In this paper I will argue that the novel, The Horse and His Boy (Lewis 2002) is not only a story of adventure but self-discovery, told through literary tools that provide a deeper meaning. Firstly, the allegory of spirituality is represented by Aslan who is directly involved in the lives of the protagonists. This is revealed when Aslan tells Shasta, “I was the lion who forced you to join with Aravis (Lewis 175). I was the cat who comforted you among the houses of the dead (Lewis 175). I was the lion who drove the jackals from you while you slept (Lewis 176). This represents the idea of a spiritual presence whose purpose is to protect, comfort and guide faithful humans. Secondly, the motif of courage is shown through Aravis when she says, “it
The specific explanation of a scene can change depending on who sees it and how they choose to interpret it. The scene of the book that I have chosen is on page 99-102. The scene is when the Vaqueros bring in wild colts from the mesa stuck out to me. The scene shows John Grady’s knowledge and care of horses and shows the common misconceptions of a horse by Rawlings. The scene also shows the level of confidence that John Grady has in his own ability with horses and the trust that Rawlins has in him when it comes to break the horses in only four days. As the owner of the ranch gave the permission to try, while still say in not so nice a way they had no chance, you can assume he had faith in them.
McCarthy simply stresses imagery, setting, and conflict all of which show that effortless decisions can lead to great outcomes.
When individuals face obstacles in life, there is often two ways to respond to those hardships: some people choose to escape from the reality and live in an illusive world. Others choose to fight against the adversities and find a solution to solve the problems. These two ways may lead the individuals to a whole new perception. Those people who decide to escape may find themselves trapped into a worse or even disastrous situation and eventually lose all of their perceptions and hops to the world, and those who choose to fight against the obstacles may find themselves a good solution to the tragic world and turn their hopelessness into hopes. Margaret Laurence in her short story Horses of the Night discusses the idea of how individual’s responses
...e insight to life or contain certain meanings that the reader must reconstruct in order to evaluate the text fully. Other novels are considered to be noteworthy because they exist within a specific literary movement, or because they reflect cultural change. However much one might argue that Erskine Caldwell’s God’s Little Acre and Chester Himes’ If He Hollers Let Him Go belong at the bottom of the literary ‘stack,’ they nevertheless employ the same concepts and exhibit the same characteristics that turn many other novels into works of ideal greatness.
In literary works, motifs help to convey symbolic significance in order to develop themes and the central message the author is attempting to portray. In All The Pretty Horses, McCarthy focuses specifically on horses and blood in relation to the main character’s overall development. Though John’s love for his horses never falters throughout his many trials, John’s transformation from a young boy to a mature adult is demonstrated by the expansion of that love and the dynamic motif of blood.
In our contemporary civilization, it is evident that different people have somewhat different personalities and that novels behold essential and key roles in our daily lives; they shape and influence our world in numerous ways via the themes and messages expressed by the authors. It is so, due to the different likes of our population, that we find numerous types and genres of books on our bookshelves, each possessing its own audience of readers and fans. In this compare and contrast essay, we will be analysing and comparing two novels, The Chrysalids and Animal Farm, and demonstrating how both books target the general audience and not one specific age group or audience of readers. We will be shedding light at the themes and messages conveyed to us in both books, the point of view and the style of writing of the authors as well as the plot and the format used by the authors, in order to demonstrate how both books are targeting the general audience.
The quest narrative is a common method of narration present in almost every adventure story in one form or another. One key characteristic which defines all quest narratives, irrespective of type, is the search for a “Holy Grail” – symbolic of something the protagonist desires. In a quest narrative it is often appropriate to refer to the protagonist as the hero. However, despite the connotations of the word “hero” to a figure who is flawless in both form and disposition, the hero usually does not begin the story as a perfect figure; the hero must undergo a series of trials and tribulations to which the hero emerges as a changed character. It is this journey to achieve greatness that characterizes all quest narratives. “Sonny’s Blues” (1959) by James Baldwin and “Araby” (1916) by James Joyce can both be interpreted as quest narratives because they each adhere to the archetype established by quest narrative. For instance both stories have the symbolic Holy Grail that gives objectification to each protagonist’s desires. In addition there are instances in both texts of a trial that changes the protagonist’s outlook, allowing the character to achieve realization in completing his quest. In “Sonny’s Blues” and “Araby” there is a “Holy Grail”– fulfilling the role as big brother in “Sonny’s Blues” and the girl in “Araby” – and a trial that serves as the protagonist’s rebirth – the deaths of family members in “Sonny’s Blues” and the bazaar in “Araby”; these symbols make both texts quest narratives.
The symbolism of the color black in literature, has a strong connotation that involves intricate depths and brings realization to the surface. In All the Pretty Horses by Cormac McCarthy, Alejandra embodies the characteristics of black, including mystery, power, and unintentional cruelty. Within the context of each passage and action of this character, the color black has a more complex and intricate meaning. McCarthy’s use of characterization, imagery, and point of view reveals the importance of symbolism and how it effects themes such as Romanticism versus Realism, and Masculinity versus Femininity.
In our contemporary civilization, literature plays an important and impacting role in our daily lives. Adapting to the different likes and tastes of modern day society, books and novels have different types and genres, all having in common the objective to please the reader and to convey morals and themes to the audience. In the 20th century were written 2 novels, The Chrysalids and Animal Farm, which will be compared and contrasted in the following essay, demonstrating the fact that they both target the general audience and not one particular group of readers. The comparison between both novels will be done via the contrast of specific literary elements such as the plot and the moods of the novels, the point of view of the narration and the style of the author, and also via the themes the authors try to convey to their audience through their literary work.
...terpretations of the literary experience the book provided. From the chosen evidence the ‘planning for learning experiences’ and instructions could begin.
In his 1984 novel Jitterbug Perfume, Tom Robbins presents a narrative that rivals the often fantastical tales told in myth. Using classical mythology as a foundation, and, in particular, providing a loose adaptation of The Odyssey by Homer, Robbins updates and modifies characters and concepts in an effort to reinforce the importance of the journey of life and the discovery of self. Like the ancient myth-makers, Robbins commands the reader’s attention with outrageous situations and events while at the same time providing characters that the reader can relate to and learn from.
Have you ever thought about six to thirteen year olds ever acting like savages and turning into a serial killer? After reading Lord of the Flies, this is exactly what happened. Ralph, Piggy, Jack and other kids cash land on a gorgeous island with leaving no trace for the world to find them. Ralph tries to be organized and logical, but in the other hand, Jack is only interested in satisfying his pleasures. Just like in the short story, The Tortoise And The Hare, Lord of the Flies, stands for something. This novel is a psychological allegory, the island, as the mind, Ralph, the leader, as the ego, Jack, the hunter, as the id, and Piggy, an annoying little boy, as the super ego. As we read Lord Of
Question 1: In what way is the novel an allegory of The Garden of Eden?
D.H. Lawrence’s writings often mirror elements of his own life, though they contain decidedly fictitious components. The characters in Lawrence’s The Rocking- Horse Winner closely resemble his own family. Like Paul, Lawrence was seeking a way out of the misfortune of pre-war London living. Unlike Lawrence, Paul is already well-to-do. Paul’s search consists of a yearning for affection and acceptance. In The Rocking-Horse Winner a young boy finds a certain calling within himself that serves to vastly improve the standing of his entire family. However, Paul’s supernatural ability to choose the winners of horse races is but a cursory assessment of the story’s secrets. Digging deeper, the reader becomes aware of a darker meaning to Paul’s wild rides. There are two things are revealed throughout Paul’s character development; first, that he is seeking his mother’s affection. Secondly, in doing so, there is an apparent autoeroticism linked to his seemingly innocent rocking-horse.
There is a famous expression about three demands of writing fiction. It goes, “Make them laugh, make them cry, make them wait.” By following these needs, an author can spark interest in his or her work. In the novels The Catcher in the Rye and Lord of the Rings, the novelists utilize the latter requirement, “Make them wait.” This essay will show how the authors use that specific demand in their novels.