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Analysis of quentin tarantino
Pulp fiction narrative construction
Analysis of quentin tarantino
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Movie Review: Pulp Fiction
Quentin Tarantino’s Pulp Fiction is one of the most daring, puzzling, and ultimately exciting pieces of cinema to hit the screen in years. As wholly original as it is a copy of hundreds of films before it about tales of hit-men and criminals, it dares you to step out of the dull and enter a colorful, exhilarating world that could only be Los Angeles. The intensity level of the movie is off the scale. People are laughing like crazy in the theater to the intelligent dialog and other scenes that have the audience gasping for air in shock over what just happened. Although one might say that Pulp Fiction is overly violent and disturbing, it is in fact, one of the greatest movies ever produced. Quentin Tarantino’s incredible screenplay, the intensity of the actors, and music to set the mood, created movie worthy five stars.
Pulp Fiction is rebellious in the way that it manipulates all usual plot structures by twisting time to satisfy its own system. The film tells a series of interlocking stories involving; two hit-men, a boxer and his French girlfriend, a crime boss and his mischievous wife, a small time drug dealer, two lovebird robbers, and two hillbilly rapists. However, all these stories revolve around three main plots; Vincent (John Travolta) taking the crime boss’s wife out (Umma Thurman), the crime boss asks the boxer (Bruce Willis) to throw out the boxing match, and the two lovebirds de...
2. According to Sobchack, contemporary screen violence greatly differs than portrayals of violence in years past. Today, violent scenes are careless and lack significance because we as audiences have become calloused and desensitized to any acts of violence. She states that there is “no grace or benediction attached to violence. Indeed, its very intensity seems diminished” (Sobchack 432). Senseless violence, gruesome acts, and profound amounts of gore are prevalent in movies today, and because even this is not enough, it must be accompanied by loud blasts and noise, constantly moving scenes to keep audiences stimulated and large quantities of violence for viewers to enjoy what they are watching. Decades ago, it was the story that was engaging to audiences and filmmaking was an art.
The plot segmentation of Quentin Tarantino’s 1994 film, “Pulp Fiction,” reveals how the pieces in the nonlinear narrative structures are put together. In order for the audience to remind them when these events take place, the movie uses title cards to specify each segments’ main plot. Some of the characters would even reference events that have already occurred, such as when Mia, in the boxing match building, thanks Vincent for the dinner. The movie does not just allow the audience to really pay attention to how the story is being told, but also show how similar each of the main stories’ structures is, despite being in a nonlinear form. For example, all of them feature acts of “heroism” by resolving the issues when caught in very unexpected
Great movies come and bad movies go. Some stay seeded in the mind while others sink back into a quiet existence, never to be heard from again. Even though according to Jamie Weinman from the Maclean’s, “The disappointing fifth-place box-office opening of Scott Pilgrim vs. the World means that Universal probably shouldn't have spent $60 million on a Michael Cera movie” (78), Scott Pilgrim Vs. the World is not one of the movies that needs to slide back into the hole from which it came. In fact, the near two hours goes by quite quickly with all the action involved. Based on the visual effects, music, and conflict quality, Scott Pilgrim Vs. the World is a cinematic masterpiece that is sure to become a classic.
“Three stories…about one story,” that is how Quentin Tarantino, the director of Pulp fiction, describes the movie. At first glance, it appears that the story uniting the three stories is the narrative of the movie, however upon further analysis it becomes evident that the true story uniting the three stories is the search for redemption. Tarantino highlights this by fragmenting the narrative so the movie ends with three characters, Butch, Jules and, Vega, having a chance at redemption.
9 to 5 is a 1980 comedy film starring Jane Fonda as Judy Bernly, Lily Tomlin as Violet Newstead, Dolly Parton as Doralee Rhodes, and Dabney Coleman as the boss Franklin Hart Jr. The film focuses on a department that is being poorly run by a "sexist, egotistical, lying, hypocritical bigot" boss. After finally getting over their differences, the three main ladies develop a friendship, vent to each other, take down their boss and eventually help each other run the company.
There are movies that make you laugh, that make you cry, that blow you away with jaw-dropping, ever-so-satisfying action sequences. And there is Pulp Fiction, Quentin Tarantino’s masterpiece, an homage to the old Pulp Magazines and crime novels popular in the 1950s. Known for their incredibly dense and complex dialogue and excessive violence, Tarantino adds his trademark nonlinear chronology and thorough character development to create a movie that celebrates the fact that chance governs all of our lives. The film consists of multiple stories that tell of the criminals, gangsters and outliers of Los Angeles, the underbelly of society. It follows Vincent Vega and Jules Winnfield as they embark on their mission to recovering a briefcase that
Pulp Fiction is a show that is debated on its true meaning, though one of the most debated and accepted theories is that it is the journey of Marcellus Wallace’s soul. It is thought that he has sold his soul to the devil and has sent his men to retrieve it. As the movie jumps across the timeline with his wife, Mia, who becomes a main character. She is instinctual and anxious. Her emotions take over constantly and create bad situations.
control like Regina and was more powerful than her because she was able to destroy her. An even Cady believes this because she says, “I had learned how to control everyone around me.(Waters, 2004)” That was the case until Regina got hit by the bus and where her math teacher was on suspension for something Cady wrote in the burn book. That’s when she snapped out the fantasy world and realized that her action have consequences. Cady as she stated, sucked out all the poison in her life, and once the plastics broke up she no longer had a dominating style of life and began her journey to a social interest style of life. “I had gone from home-schooled jungle freak, to shiny Plastic, to most hated person in the world, to actual human being (Waters,
Pulp Fiction is so original and iconic, it is too good to be passed up. Whether you’re in it for the highly developed characters, the mind blowing action, the perfectly incorporated soundtrack, or all three, it will not disappoint because of how well directed and thought out all three aspects are. The characters, action, and soundtrack make it undeniably entertaining to anyone that enjoys watching movies and it keeps an audience coming back because of how thought provoking and complex it is. Yet, the film is simple enough to a casual viewer to keep them fully engaged and entertained. So no matter what somebody’s action movie preference may be, Pulp Fiction by Quentin Tarantino has something for
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
The movie provides the audience with a storyline capable of capturing their full attention. The collection of
While Quentin Tarantino is known for his provocative and diligently planned out films, he also is a man who enjoys presenting violence for the sake of violence. In many of his films, Tarantino depicts complicated plots and story lines that are often interrelated with other films he has created. One such example of this is the connection between Kill Bill Vol. 1 and a previous film of his, Pulp Fiction. The character Mia Wallace, played by Uma Thurman, discusses a television show she acted in, in which she was a member of a small assassin teamed comprised of attractive women, with Mia’s specialty being knives. In Kill Bill Vol. 1, the Bride, also played by Uma Thurman, is similarly a member of a small assassin team made up of attractive women.
With increased access to global entertainment (much of which is pulp-fiction anyway, with a marketing gloss and a ‘aesthetic-refinement’ topping) these folk-thrillers have lost their market somewhat – but not entirely. There have been efforts to revive their appeal, some of them
Tarantino’s Pulp Fiction screams multiple genres satire, black comedy, and action. However the picture ultimately boils down to a crime film. As crime is a broad genre I think that it is appropriate because all of the other occurring themes. Richard Maltby articulates that “Generic boundaries can never be rigidly defined, and all generic groupings are susceptible to extensive subdivision” which everyone can agree with. But the movie opens with crime, the overall theme is crime and ultimately ends with crime. Pulp Fiction features themes like drugs, alcohol, romance and some philosophy but the intertwining stories all come together over one incident involving Marcellus Wallace. There are several conventions of technique which are classically
As a nostalgic reaction to pieces of a past culture may celebrate another time, but also offer personal comfort in the present, the past may be widely celebrated by connecting past pop culture with the present culture. This form of nostalgia uses memories of an era’s success and continues to attempt to uphold it in a permanent celebratory remembrance of cultural impact. In Pulp Fiction, the film plays homage to some of the great films of the past. The film is enhanced by use of pastiche, incorporating films that have brought joy and excitement to viewers for decades. In Pulp Fiction, the dark suits, skinny ties, the camera shots of the guns, and the slow, sinister apartment massacre is reminiscent of gangster films from the 1950s and 1960s. Honeybunny and “””” ‘s storylines are resented during the beginning and end of the film, their love story is intermingled with their lust for crime, specifically robbery, is a comedic twist to the Bonnie and Clyde. John Travolta gets to recollect on his own success in films “Grease” and “Saturday Night Live”, by re-creating a dance competition, in which he leaves victorious. Butch, a misunderstood boxer is placed in the most scenes mimicking great films from the past. As Butch takes a taxi from his big boxing match, is clearly a steal from the 1987 film, Taxi Driver. The style of the taxi along with the seating position of the “FARE” and the dark conversation is heavily