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Essay on poverty in rural community
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Wait. What’s Menudo? I wondered ignorantly as I sat down to a plastic cafeteria table surrounded by eager children and remnants of dilapidated piñatas unceremoniously wilting on the sides of the grimy walls. The kids were all speaking Spanish faster than a speeding bullet, which, in Guadalupe, Mexico, was not uncommon. The bullets, not just the Spanish. I turned to the orphanage director’s son.
“Hey, what’s Menudo?”
Oh, it’s tripe soup. It’s pretty good if you wash the intestines a couple times through.”
I gulped. This was clearly not a good start to my family’s first night as permanent staff members at Rancho 3M Orphanage in Guadalupe, Mexico. I had found myself sitting in this cinderblock structure (the only blonde-hair, blue eyed girl for a solid 200 miles) on account of my parents. They had not just decided to merely move our entire family away from our hometown, but they had decided that as a family unit, we would trade our cushy, country club lifestyle to work in an impoverished area of Mexico, caring for children who had been abandoned. We all yearned to provide for them a hope and a future: a chance for an education. To be more than just street smart. To have their existence mean more than knowing which gang is better to commit their life to. My family desired for them to be book smart.
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For the first time in my 13 years on earth, I was genuinely frightened for my life. In addition to this burden of anxiety, I experienced a rough case of culture shock. Not only was I in the middle of the desert, but I had to connect with children who had experienced life on a completely different level: many were homeless, repeatedly beaten, fed dog food on account of extreme poverty. One young orphaned boy was even sold as a sex slave by his
Don Quijote was a tall, skinny “wanna-be” who found himself morally obligated to involve himself in other people’s business for the sole purpose of acting as a proper knight errant would. Although he believes that his “battles” help solve situations (though the results is usually the opposite), what it comes down to is that he wants to be famous, to be in love with his woman, to be accomplished, recognized, and adored. Therefore, Don Quijote’s motives are self-serving, and not “by-the-book” as a knight errant should be. “As much for the sake of his own greater honor as for his duty to the nation, he decided to turn himself into a knight errant...” (p. 15) The thing was, this was how knights generally were - a selfish man looking for trouble to fix so people will respect him and give him things, and women will sleep with him. The reader sympathizes with Don Quijote, though, because his insanity prevents him from seeing his reality as fake and inappropriate to actual societal needs.
When they first arrived to the United States their only hopes were that they would have a better life and that there were better special education programs for Maribel to attend at Evers. Alma imagined that the buildings would look a lot nicer than they really were. The family was surprised that they could take things from the street that someone threw out of their house, but were in working condition. When they arrived they didn’t think that you would actually have to learn English to be able to communicate, but after going to stores and interacting with people they learned that they need to learn English if they want to live in America. They hoped that you could be able to afford anything in America by working, but based off of the money Arturo was making they learned that you can’t buy everyth...
Raquel and Melanie are two poverty stricken students that attended University Height’s High School in the South Bronx, because their school was not federal funded, it lacked resources; so it does not come as a surprise, perspective students like Melanie and Raquel have more of a ...
The foster care system, then as now was desperate for qualified homes. Kathy and her husband had become certified foster parents, she was a certified teacher, and they had empty beds in their home. Their phone soon bega...
This is the introduction to me, Anthony Martinez. I am a 14 year old freshman at Cesar Chavez High School. Most people don’t remember the first time they were conscious, but I do, it’s a vivid memory, I was conscious for the first time in my life in head start. I remember running down a field in the school and thinking of how great it looks. Soon after that, I switched to Alfred F. Garcia, since the school was closer to my house. I went to that school for about Kindergarten until 2nd grade, I moved houses, so I moved to Bernard Black. I only stayed there for one year though, since I didn’t like it that well. I went back to Alfred F. Garcia for my 3rd to 8th grade years. Those times were enjoyable but dull at times. That school
Seven-year-old Dillard and a friend were chased relentlessly by an adult—a red-headed stranger—whom she and some boys had thrown snowballs on a cold, winter morning in Pittsburgh. Dillard explains the thrill and fear she felt as she ran from the stranger. She implies a euphoric happiness “for nothing had required so much” of her since that day. On the other hand, Luis Rodriguez’s account is sad, painful and life-changing. The ten-year-old can’t trust anyone in such a tough culture. “Sometimes they were teachers who jumped on us Mexicans as if we were born with a hideous stain. We were always afraid. Always running.”
The satire Body Ritual Among the Nacirema by Horace Miner, bring up the fact of the rituals among the people in North America. Morace Miner calls the people a group called the Nacirema and goes about the rituals they perform. They go into their “ritual activity” at a shrine. The shrine is only discussed by their children. Miner talks about the medicine cabinet and how it holds “many charms and magical potions,” but he calls it a box or chest on the wall. “Human body is ugly” so the people need to go to the “shrine” and fix the problem like women do with makeup. The “tribe” brushes their teeth with “a small bundle of hog hairs and magical powers”. “Holy-mouth-men” are considered to be the dentist to this tribe. The shrine is not all Minor had to say, Minor continued with many everyday things. Women going to the hair salon is “women make their heads in small ovens”. “Fat people thin... thin people fat. ...women's breasts larger if they are small, and smaller if they
It meant waiting tables and cleaning hotel rooms. It meant being left off the cheerleading squad….. They told me I didn’t seem “Mexican” to them and I took it as a compliment”(63). Barrientos demonstrates to her audience that assimilation can lead to self hate. Shannon hates everything about herself and she isn’t even aware of it. Shannon tries to distances herself from any racial stereotypes and tries to conform to vaguely defined culture of a American. Barrientos provokes the reader to take a step back and ask the question “what even is American culture?” and this causes the reader to realize that American culture is a immigrant culture. America was pioneered, fought for, founded and built by immigrants. This realization is Barrientos’ true purpose for writing this short story. So many children are growing up detached from their true culture and too distracted by Saturday cartoons and iPhones to care. These children are also forced to adhere to a cheap fabricated white faced culture that will never accept them. “Se Habla Espanol” is a story with a deep, humbling message that encourages its audience to love their roots and fall in love with the color of
The satire, Candide, criticizes the possibility that the world is “the best of all possible worlds” and instead offers an alternative answer. Voltaire, the author of Candide, used the novella to challenge the ideas of optimism and perfection in Alexander Pope’s The Essay of on Man, which claimed that God made the world to be perfect and orderly. Voltaire practiced French deism, which states that “all phenomena are explained historically by the interaction between man and his environment” and that people learn by trial and error, implying that not all is perfect. The character Pangloss believes that all in the world is perfect and meant to be. Yet, through the depiction of war, natural disasters, the torture of women, the boredom of a perfect world, and the happiness of those who “cultivate [their] garden,”
In the satires of Juvenal, it seems all matters of life are susceptible to his anger and bitter sense of humor, and food is not an exception. Even the Roman cena is full of social and political commentary from the way a dinner invitation is sent, to how the tables and couches are arranged in a cubiculum, and what elements create the perfect meal that solidifies the social hierarchy of the host. Through examining the carnal language and the meanings behind the descriptions of the various delicacies and scraps that are highlighted in his satires, this paper sets out to analyze how Juvenal uses the language and theme of food and its use in creating dominance and power in Satires five and eleven.
... education alone. The stark reality leaves much desired, success determined through unfavorable components, which my cousin never had, where you live, money, and education. Limits stop individuals from growth and career aspirations which contributed to my cousin becoming an at risk youth. Throughout my experiences, I learned that second chances could bring individuals thought lost back to the fold and be successful. My hope is that law school will contribute in my drive towards social activism. Law school will help me in my continued efforts for children’s success. Furthermore, my guidance, of course extends to people who face similar circumstances such as my cousin. Society stigmatized the indigent, cycles formed, and members of the family remains entrenched with their future remaining uncertain. I want to serve communities in overcoming the limits set by society.
Her voice like sandpaper, she rose like a giant among the others, and they all cleared a space for her. Being the mother of four boys, she knew how to make her presence larger and well-heard. She spoke to me in Spanish, which I didn’t understand, but she used over-sized gestures and pointed at the crudely made signs around the room. “Asi, Mely.” She said as she spread a corn husk on her left palm so that the widest part met her wrist. “Y asi” she scooped some masa with a spoon held in her right hand and ladled it with an exaggerated plop on the corn husk. “Y asi” – She skillfully spreads the masa with spoon onto the corn husk. My instruction complete, she handed me the spoon and grabbed my chin. Then she said with complete authority in a voice that crescendo-ed with warning, “Pero, no in reverse!” My family, which had been silently working as my lesson took place, erupted in laughter at this. “Not on the wrong side!” they explained. “She hates that. It makes the tamal
November 12, 1994 marks the day when I, Gabriela Aceves, was welcomed, with open arms into this cruel and beautiful world. I was greeted by two loving parents, Silvia and Jose, three crazy sisters, Vanessa, Daisy, Stephanie, and Jose my kind brother. I grew up in a loving home. Never did I ever feel unloved nor unappreciated. We were all very close, so close that we would constantly take family vacations together. Our hunger for adventure took us to Florida, California, Colorado, Nevada, Arizona, the list is endless. My father, Jose was a hardworking brilliant man whose presence would be felt whenever he would walk into a room, he was loved and hated by many for his success in both his career and family. My mother Silvia was always a nurturing and supportive housewife she and I were much alike in both our looks and personality. I loved both of them very much I couldn’t have asked for better parents. Even though they were much older than me not once did I ever feel excluded from my siblings ' life. Vanessa,the oldest was the kind of woman who never let
The reason that Carnivalesque is so popular is that it is so against the grain of the perceived and unspoken social rules. Bakhtin's theory relates a satirical structure to the events of the carnival. The carnival was a time of creative liberty intertwined with the dropping of all social constructs. The carnivalesque parody and comedy also sets a stage for a deep (inherently negative) look within oneself, culture or beliefs. “Uncle Sam” satirizes, with varying degrees of carnivalesque, American Culture and politics. While the satire does utilize some aspects of carnivalesque, it lacks to fully embrace the full culture of Carnivalesque.
Als, Hilton. "Orphans." The New Yorker 84.12 (2008). Academic Search Complete. Web. 21 Feb. 2011.