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Personal writing style
Narrative personal writing
Story for personal narrative
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Stavros, a student who studies English as a Second Language (ESL), wrote a short text about his experiences with his cousin’s dog named Suzie. The genre of the text is a personal recount which he has titled ‘My Animal Tale’. A personal recount is a description of an event in which the author is personally involved in. In this case, the student retells his past experiences with his cousins’ dog named Suzie. The text does not seem to be a personal recount in the form of an autobiography or diary entry which are other types of personal recounts, instead, it is more-so a narrative to entertain the reader.
Stavros conveyed his ideas/ideational meanings throughout his text quite well. He did this by incorporating many participants in which he acknowledged
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Some non-human participants included Suzie the dog, his cousins’ house, the park, the hole that Suzie dug, the soccer pitch and soccer game. The student also used a variety of processes (also known verbs/doing words). Stavros clearly informed readers of the actions that were carried out during the student’s experiences by using simple action processes such as ‘bought’, ‘walking’, ‘ran’, ‘dug up’, ‘kicking’, and ‘walked’; mental processes such as ‘forgot’, ‘thought’, ‘notice’, ‘knew’ and ‘didn’t know’; relational processes such as ‘had’ and ‘was’ and a saying process which was ‘talking’. Circumstances is the additional information that tells us about the time, place, manner, cause/reason and accompaniment around the event. Stavros demonstrated proper use of language to present the time of which things occurred through …show more content…
Stavros opened his text with a topic sentence: ‘My cousin had a dog a few years ago her name was Suzie.’ This gives readers a general scope of the theme and also structure of the text. Additionally, the information in this sentence informs the readers that he is writing about previous experiences (‘had’ – past tense and a few years ago). Stavros strongly portrayed theme by referring to Suzie in majority of his sentences. However, in paragraphs 4 and 5 the emphasis on Suzie becomes less prominent and shifts towards the hole that Suzie had dug. The hole that Suzie dug would come under the rheme which is the additional/remainder of information around the theme (Suzie). Another technique that Stavros used to convey textual meanings was through the use of lexical cohesion. Lexical cohesion are the word associations we make, used to avoid repetition and can also be used to extend ideas. For example, Stavros used ‘she’ throughout the text to refer back to the dog named Suzie who was previously introduced in the first sentence. Other reference items included ‘his’, ‘we’, ‘her’ and ‘it’. These reference items which Stavros included in his personal recount, are a great way to maintain cohesion, whilst keeping the reader engaged. He also uses connectives which are used to clarify, show time, add information, show cause, sequence ideas and condition. Some examples of connectives used in
In the short story “Eleven,” through the continuing use of first person, readers become emotionally attached and acquire a firsthand experience during Rachel, the main character’s, plight and not simply a perspective of the story from another character’s point of view. Since Cisneros incorporates first person repeatedly throughout the story with no change in point of view, the reader is able to grasp Rachel’s true thoughts and feelings. “…I'm crying in front of everybody. I wish I was invisible but I'm not. I'm eleven and it's my birthday today and I'm crying like I'm three in front of everybody. I put my head down on the desk and bury my face in my stupid clown-sweater arms” (Cisneros 37). Point of view considerably impacts the reader’s
“Eleven”, narrated by the young main character, uses first person and a minimal amount of second person to relate to readers and allow them to put themselves in the story. These particular points of view also provide readers understanding into how an eleven-year-old may feel. Likewise, Collier uses first person in her short story “Marigolds” to not only provide a connection for readers, but also to show the transition from childishness into adulthood in Lizabeth’s life. Her overall goal is not to allow readers to put themselves in the story, but rather for them to learn from and possibly change because of the story. She closes her story with this poignant sentence “one does not have to be ignorant or poor to find that his life is as barren as the dusty yards of our town” (11), providing the big picture perspective of what she wants to accomplish through her story. Point of view in stories allows authors to fully achieve their purpose in writing the story whether by causing readers to identify with the characters through second person and first person as in “Eleven” or to leave readers contemplating their lives and wanting to learn from the character through first
Many times, when an author writes a story, he will use different techniques to influence the way that the reader absorbs the work. Writers use both paratactic style and syntactic style. These two styles contrast each other greatly, but on the same term, they greatly compliment one another. In the book The Things They Carried, O'Brien uses both of these styles. In this essay, syntactic and paratactic style will be examined in the story "Sweetheart of the Song Tra Bong". Examples in the story will be examined and described according to the two styles of writing. The syntactic style will be focused on more intensely however, because of the way that it effects the sections of the story that will be discussed. It will also show that the historical context of the story effects the styles of writing.
The emplacement of cultural elements and themes may have restricted the speaker’s audience and lengthened the distance between the speaker and western audiences, but through the use of a first person narrative and universal ideologies a connection is still established. The use of a first person narrative may not be able to fully transcend the cultural barriers that exist in the story, but is able to shorten the distance between the speaker and the reader and create a sense of authenticity and truthfulness.
The author argues that she is not a “scholar of English or a literature” but instead a writer. She notes that she has always been interested by language in daily life, spending
By way of example, This Boy’s Life reads like the work of a writer who understands that he’s in fact “surrounded by stories” (Wolff 271). Additionally, its novelistic style and details have been altered in order to give Wolff’s memoir a fiction shape. Furthermore, much of the book was written in scenes, and dialogue which Jack felt it was due to his “good memory” (15). Not to mention that, “most of the people” Jack “lived with repeated themselves a lot” which allowed him to remember how certain characters spoke, and behaved while writing the memoir (26). Wolff’s book is entirely different from his brother’s Geoffrey’s book, which takes on a completely different view.
Within this story, Welty shows her use of diction by incorporating it perfectly in a cause and effect type sequence. For example she would first describe the librarian than proceed to add details showing how mean she is. After this she gets her mother’s help to obtain a library card resulting in her learning the rules and
What comes to mind when one thinks of the word ‘puppy’? It is probable describe a puppy as a lovable, adorable, and cuddly companion. However, one might also identify the animal as a menace and a liability or even as a delicious source of food. Why does this single word hold so many meanings? One’s past experiences and biases influences these conflicting views and attitudes. For instance, an individual’s fond view of puppies may exist because they were raised with puppies and consequently grew affectionate toward the animals. On the contrary, if another individual has not bonded with puppies as pets, then they will share the latter point of view. In the short story “Puppy” by George Saunders, the multiple characters view single events and objects with contrasting perceptions. Therefore, instead of painting a precise picture of the characters and the plot, the story expresses several views regarding the morals of the characters, the motivations of their actions, and the meaning of the events that take place. In “Puppy”, George Saunders explores the theory that perception is not an elementary, universal definition of an object or idea, but a complex interpretation that is influenced by one’s unique and varying past experiences and opinions. The complexity of perception is evident in one the story’s narrator’s, Marie’s, vantage point.
During Duffy’s freshman year of high school, she was assigned to write a fictional story and was sincere in letting the reader know she wanted to impress her teacher, although she struggled with writing a story she was confident in.“ When I received it, I was surprised to see on top, “Wonderful paper, have you ever thought of being a children’s author?”’ (29). Duffy's freshman English teacher, Mr. Wright, left a comment on her story that gave her a sense validation in her writing ability. This
Explaining that she is constantly writing, Radford describes her own writing process as something she undertakes in response to someone or something. Clearly outlining the notion of an encounter as that which allows her writing to occur, Radford establishes herself as a person who is
In this paper I will argue that the novel, The Horse and His Boy (Lewis 2002) is not only a story of adventure but self-discovery, told through literary tools that provide a deeper meaning.
The Author uses these examples to give us a way to see descriptive language in short novel.
Many authors use their own life experiences or situations when writing certain literary works, such as a poem or short story. One is able to see how this statement is true with D.H. Lawrence’s literary works, “A Rocking-Horse Winner” and “Piano”. Both of Lawrence’s literary works displays a persona of a little boy, which very well represents the inner character of himself. Lawrence uses biographical aspects in both his short story and poem that portray the emotions he felt throughout his childhood. Although, both these works displays similar aspects when representing a biographical view of Lawrence’s life, they differ in the type of relationship that is shown between the boy and his mother.
In the story “Two Kinds”, the author, Amy Tan, intends to make reader think of the meaning behind the story. She doesn’t speak out as an analyzer to illustrate what is the real problem between her and her mother. Instead, she uses her own point of view as a narrator to state what she has experienced and what she feels in her mind all along the story. She has not judged what is right or wrong based on her opinion. Instead of giving instruction of how to solve a family issue, the author chooses to write a narrative diary containing her true feeling toward events during her childhood, which offers reader not only a clear account, but insight on how the narrator feels frustrated due to failing her mother’s expectations which leads to a large conflict between the narrator and her mother.
Boyhood is a story of initiation with autobiographical characteristics when it comes to the content of the text. However, unlike the conventional narratological pattern of most autobiographies (first person, past tense), the narrator in Boyhood is an omniscient third person one, speaking in the present tense. The use of pronouns: “he,” “his mother,” “his father,” and “his brother,” rather than their names, enforces a sparse, universal feel, yet at the same time, Coetzee the individual, is evident and distinct. The fictional memoir is a combination of both authorial and figural narrative situations: the heterodiegetic narratological structure provides distance, a remove from the subject, but through psycho-narration we, as the implied reader, are provided limited perspective within the adolescent representation of Coetzee.