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Analysis of Northanger Abbey
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Northanger Abbey tells the story of a young woman’s introduction to the complications of social class and the conflict between imagination and reality. The novel begins by introducing Catherine Morland, an average girl “who had by nature nothing heroic about her” (Austen 17). By the age of seventeen, she has accomplished little of significance, so when her neighbor, Mrs. Allen, invites her to accompany her and her husband to a nearby town called Bath, Catherine readily accepts. Upon her arrival at Bath, Catherine’s confidence begins to grow. The freedom Bath granted her, and the novelty of being away from home “gave greater openings for her charms” (Austen 24). Men began to notice Catherine’s beauty, and one man in particular, Henry Tilney, …show more content…
The two speak, their conversation full of astute banter, which discloses the perception of both characters. Throughout her stay at Bath, Catherine grows closer to both Mr. Tilney and his younger sister Eleanor. Eventually, the siblings invite Catherine to join them on their return to one of the Tilney family homes, an old abbey in Northanger. Having read numerous novels concerning the mysteries held within old abbeys, Catherine eagerly accepts the offer. Catherine’s visit to the Northanger Abbey reveals both her naivety and the impressiveness of her imagination. During the carriage ride to the abbey, Mr. Tilney tells a story, not unlike the novels Catherine has read, describing an old abbey and what secrets it may hold. Catherine’s imagination gets the best of her as she becomes exceedingly invested in the story. Realizing her foolishness, she becomes “ashamed at her eagerness” and insists to Mr. Tilney that she knows his story is merely fantasy (Austen 152). Regardless, Catherine still finds herself disappointed by the buildings normalcy when they finally arrive at the abbey. Upon arrival, Catherine is given a quick tour of the abbey, during which she laments the modern
It has been evident from reading the novel before this conversation that Catherine has believed that Henry’s father killed his own wife. For example, when she discovers the doors, it says “To what might not those doors lead?”, “... lay the apartments of the unfortunate Mrs. Tilney, must be, as certainly...” (Austen, J. 2003. Northanger Abbey. Pp. 138-138) This quote shows the progression of Catherine discovering the doors, which is the first quote, to her being “certain” that Mrs. Tilney was murdered in there. The use of the word “certain” is used to mean 100% certain sure of what she, Catherine, is thinking. This quote shows that Catherine’s imagination gets the better of her in moments and she quickly jumps to conclusions rather than thinking of the logical reason to where the doors may lead. When Henry finds Catherine on the staircase, Catherine immediately questions why he too is on the stair case. Henry’s reply is “How came I up that staircase? He replied, greatly surprised. Because it is my nearest way from the stable-yard to my own chamber; and why should I not come up it?” (Austen, J. 2003. Northanger Abbey. Pp. 143-143) This quote shows that
...e and high society, but shift the focus from a first-person perspective (Evelina) to the more omniscient third-person narrator’s voice (Northanger Abbey), and there are many comparison points to be made between the two. They enrich each other, offering two perspectives on a very similar world—one character sees reality, as it is—the humor, the difficulties, and danger of it. The other creates her own reality, allowing her imagination to cloud what may actually be truth. Combined, they offer a rich glimpse into the life of an 18th century girl becoming an 18th century woman.
In what is for Jane Austen an uncharacteristically direct intervention, the narrator of Northanger Abbey remarks near the end: "The anxiety, which in the state of their attachment must be the portion of Henry and Catherine, and of all who loved either, as to its final event, can hardly extend, I fear, to the bosom of my readers, who will see in the tell-tale compression of the pages before them, that we are all hastening together to perfect felicity."
Catherine, like the McKees, makes an appearance at Tom’s apartment, and Nick first notes her “sticky bob of red hair, and a complexion powdered milky white”, which shows her attempt to maintain an appearance of class (30). Yet, she does not apply the makeup successfully, and the evident cosmetics and sign of effort speak against her sense of class and taste. However, Catherine makes an appearance at the end of the novel after the death of her sister, Myrtle. Catherine holds both her sister’s and her own image in great importance, and so when others convince her “that [her sister’s] ambulance had already gone to Flushing ... she immediately fainted, as if that was the intolerable part of the affair” (156). Flushing exists as part of the Valley of Ashes, while Catherine lives in a hotel, presumably on the outskirts of the city. The fact that her sister goes to the dirty, poor city instead of to a cleaner area disturbs her rather than the news about her sister, which suggests the importance of appearances over the safety or health of her own family. Therefore, perhaps Fitzgerald makes a commentary through Catherine that the pursuit of class and self importance motivates a
I decided to create a watercolor painting based off the style of Caspar David Friedrich’s oil painting, Abbey in an Oak Forest, 1809-1810. Friedrich’s painting depicts a funeral procession through the ruins of a Gothic styled abbey, the landscape is snow covered and barren trees surround the remains of the abbey indicating a winter scene. The twilight sky is painted in muddy shades of orange and yellow before meeting the black obscured horizon. My painting depicts a similar scene of vaguely Gothic chapel amidst a snow-covered forest though rather than barren trees mine is filled with evergreen trees. Composition wise my piece is meant to be unbalanced, shifted mostly to the right and from a partially aerial view above a patch of the woods.
Jane Austen completes her story with a “Cinderella ending” of Catherine and Henry marrying. However, her novel is more than a fairytale ending. Although often wrong and misguided in their judgments, she shows the supremacy of males that permeated throughout her society. Jane Austen takes us from a portrayal of men as rude, self-centered, and opinionate to uncaring, demanding, and lying to downright ruthless, hurtful, and evil. John Thorpe’s and General Tilney’s total disregard for others feelings and their villainous ways prove Austen’s point. Whether reading Northanger Abbey for the happy ending or the moral lesson, this novel has much to offer.
In Jane Austen’s Northanger Abbey, Austen portrays her heroine, Catherine as an innocent young girl who fails to understand the language. She is too young that she cannot understand the words may have different meaning. Catherine consistently misjudges people around her. She fails to interpret about what ...
Austen also portrays Tilney as humorous by asking Catherine “proper” questions that mock boring small talk that couples were supposed to engage in, such as: ‘How long have you been in Bath?’ and ‘Have you been to the theatre?’. Although we as readers
In Northanger Abbey, Austen intended to reflect a contrast between a normal, healthy-natured girl and the romantic heroines of fiction thorough the use of characterization. By portraying the main character, Catherine Moorland, as a girl slightly affected with romantic notions, Jane Austen exhibits the co...
Catherine was born into a rich solid family, where her father, Mr. Earnshaw, was a strict man, and her mother, Mrs. Earnshaw, was a pretentious woman. Through her conceited youth Catherine’s immaturity is clearly explained. Born with a very strong attitude; she is the type that throws a fit when doesn’t get what she wants. An example is, “when she learnt the master had lost her whip in attending the stranger, showed her humor by grinning and spitting at the stupid little thing” (33). Catherine was never love by her father, whom felt the need to tell her, “Nay Cathy, I cannot love thee; thou’rt worse than thy brother. Go, s...
Catherine is very pleased to meet Isabella after being disappointed in not seeing Mr Tilney again. The narrator informs the reader that Catherine is fortunate in finding a friend as ‘Friendship is certainly the finest balm for the pangs of disappointed love.’ (p.18 NA). Isabella being the elder of the two has much more knowledge of fashionable society than Catherine and is, therefore, able to teach her a great deal about the expectations of society at that time.
Several times in Northanger Abbey Austen’s main character, Catherine, gets caught up in her emotions. In the second part of Austen’s story, Catherine is frequently consumed by curiosity, and it is in this same part of the novel in which the gothic mood is introduced, beginning with Catherine’s travels to Northanger Abbey. Catherine is eager to find the abbey to be like those that she reads about in novels, and Henry affirms this belief stating, “And are you prepared to encounter all the horrors that a building such as ‘what one reads about’ may produce? – Have you a stout heart? - Nerves fit for sliding panels and ta...
...f society and the desire to marry into a higher class, she is able to expose her own feelings toward her society through her characters. Through Marianne and Elinor she displays a sense of knowing the rules of society, what is respectable and what is not, yet not always accepting them or abiding by them. Yet, she hints at the triviality and fakeness of the society in which she lived subtly and clearly through Willoughby, John Dashwood and Edward Ferrars. Austen expertly reveals many layers to the 19th century English society and the importance of having both sense and sensibility in such a shallow system.
Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27). They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company. When Catherine is compelled to stay at Thrushcross Grange to recover from her injury, she returns as “a very dignified person” (Brontë 37). Her association with the gente...
The character of Lady Catherine de Bourgh is an integral element of the plot, contributing to, as well as influencing, the final outcome of Darcy's marriage and the various factors associated with it. Lady Catherine, a prominent and influential noblewomen in the English aristocracy, thrusts her domineering predilections onto her family, friends, and acquaintances, starting with the pompous clergyman she patronizes, Mr. Collins. Lady Catherine exerts her influence upon Mr. Collins by frankly telling him that he "must marry ...a gentle woman for [her] sake" (92). This effectively causes Collins to peruse Elizabeth, the daughter of the man whose estate he will inherit. After being rejected by Elizabeth, Collins marries Elizabeth's childhood friend Charlotte. On a trip to visit the newly married couple, Elizabeth finds herself and Lady Catherine's nephew, Fitzwilliam Darcy, at a dinner party hosted by Lady Catherine herself. At the dinner party, Lad...