Monster is a movie based on a true story about an American female serial killer. Aileen Wuornos was a prostitute who killed multiple men for financial gain to support her and her lover Shelby Wall (her real life name being Tyria Moore). The real life serial killer was convicted of the murders and was executed by lethal injection after ten years on Florida’s death row in 2002.
Aileen was a type of serial killer who killed for comfort which is called Hedonism, the pursuit of pleasure. Aileen was taking care of herself and Selby while living in multiple motels in different areas in Florida. Once Selby’s money ran out along with no legitimate job, Aileen then began luring men to do sexual acts for money but would ultimately shoot them for their
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From there on Aileen used the same handgun to murder each man. Another difference from a basic serial killer, usually, a female serial killer’s method of killing is by poison. Aileen’s span of homicide was pretty short, her murders lasted only a year, in the late 1989 till late 1990. Generally, a female serial killers span of homicide is six years in average. In the film, Aileen was mentioned a couple of times in the media, but not specifically, she was mentioned as a suspect but was not named. In real life, Aileen had a few monikers, she was called the “Florida High Serial Killer” and “Damsel of …show more content…
They showed the police investigations through the media. When Selby crashed the car in front of the elderly couple’s house, the couple had a very good look of their faces. The couple didn’t report to the police like I thought they would but they were the ones to identify the faces when the police had drawn photos of their faces. During a news report, one investigator said they didn’t have an accurate profile on who the suspect could be and I think I can understand why. Female serial killers are not the norm; in fact, they make up eight percent of all serial killers. So police investigators wouldn’t think it was a woman who were committing the series of
Anyone who has had the chance to read Mary Shelly’s original Frankenstein and watch the movie Young Frankenstein is aware that there is quite a difference when it comes to the two of them. For one it is easy to point out that Young Frankenstein is set out to be a comedy while the original version of Frankenstein is made to be serious. Young Frankenstein is a 1977 film that tells the story of Victor Frankenstein’s grandson. The film adaptation is essentially a parody of the classic tale along with other versions of Frankenstein. It pointed out from the start of the movie that it would run directly parallel with the original tale when Fredrick Frankenstein was mentioned to be the grandson of the infamous Victor
poster typically has the white cowboy large, presented front and center, with the antagonists and co-stars all behind him. An iconic western, The Good, The Bad, and the Ugly, has a poster picturing the white cowboy alone. Clint Eastwood stands there tall, stoic, and singular. Typical of most other westerns, the white cowboy is the center of attention. Here, however, there are two non-white figures presented: Bart, the Black cowboy, and a large Native American chief. This movie poster has the same style as other westerns with the color and layout, but is unique in the fact that a black man is presented where a white man would normally be dominating. Once again, this makes a statement about racial improvements. Previously having a black man at
In a study conducted by Hickey, he discovered that out of thirty-four female serial killers, almost one in two had a male accomplice committing murders with them (Holmes et al., 1991). He also revealed that 97% were white and the average age the women started committing murders was thirty-three (Holmes et al., 1991). Women serial killers differ from men in that most women kill for material gain, such as money or insurance benefits, and they usually commit murder with pills or poison. Stephen Holmes, Ronald Holmes, and Eric Hickey developed a typology for female serial killers similar to the one developed by Holmes and Holmes, discussed earlier. They begin with visionary serial killers, who are compelled by some force, such as God, or spirits, to commit murders. The second type is the comfort killer, who usually kills acquaintances and does so for a material gain, money or real estate (Holmes et al., 1991). The third category is hedonistic female serial killers, which is similar to the earlier typology in that the offender connects murder with sexual gratification. This is the least represented category for female offenders, but evidence for this type of killer can be seen in the case of Carol Bundy (Holmes et al., 1991). Bundy allegedly helped her husband kidnap, murder, and decapitate the
As the years goes by, Wuornos life was becoming unstable and a nightmare. As a result, Wuornos childhood is well defined on how and why she became a criminal and killed those seven men victims. Her life consists of abandonment, mental and physical abuse by family, peers and neighborhood. While her mother was a teenager when she gave birth to Wuornos. Her father was absent in her life and abuse her mother. After he absent father was in jail for the rape of an underage child. Wuornos was abandoned by her mother as a teenager and left with grandparents. On the video stated she was emotional, sexually and physical abused by both grandparents. She became a prostitution to earn a living in the street of Florida. The life of Wuornos could be associated in with a diverse of theories of crime behavior. There are three various theories that could describe the life and subsequent in crimes of Aileen Wuornos. These three theories consist of biological/biosocial theory, self-control theory, and social control
Saw is a American horror film directed by James Wan. The film is about a killer who calls himself the Jigsaw. He kills and/or “teaches” his victims to respect life. He watches his victims and then abducts them when learning their problems in life.
Many live attempting to decipher the riddle of life. What is life? What is the purpose? What makes? Even though we only seek happiness why can’t we ever seem to achieve it? When we do reach happiness why can’t we seem to grasp it and hold it for more than the few short hours that pass like seconds? The question we must answer first is “What makes happiness, true?”
The FBI defines serial killing as “the unlawful killing of two or more victims by the same offender(s) in separate events” (Farrell, Keppal, & Titterington, 2011, p. 231). While individuals who partake in such activity do receive a large amount of attention, the female parts of this population are vastly under recognized. Female serial killers receive little academic attention, even though they are a complex and dynamic group to study (p. 229). Women make up 15% of American serial killers, with 36 known to be active in the last century (p. 230). It is speculated that at any given time there are 50-70 serial killers in the United States, and approximately 7-8 of them are female (Schurman, 2000, p. 12).
“The Monsters are Due on Maple Street” is an episode from the popular tv series The Twilight Zone. Twilight zone was created by Rod Serling, and first aired in 1959. The series is a dramatic fantasy and science-fiction anthology. The episode “The Monsters are Due on Maple street” is based around aliens. At least from the surface the episode seems to be about aliens. The average viewer would not see that the episode also has a deeper meaning, one that relates to history. This episode is a great example of a term coined in the 1950s, McCarthyism.
Often considered America’s first female serial killer, Aileen Wuornos was neither first nor the worst. She had been suspected of committing at least seven murders and was sentenced to four of cases she had confessed to police. All the while, she maintained her innocence claiming that some or all of the killings were in self-defense.
She claimed self defense stating in the documentary duing a court order, “first female serial killer is not what I am and I am not even near it and my confessions prove it” (CITE). From the learning theory comes a term deemed “Neutralization”. Neutralization is an attempt by the offender to buffer the severity of their actions. It’s a learned behavior and thus is categorized under the learning theory which has been adopted via observation of their surroundings. This neutralization is an attempt to redistribute blame away from the offender. While all claims of rape Aileen mentioned are valid ( we can never know for sure because her victims are dead) a pattern of blame starts to form through her dialogue. According to the FBI, “The term ‘serial killings’ means a series of three or more killings, not less than one of which was committed within the United States, having common characteristics such as to suggest the reasonable possibility that the crimes were committed by the same actor or actors.” (CITE). By definition of the word, Aileen was in fact a serial killer. However, while in the end admitting to the crimes, Aileen held strong to the idea that she was in fact not a serial killer, “Lee Wuornos insists she is not a serial killer and did not stalk her victims or plan her crimes” (DOCUMENTARY CITE). We see Aileen used neutralization in 2 main forms,
She was raised by her grandmother together with her brother and evidently lacked the parental guidance as a child since her mother had abandoned her when she was only four years old (Seal, 2014). Her father on the other hand was a known child molester and psychopath who later hanged himself in prison. This is an evident genealogical aspect and coupled with the assertions mentioned above; these are some of the biological developmental and environmental factors that may have led to her indulgence in crime. Aileen also claims that she became pregnant at a tender age of 14, a pregnancy that she inconsistently blames on either her grandfather’s friend or her brother. The decision to adopt the baby could also be a resound proof that it could have altered her attitudes when growing up and it is also backed up by the fact that she chose a woman for a spouse and not a man (Frei, Graf & Dittmann, 2006). This is a factor that can be pegged on the fact that she probably grew a hatred for men after being impregnated by an individual she knew too
Due to a strong cultural bias, society often disinvolves or denies the very existence of a female serial killer. Whereas the male serial killer has been regularly lionized by his outrageous exploits, the female serial killer is typically ignored, viewed as an anomaly (Kelleher p.xi)
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
Almost everyone has a favorite genre of film, but how everyone defines their favorite genre can differ greatly. Horror is one of the genres where its definition can be perceived differently by many people. Like all other genres, horror does have rules and traditions that must be included in order for a film to be considered a horror film. These rules and traditions include a protagonist, an antagonist, an escape or escape attempt of some sort, and very influential audio and visual effects.