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History of comics essay
History of comic books in media
History of comic books in media
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Superman, Batman, Spiderman, Captain America, and Thor these are some of the biggest and most popular names in comic book history. Years of popularity have made these heroes some of the most well-known characters in pop culture. Ask any man woman or child to name a hero and chances are one of these heroes will be the one that comes to mind. These characters once defined what people thought superheroes were and for a long time, nearly every other superhero was just like them. For years comic books typically followed the trend of having a straight, white, male protagonist that is until just a few years ago.
In recent years, there has been a huge migration in the representation of women, people of color (POC), and people of different sexualities
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Representation in comics has been a growing source of controversy in recent years with many questioning whether the creator and audience demographics were representative (Kirkpatrick, Scott, 2015, 120-124). For a long time, comics were drawn by white men for white boys this evident by looking back at the classic heroes of early issues. Many of the original superheroes were (or drawn to appear as) straight white men because that was the perspective that the writers knew (Barnett, 2015). Eventually, the writers began to branch out their characters but even then the earliest characters suffered from misrepresentation. In order to avoid any further false representation, the characters need to come from actual perspectives. It seems that comic book companies have seen what needs to be done because “Both (Marvel and DC) are bringing in more marginalized voices as creators, hiring more women, more people of color, people from religious minorities, and QUILTBAG people”(Underwood, 2015). With a wide array of voices each with different writers have been able to create and will continue to create a plethora of characters and stories.
Before touching upon the recent changes made to several classic comics, it is important to understand that change is an important part of writing comics. If one were to look back in the history of any comic book character they would see that over time multiple tweaks were used to spice up their stories. Comics have been around for over eighty years and characters such as Superman and Batman have been around almost the entire time. Characters such as these who have had a long serialization often need something to keep their stories current and exciting that is when writers are forced to shake things
In addition to, revolutionizing characters, Stan Lee made many of his comic books intricate and interesting compared to simple boring comic books in the past. His intricate comics had to do with his...
This problem was occurring all the way back into the 1960’s. Why the 1960’s? Well that is when Marvel first started to make its comics, the comics is what the movies go off of. The problem with this is that everything was white back then due to segregation. This is an image I found on Google with that puts in it good words “In the early 1960s, when many of these beloved Marvel characters were introduced, American popular culture was more or less all-white everything. When I found this out I was surprised by this, it makes sense now. If the comics were made today and the movies were made later I would predict the movies and the comics would be much more diverse than they are today. The comics were so dominant with white people that the movies have even incorporated or added in some black characters here and there to make the movies not all white. Here is an example of this from the article titled “Fear of a Black Superhero: Michael B. Jordan and the Importance of Colorblind Casting” the article stated this: “The character of Nick Fury, the mysterious agent of S.H.I.E.L.D. who has a hand in virtually every Marvel movie storyline, was portrayed as a white man for decades in the comic books; but a generation of movie fans know the character as portrayed by African American actor Samuel L. Jackson.” There have been more than this one case. “In Tim Burton's Batman,
A few years ago, the popular media of the United States focused on the comic book world for one dramatic, 'tragic' event - the death of Superman. After months of hype, the long-awaited death issue, Superman #375, was released, packaged in a black bag bearing a blood-red logo, complete with a black arm band. The book's price immediately skyrocketed. Thousands of people who normally paid no attention to the comic universe swarmed local shops, driving the book's 'value' to upwards of thirty dollars overnight. Over the next few weeks, the book could be found with a price tag of as high as $100. Today, Superman #375 is valued in Wizard: The Guide to Comics at a disappointing, anticlimactic ten bucks.
Superman has had many alterations by American artists throughout the years. In the year 1938, Joe Shuster and Jerry Siegel sold the well known American Icon Superman to DC Comics. They created this character as high school teens in 1933. In a short period of time Superman was being seen from newspaper strips to television programs, films and video games. Siegel grew up loving science fiction to the point of writing stories and submitting them to publishers only to be denied; this did not make him give up. Shuster also had a passion for science fiction stories and when he met Siegel in 1931 they instantly connected as they both had a very strong taste for the genre. One might portray Superman differently than the other but Shuster and Siegel originally created him to wear a blue costume, red cape, and a red and yellow “S” shield on his chest. Some changes made by artists include modifying of his costume by adding gloves and sometimes short sleeves and differences of his face and body structure.
When the Comics Code Authority was active and strict the characters in comics were forced to deal with more science fiction enemies. The writers for Batman had to focus on his detective skills and his relationships with the other characters in the Batman comics. The writers for Superman comics created supervillains that Superman had to defeat using his brain, such as Brainiac. Many of the villains and storylines from when the Code Authority was strictly in control of censorship in comics are still in circulation and popular (The Mary
Every child in the United States has heard or read the Marvel and DC comics books. If you have not then you have probably have heard of their characters like the famous star spangled hero, Captain America, or the Dark Knight himself, Batman. Both Marvel and DC has influenced the children and adults of American in its darkest times. The great wars affected many by its poisonous grasps, and its victims sought comfort with the antidote provided by the marvelous illustrators and writers of comic books. Now their cinematic counterparts are here to inspire the 21st century. The Marvel and DC cinematic universes have similar content, they both have unique characteristics that set them apart.
The main strengths that are prominent within this article would definitely be the in-depth interviews and scripts from six women who were in the comic book industry during the timeframe of 1970s to 2000. To have those hands on sources makes the article more personable for the readers, especially the readers who are women. Instead of having speculations on how the women may have been treated within the industry and also how their work was look upon, having in person interview makes the sources a little more concrete. Also, in the sources involving the scripts as stated before, it shows that even though society sees the comic book industry as a mostly male-dominated industry, by using these scripts it shows that there were women who were writing
There is “comics which do portray strong, interesting heroines” yet they “…still pander to young male readers”(Lanvin). Women are still being illustrated in over sexualized outfits to appease the male audience. Female writers have began to change this and are catering specifically to the female audience. There has been evidence that “…female fans are becoming more visible and vocal”(Lavin). As more women began to show interest in comic books, “…it is hoped that the negative portrayal of women in comic books will diminish”(Lavin). Comic books need to revisualizes the female character and start to accurately portray the modern female rather then illustrate a over sexualized female of men’s fantasies. Students, boys and girl, read comic books furthermore authors should write comics that can relate to both genders(Kan). This will not only increase overall sales but it will also promote gender
Some may argue that there is enough representation of minorities in American television, but the statistics show otherwise. A study conducted by researchers at Harvard University shows “minority” groups are not represented as much as “majority” groups are on American television. Their researchers found that Caucasians make up seventy-five percent of commercials aired on television whereas, African Americans were only in them twelve percent of the time, and the rest were of other races. The issue of representation doesn’t stop at how much but at how. In most cases, minorities are depicted in a negative light to make the majorities look superior. Additionally, researchers at the University of Southern California studied the seven hundred top-grossing films from 2007 to 2014 and analyzed the ethnicities of more than thirty thousand characters to reveal the true amount of diversity in the film industry. In their study, they found that seventy-three percent were Caucasian, five percent Asian, five percent Hispanic, and the other seventeen percent covered all other
“But the one thing the American dream fails to mention, is I was many steps ahead to begin with. My skin matches the hero, likeness, the image.” The American Dreams is a set of ideals which surround the creation of The Unites States and the idea that hard work leads to success. But this mind-set fails the take into account the discrimination and difficulties minorities face. If you’re born white, you are automatically given a head start and an advantage over people of colour. Children are accustomed to this very true reality at a young age. When looking at a super hero movie, they are more often than not portrayed as a white person. A few examples are Thor, Captain America, Superman, and the list goes on. Disney movies are similarly with the
Nowadays, we can see so many hero type people in our society. Different culture and different countries will appear different types of hero. Hero gave us confident and we can trust them. I have chosen two heroes to compare and contrast based on cultural aspect and what they act. The two heroes are The Batman and Iron Man.
Being a hero means that one can show courage when it comes to facing a problem. It is a person who helps others in many ways, such as a person in danger. In the modern era, the creation of superheroes have become popular when it comes to producing films. Viewers can choose their favorite heroes due to the idea that there a many of them. However, most fans argue which superheroes are better. Two of the most popular superheroes are DC’s Batman and Marvel’s Iron Man. Although Batman and Iron Man are loved by many viewers because of how they help people in danger, they still demonstrate imperfections which can cause viewers to dislike them. However, both superheroes share similarities and differences between themselves. Batman and Iron Man have
When you think of a superhero one normally thinks of Spiderman, Batman, or Superman, but there were superheroes long before these characters were created. First one must understand that the basis of this name is hero. What is a hero? A hero is a person who does something special or out of the ordinary in order to help others. It could also be someone who is admired for a characteristic about them, be it physical or mental. They are individuals that normal everyday people can look up to. This being the case, a superhero is nothing more then someone who is a hero, but not just that once and for that one person, but someone who helps many people, or leads them. As time went by the number of people who were true heroes diminished and just doing something for someone was no longer big news. There had to be something more to make them stand out. The American culture needed someone or something to admire and that is where our common day superheroes come into play. It gave them a goal which could never be reached in hopes that people would never stop trying.
Silver age comics were steeped in the conservative nature of the 50s, even the edgier Marvel comics fell into this trap and Dr. Strange is no exception. Stan Lee’s Dr. Strange, though he wears a cape, is no golden age superman. Instead, he is a conservative man who answers to a greater vow to aid all humanity regardless of the cost to himself, who just happens to get along with local law enforcement. There are four main things in the Dr. Strange comics that set them apart from the golden age comics, the first is the conservative nature of the conflict seen, even in the greatest battles ever seen no one is truly hurt, the second is the lack of corporate and harden criminals who need to be taught a lesson, instead the criminals introduced in
To conclude, I think that there’s a huge difference between these 2 kinds of hero’s. The comic book heroes are fictional of course because they’re hand drawn images.