”. The Our Lady Bethlehem Shrine is very important to the mission because, “thousands of pilgrims come every year and pray tour Lord through her intercessions.” At the foot of the alter the gave is Junipero Serra is placed, making this Basilica so significant. To the right of the alter there is a glass in casement with the relics of the coffin of blessed Fray Junipero Serra. “The pieces of the original casket which fallen to decay were set aside for safekeeping and now exhibited here in the reliquary.” The exit of the Basilica is on the left hand site at the very front near the alter. This exit then leads to the Mission’s Main
As I walked into the first gallery, I saw a wood sculpture that stood in the center of the room. This carving depicted “the crucified Christ, flanked by the Virgin Mary and St. John the Evangelist with Angels holding instruments of the Passion”. It was painted oak and very appealing to the eye. It stood approximately 15 feet in the air. The origin of this sculpture is unknown, but it was found in a Belgium church. This kind of sculpture usually stood at the entrance or at the center of the alter in the church facing the congregation. This image of the suffering Christ relates to the Christian ideas of suffering and Christ’s salvation of all mankind.
Ziggy Marley once said, “God is like the sun. When the sun shines, it shines for everyone. God is for everyone.” In the same way, Abbot Suger built the Basilica of St. Denis so that sunlight would flood throughout the building and symbolize the power of God inviting visitors into the cathedral. The Basilica of St. Denis was an artistic response to the rise of the Catholic Church’s power for it was modeled to be a physical representation of heaven, which the church heavily preached upon. (Thesis) As the basilica represented the shift from Romanesque architecture to Gothic, Abbot Suger introduced new techniques that transformed cathedrals to look more spacious and “heavenly”. (Map Statement #1-Art History) By allowing sunlight to come through the large windows, Abbot Suger instilled the Neo-Platonic idea that the sun was the physical representation of God. (Map Statement #2 –Philosophy) Also, at that time, the church was rising in power, so the new structural style of the basilica brought more converts and eventually more power to the church. (Map Statement #3 –Social Institutions) [Insert Literature Map Statement] The Basilica of St. Denis was built so that worshippers would be in awe of the “heaven-like” setting, which would cause more people to declare their faith to God and to the church.
Throughout the piece, Lopez tone reflects a strong reverence for Pena, demonstrating his interest in the subject. For example, he describes how Pena’s work highlights the “soul of Bogota” and is a “hard, translucent jewel of integration” (Lopez). He emphasizes how he admires Pena’s ability to encapture the beauty
Democratic Representative Ruben Hinojosa of the 15th Congressional District was first elected in 1993 and is currently serving his ninth term in the 113th Congress (Hinojosa, Biography, 2014). Hinojosa is considered to be a supporter for the underprivileged and has distinguished himself as a strong campaigner for the Hispanic minority, education, housing and economic development (Hinojosa, Biography, 2014).
From the Catholic observation point, the Church presents two parts: One representing its divine nature as the untarnished body of Christ, and one direc...
As I walked up the street toward the front of Grace Cathedral, I was in awe at the size and ornateness of this cathedral. It was tall and wide and looked very much like the churches we had been studying in class in the prior weeks. As I got closer and closer I began to make out The Ghiberti Doors, also known as the gates of paradise. These are the main cathedral doors made out of bronze, and are replicas of the originals which stood centuries ago at the east entrance to the Baptistry of Florence Cathedral (the Duomo) Italy. I approached and spent about fifteen minutes, just examining all the different engraved scenes within the ten sections in the two doors. After I had finished looking at the Ghiberti Doors, I entered through one of the side doors, since you are not able to use the Ghiberti Doors, because they weight too much. Before I stepped inside the cathedral, I pulled out my text analysis and read over it, so that when I entered I could examine whether or not this cathedral exuded the same sacredness as the cathedral in the text analysis. I feel this Cathedral really does exude not entirely the purity of heaven, but does seem to somewhat separate you from the outer world, as Abbot Suger spoke of. Also, it brings in some of the surrounding beauty from St. Denis, such as the sapphire and stained glass, as well as the gold plating.
People disappear for several reasons; it could be to start a new life, it could be to hide from someone or it could be because someone doesn’t want you found. This paper is about the disappearance of Yessenia Suarez and her two children. Can the police determine if a crime was committed and by whom? This paper will describe the evidence and the timeline of events in the case.
Within the third chapter, Conversion, Nees offers the idea that the use of multiple religion 's iconography was not a method to induce conversion, rather it was a result of environment. Nees explains “Greek and Roman temples were recognizable by such features as pediments and colonnades, but Christians used any convenient structure” (p. 47). With this assumption in mind, we look to the Baptistry of the Christian meeting-house of Dura (p. 40) where we are presented traces of Greek and Roman architecture. The section of the room that is dedicated to the actual act of baptism is marked by columns and a curved ceiling that resembles a triumphal arch. Future depictions of the ancient architecture can be seen in the Gospel of St Augustine where St Luke is flanked by corinthian columns, while an arch like design sits above him (p. 154). Nees acknowledges this alternative approach to his thesis, but unfortunately does not go into as extensive detail as he did with his main
It was magnificent. The first thing to catch my eye was a monstrous chandelier that hung from the 50 foot ceiling. It was awe inspiring. As my eyes surveyed the room, it was hard to miss the antique maple pews that provided seats for approximately 300 people. Plush emerald green carpet was the grounding to the room. It's path led directly up to the stage which was home to a variety of items. The band, pulpit, arid baptismal were the most obvious. Above the stage was a huge dome, it was colored in shades of blue, mauve, white, and several other soft accents. A bright light was right in the center of its point. Our gazing was soon interrupted when the official greeter returned. This time she was quick and to the point. She collected our cards and informed us that service was about to begin. Within a matter of minutes, a middle-aged man stepped up to the pulpit and asked us to stand.
When I was a child I used to be frightened of entering such a place for it seemed so imposing and somewhat dangerous, especially when music was being played. One day, in order to keep a promise I had made, I saw myself forced to enter. It took me quite a while to get the courage to pass through the old oak door, but the moment I stepped in, I realized just how enchanting and breathtaking this building could be. Its fantastic architecture and exquisite frescoes reflect perfectly the unity between this earth and the unseen kingdom of angels in such a manner that one cannot say where one ends and the other begins. The way in which the church was built is also the vivid testimony of a medieval period. Although it is a place that can sometimes be cold and ask for respect it is where prayers are answered and magic is done. An overwhelming feeling of inner harmony takes over you once you enter and God seems much closer. Darkness and light are welded perfectly together creating Redemption’s house. The tower allows you to see the entire town from the smallest river to the biggest building site, offering you its mightiness.