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jane austen literary analysis
jane austen analysis
jane austen literary analysis
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Everyone has to enter into a new and unknown environment at some point in his or her life, but how would one expect a young, naïve girl, who has always lived a plain life with a poor family, to enter into a new, elegant, and cultured society? This is the situation that Jane Austen depicts for readers in Northanger Abbey and manages to present with appropriate satire and amusing humor. The young lady that Austen writes about is Catherine Morland; though she is well into her youth and almost a young adult, she is still immature and ignorant. Jane Austen successfully portrays and develops Catherine Morland toward maturity, heroism, and self-knowledge through having her leave her family for the first time, adapt to the sophisticated society of Bath, learn what life is really like outside the fictional novels she reads, and forge relationships with new people. “It,[Northanger Abbey], is the herald of Jane Austen's development of the theme of the heroine's transition from girlhood to womanhood” (Cummins). Catherine accepts an invitation to go on a trip to the resort town of Bath with the Allens, thus having to leave her family for the first time and face the trials of being independent.
Austen reveals how difficult traveling on her own for the first time is for Catherine and her
“Catherine Morland…is the innocent abroad who gains worldly wisdom: first in the fashionable society of Bath and then Northanger Abbey itself, where she learns not to interpret the world through her reading of gothic thrillers” (Merriam-Webster, Inc 817). She becomes a heroine by the end of the novel and readers can see a clear distinction from who she was when the book started to who she is when the book
... But in fact her powers and beauty cannot change the foundation of her society. Emma’s circumscription within the boundaries of her class kept her world under control. This prevents her from considering another society beyond her existence. The confusion from her failed attempts with Harriet due to her guidance, allows her to embrace reality. Jane Austen uses Emma’s character to reveal the quality in the structures of the nineteenth century society. Based on the conclusion of the novel, when Emma is forced to look beyond the limited power and beauty she has and acknowledge the existing order and structure of the early nineteenth century English society.
More specifically, women who were privileged, educated, and belonged to the higher class. As an example of young women, “Catherine 's enthusiasm for romantic novels is by no means a personal idiosyncrasy to be removed by education; she is at the crest of the wave of public taste-especially for girls of her age and class.” (662) (Socialization of Catherine Morland). Reading became a popular interests of young women, however, comparing Catherine as the novel 's heroine considers feminine traits,desires, and interests were changing. Women no longer identify with female hero 's that are whimsical, instead they enjoy feminine hero 's to be challenged, opinionated, and intelligent. According to Waldo Glock Austen 's “most significant function of the parody element is to suggest that the romantic and sentimental type of heroine is no longer relevant for the nineteenth century” (37
“Man has the power of choice, woman only the advantage of refusal,” (NA 74) says Henry Tilney, the hero of Jane Austen’s Northanger Abbey (1817). From the reader’s perspective, Tilney seems to have no characteristics to recommend him as Catherine Morland’s suitor: the narrator describes him as “impertinent” (NA 107), “rude” (NA 115), and as “indulging himself a little too much with the foibles of others” (NA 21). Yet, he chooses to propose to Catherine, and she elects to accept him. Why? Why are certain characters accepted as ideal partners in marriage, while others are rejected? A close examination of rejected suitors in Austen’s novels reveals that the heroine’s—and the author’s—choice of suitor is dependent on factors that far outweigh superficial aspects, such as the heroine’s momentary uncertainty or society’s expectations for women of marriageable age.
Although she was not popular in her time, Jane Austen became known as one the greatest English Authors in history. Her stories reflected themes that are very relatable to her audience and gave great lessons to the readers. Her novel Sense and Sensibility explore what the true difference between “sense” and “sensibility” is, which led to many critics to respond to what they thought each term meant. The characters in this novel each have a different personality which caused conflict in the story and truly showed what happens when someone is “sense” and another is
Moving from the home she adored was troublesome for Jane, particularly in light of the fact that the family lived in a few better places until 1809, when Mr. Austen passed on. Amid that time of nine years, Austen did not compose. After her dad's demise, Austen and her mom and sister moved to Chawton, a nation town where Austen's sibling loaned the family a house he claimed. There Austen could seek after her work once more, and she composed Mansfield Park, Emma, and Persuasion. Mansfield Park, which was published in 1814, narrates the story of Fanny Price, a young lady from a poor family who is raised by her rich auntie and uncle at Mansfield Park. The book concentrates on profound quality and the battle amongst heart and societal weights and is considered by a few pundits to be the "primary present day novel” (Oxford: Clarendon Press, 1948).
Jane Austen completes her story with a “Cinderella ending” of Catherine and Henry marrying. However, her novel is more than a fairytale ending. Although often wrong and misguided in their judgments, she shows the supremacy of males that permeated throughout her society. Jane Austen takes us from a portrayal of men as rude, self-centered, and opinionate to uncaring, demanding, and lying to downright ruthless, hurtful, and evil. John Thorpe’s and General Tilney’s total disregard for others feelings and their villainous ways prove Austen’s point. Whether reading Northanger Abbey for the happy ending or the moral lesson, this novel has much to offer.
...e and high society, but shift the focus from a first-person perspective (Evelina) to the more omniscient third-person narrator’s voice (Northanger Abbey), and there are many comparison points to be made between the two. They enrich each other, offering two perspectives on a very similar world—one character sees reality, as it is—the humor, the difficulties, and danger of it. The other creates her own reality, allowing her imagination to cloud what may actually be truth. Combined, they offer a rich glimpse into the life of an 18th century girl becoming an 18th century woman.
In Northanger Abbey, Austen intended to reflect a contrast between a normal, healthy-natured girl and the romantic heroines of fiction thorough the use of characterization. By portraying the main character, Catherine Moorland, as a girl slightly affected with romantic notions, Jane Austen exhibits the co...
Austen was a recondite writer with a new inside perspective with an outside view on life in the early 19th century. Born on December 16, 1775, Austen was a curious child given the unseal luxury of an education. Her father was a part of the gentry class and raised a family of ten, but was not well off by any means (Grochowski). Sense and Sensibility, written by Jane Austen, tells a dramatic story of three sisters and their emotional journey where they encounter love and betrayal. Because Jane Austen was raised in a liberal family and received a comprehensive education, her dramatic analysis of societal behavior in Sense and Sensibility was comparable to the hidden truths of social and class distinctions in 18th and 19th century Europe.
Northanger Abbey by Jane Austen expresses the powerful narrative voice. The narrative voice that she uses is different from other novels. Most authors try to hide their presence in their novels but Jane Austen does not try to hide her presence. Her presence in the novel is so clear. For example, “The advantages of natural folly in a beautiful girl have been already set forth by the capital pen of sister author, and her treatment of the subject I will only add” (Austen 81). She tries not to trick her reader as he/she reads the novel. Instead she informs the reader that the book itself is just a novel. Her purpose is not to convince the reader and correct her story, but to understand the imperfection of language because language does not always tell the truth or enough for the truth.
Throughout the novel Lady Catherine is a foil to Elizabeth to show Elizabeth’s best characteristics. Elizabeth is shown to be more independent and self-confident than prior when she confronts with Lady Catherine such as in Chapter 29, “Elizabeth’s courage did not fail her. She had heard nothing of Lady Catherine that spoke her awful from any extraordinary talents or miraculous virtue, and the mere stateliness of money and rank, she thought she could witness without trepidation” (pg. 158). The other role of Lady Catherine is her personality on the effects of society and class. One particular account of this is in chapter 29, “Lady Catherine is far from requiring that elegance of dress in us which becomes herself and her daughter. I could advise you merely to put on whatever of your clothes is superior to the rest—there is no occasion for anything more. Lady Catherine will not think the worse of you for being simply dressed. She likes to have the distinction of rank preserved.” (pg. 158). This expresses the ideas that Jane Austen was trying set forth with Lady Catherine in the principles of what society and class had as an effect with the plot of Pride and Prejudice and the surrounding
...er. Even as wise and intelligent as Charlotte is, she still identifies with the ideas of her time about marriage. Charlotte, serving as a basis of time’s views allows the reader a glimpse into the institution of marriage in the Regency Era. Charlotte more than emphasizes just how radical Elizabeth was for her time, since she was willing to wait for the perfect man rather than settle. As a contrast, she helps Austen create a unique relationship in Darcy and Elizabeth. Austen disproves Charlotte’s and the general society’s pragmatic belief in a likely unhappy marriage. Through Charlotte’s marriage Austen gains a more cynical and realist voice she shows that the heart does not always have to be consulted with for a comfortable union. However, she also proves that a happy marriage is possible in spite of personal imperfections as is the case with Darcy and Elizabeth.
Catherine is a true Austen heroine, not only because she learns to examine her own spirit, heart and mind so that she is able to mature beyond her flaws, but also because she inspires readers to develop truly heroic behaviour themselves.
... Darcy and Elizabeth. Additionally, Austen sculpts the theme of social expectations and mores using the self-promoting ideology and behaviors of Lady Catherine as fodder for comic relief. Austen does not simply leave the image of the gilded aristocracy upon a pedestal; she effectively uses the unconventional character of Elizabeth to defy aristocratic authority and tradition. In fact, Austen's proposed counter view of the aristocracy by satirizing their social rank. Lady Catherine is effectively used as a satirical representation of the aristocracy through her paradoxical breach of true social decorum and her overblown immodesty. Evidently, Lady Catherine is nothing short of the critical bond that holds the structure of Pride and Prejudice together.
...f society and the desire to marry into a higher class, she is able to expose her own feelings toward her society through her characters. Through Marianne and Elinor she displays a sense of knowing the rules of society, what is respectable and what is not, yet not always accepting them or abiding by them. Yet, she hints at the triviality and fakeness of the society in which she lived subtly and clearly through Willoughby, John Dashwood and Edward Ferrars. Austen expertly reveals many layers to the 19th century English society and the importance of having both sense and sensibility in such a shallow system.