Scott Joplin Research Paper

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Scott Joplin said: “Boy, when I’m dead 25 years, people are going to begin to recognize me.” With this quote, Scott Joplin seemed to predict the impact that his music and life would have on generations to come. Indeed, as time moved on Scott Joplin’s prediction became true. Best-known as a ragtime musician and composer, Scott Joplin set the standard for many other musicians that followed in his footsteps. Scott Joplin was an important figure in American History because he is considered the “King of Ragtime Writers.” Ragtime is music played in “ragged” or off-the-beat time. Scott Joplin was born around 1868 near Linden, Texas. His parents were Florence Givins and Giles Joplin. In the 1870s, Joplin’s parents moved the family to Texarkana, Texas.
In 1894, Joplin joined the Queen City Cornet Band and performed at local clubs. Using Sedalia as a home base, he continued to travel around the country with various musical groups. In 1896 he enrolled at the George R. Smith College to study music seriously and to develop the skill of transferring musical sounds into notes recorded on a page that other musicians could then play. Scott quickly learned how to write down the vibrant melodies and complex rhythms he and his fellow musicians had been developing. Joplin published several original compositions and also started co-writing songs with Sedalia musicians Arthur Marshall and Scott Hayden. In 1899, a local music store owner and music publisher named John Stark printed Joplin’s song “Maple Leaf Rag.” Immediately popular, this song featured a pleasing melody and a catchy beat. It became a classic model of ragtime music and thrust Joplin into the national spotlight. In 1901, Joplin and several of his friends moved to St. Louis hoping to become successful performers and composers in this urban center. With their presence, Sr. Louis became a focal point for this special kind of music. Joplin’s ragtime compositions gained the attention of classically trained musicians and critics. By late 1907, Joplin had left St. Louis and moved to New York City, offering new experiences. In New York City, Joplin performed in vaudeville shows and
He was praised but not fully included in white society. Though Joplin’s popular rags were published, he had trouble raising money to produce the works that he cared most deeply about—his longer and more complicated compositions. Scott Joplin’s private live also became troubled. He suffered the loss of an infant child, his first marriage ended, and his second wife, Freddie Alexander, died shortly after they were married in 1904. Near the end of his life, Joplin was sick, discouraged and poor. As his career developed and for many years following his death, Scott Joplin earned the title “King of Ragtime Writers’. Alfred Ernst, conductor of the St. Louis Choral Symphony Society, described Joplin as “an extraordinary genius.” He played an essential role in the development of ragtime music. His work also laid the groundwork for jazz, another distinctly American musical form. Joplin gave the world a unique form of music and he opened the door for other black musicians and artists to succeed in a racially segregated

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