Being a woman is already difficult enough for some of them. There are constant reminders everywhere of how they have to act and what they have to do. Sandra Cisneros’ short story collection Woman Hollering Creek and Other Stories discusses the issues that most Chicana women go through in this country. Sandra Cisneros portrays the sense of otherness, fears, battles and worries Chicano women go through. In the story “Barbie Q” the little girls play with barbies, and these barbies portray the oppression of one culture by the dominant culture. When they play with the dolls, one of the girls tells the other one, “Yours is the one with the mean eyes and ponytail” (Cisneros 14). With this observation, the little girl shows that she has had uncomfortable …show more content…
Partricia Benavidez, the girl who goes missing is hated by Patricia Chavez. Even when she goes missing, she feels no empathy for her and thinks that “she couldn’t even die right” (Cisneros 40). Patricia Benavidez is represented as a well-liked and smart young girl, and Chavez dislikes the attention she gets. When the reporters come to her school to interview people who know Benavides, Chavez proclaims, “Even the p.e. teacher who had to say nice things—she was full of energy, a good kid, sweet. Sweet as could be, considering she was a freak. Now why didn’t anyone ask me?” (Cisneros 36). She notices that everyone else sees how nice and smart the other Patrcia is, but Chavez condemns her for being the way she is. It is as if Chavez is some type of judge that represents society and their standards. The women who are nice, sweet, smart, and try hard to get what they want end up being judged the way Chavez judges …show more content…
As young girls in the Mexican American culture, Chicana women are sometimes told to marry someone that lacks traditional values, as most Mexican men do. This story starts with the narrator stating, “Never Marry a Mexican, my ma said once and always” (Cisneros 68). This is the constant reminder that most Chicana women get by their parents. By never marrying a Mexican, however, they do not mean not to marry someone who has Mexican descent, and Clemencia seems to have misunderstood her mom’s advice, and this makes her feel out of place between the two cultures. Considering the traditional values of Mexican men, her mom wants her to marry someone more Americanized, someone who is more traditional and can give her more freedom. This advice led to Clemencia to take it into a different context. She rejects Latino men, and she sleeps with White men. This confusion makes her feel as if she does not belong in the Latino culture, and by sleeping with men of the American culture, she is just the other. She is not the wife; she is an
Blackwell puts together the first book-length study that talks about the roots of the Chicana movement. She talked about all the struggles that they faced for being activist; and the real life stories of what other women went through. Being an activist does not seem easy but the way they fight for what they believe in, can influence many other women who are scared to stand up for what they believe. As Blackwell stated in the acknowledgement vii, stories do have the power to inspire, transform and
North Americans and Mexicans must also attempt to overcome the ideas that women should be seen and not heard. In Anzaldúa’s words, “Hocicona, repeloma, chismosa, having a big mouth, questioning, carrying tales are all signs of being mal criada. In my culture they are all words that are derogatory if applied to women – I’ve ever heard them applied to men” (2947).
Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao is focused on the hyper-masculine culture of the Dominican, and many argue that his portrayal of the slew of women in the novel is misogynistic because they are often silenced by the plot and kept out of the narration (Matsui). However, Diaz crafts strong women, and it is society that views them as objects. The novel recognizes the masculine lens of the culture while still examining the lives of resilient women. In this way, the novel showcases a feminist stance and critiques the misogynist culture it is set in by showcasing the strength and depth of these women that help to shape the narrative while acknowledging that it is the limits society places on them because of their sexuality
In the beginning of “Barbie Doll”, pleasurable and unpleasurable imagery is given so that the reader can see the extremes girls go through to be considered perfect.
In Marge Piercy’s, “Barbie Doll,” we see the effect that society has on the expectations of women. A woman, like the girl described in ‘Barbie Doll’, should be perfect. She should know how to cook and clean, but most importantly be attractive according to the impossible stereotypes of womanly beauty. Many women in today’s society are compared to the unrealistic life and form of the doll. The doll, throughout many years, has transformed itself from a popular toy to a role model for actual women. The extremes to which women take this role model are implicated in this short, yet truthful poem.
Intertwined in allusions to women of Mexican history and folklore, making it clear that women across the centuries have suffered the same alienation and victimization, Cisneros presents a woman who struggles to prevail over romantic notions of domestic bliss by leaving her husband. In the story Woman Hollering Creek, Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleófilas; a character who is married to a man who abuses her physically and mentally. Cisneros reveals the way the culture puts a difference between a male and a female, men above women. In Woman Hollering Creek, we see a young Mexican woman, who suddenly moves across the border and gets married. The protagonist, Cleófilas’ character is based on a family of a six brothers and a dad and without a mom, and the story reveals around her inner feelings and secrets.
In the story, “Barbie-Q” by Sandra Cisneros, two girls compare and talk about their barbies, paying close attention to the materialist details. The girls only have one Barbie and one outfit each. They struggle with their financial situation and pretend to have other barbies that are invisible, until a warehouse burns down and they are able to buy a few imperfect barbies. The central idea of this story is how easy it is to conform to social pressure in society of by pretending that life is perfect, hiding emotions, and hiding one's true self .
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
Sandra Cisneros’ novel, The House on Mango Street, examines various key issues within established social systems. As a bildungsroman story, not only is there much growth and development experienced by the character, but from the reader as well. This is because the novel challenges false preset notions that one may have of the main character’s culture. In tearing down custom barriers and voicing out painful truths, there is a deeper understanding of Latina culture in the United States of America. Sandra Cisneros empowers the women who are living in a patriarchal society and her main character, reinforced by her name, Esperanza, gives women just that, hope.
In “Barbie-Q,” Sandra Cisneros chooses a particular point of view in order to communicate the central points of this story. The story is narrated by one of the two young girls who are the main characters. The story begins with the following: “Yours is the one with mean eyes and a ponytail.” “Mine is the one with bubble hair.” (Cisneros 576) This clearly shows that the narrator is indeed one of the girls. Another part of the story reads, “Every time the same story. Your Barbie is roommates with my Barbie, and my Barbie’s boyfriend comes over and your Barbie steals him,” (576) This again shows that the narrator is one of the young girls because she uses words like mine and yours. There are also many other instances throughout the story that prove she is the narrator.
Judith Ortiz Cofer, a professor of english and creative writing, tackles gender roles as well as cultural stereotypes in “ The Myth of the Latin Woman” and challenges them by attempting to replace the stereotypes with the realities. In “The Myth of the Latin Woman” Cofer discusses her life in America as a Puerto Rican woman. She also shares her stories of when she was stereotyped and how gender roles play a role in how Latinos are viewed. Stereotypes will follow you around because of your appearance and how the media portrays Latinas.
Cisneros' Barbie-Q really stood out as a great piece of literature. Barbie-Q is a quick glimpse into the life of a poverty-stricken child and her way of life. Though my life as of yet has been rather short, my earliest childhood memories are overwhelmingly my fondest and her account really struck a chord. Sandra Cisneros' accurate reflection of a young mind and intricate writing methods expressed great emotion. Her portrayal of a child's mentality evoked my childhood recollections while her realistic tale of childhood bliss in the midst of poverty caused great empathy on my part making this my preferred work we studied.
The eternal endeavor of obtaining a realistic sense of selfhood is depicted for all struggling women of color in Gloria Anzaldua’s “Borderlands/La Frontera” (1987). Anzaldua illustrates the oppressing realities of her world – one that sets limitations for the minority. Albeit the obvious restraints against the white majority (the physical borderland between the U.S. and Mexico), there is a constant and overwhelming emotional battle against the psychological “borderlands” instilled in Anzaldua as she desperately seeks recognition as an openly queer Mestiza woman. With being a Mestiza comes a lot of cultural stereotypes that more than often try to define ones’ role in the world – especially if you are those whom have privilege above the “others”.
In the novel, The House on Mango Street, Sandra Cisneros describes the problems that Latino women face in a society that treats them as second class citizens. A society that is dominated by men, and a society that values women for what they look like, and not for what is on inside. In her Novel Cisneros wants us to envision the obstacles that Latino women must face everyday in order to be treated equally.
Stone, Tanya Lee. The Good, the Bad, and the Barbie: A Doll's History and Her Impact on Us. New York: Penguin Group, 2010. Print.