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Breaking stereotypes essay
How stereotypes affect us and what we can do
Breaking stereotypes essay
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Society has created a set of standards for women that has been portrayed in literature for many centuries. Shakespeare depicted these strict standards in Athens during the 16th and 17th centuries in his play A Midsummer Night’s Dream. Two centuries later, in her novel Pride and Prejudice, Jane Austen depicted the expectations of women during the 19th century in England, and the resemblance between the two was anticipated. Women had nearly the same roles throughout the centuries, although there were some differences. Weaker women had a tendency to conform completely to these harsh standards for men and betrayed other women, whereas stronger women were more likely to think for themselves and behave in their own ways. Both Austen and Shakespeare …show more content…
Women are told not to chase after men, as they will come to them or their fathers will choose them. After Demetrius rejects her multiple times, Helena continues to fight for his love, and she claims that “[women] cannot fight for love, as men may do;/[Women] should be wooed and were not made to woo” (Shakespeare II.i.240-242). While she is correct, she continues to fight for the improbable love. Helena portrays a weak women by continuing to go against these standards. Similarly, when Lydia ran away with Wickham, Mary, being moralistic and unsympathetic, reminds the family “[t]hat loss of virtue in a female is irretrievable, that one false step involves her in endless ruin” (Austen 280). She is reminding the family how Lydia’s mistake in doing what she was always told not to will inevitably ruin her and the family. She is unsympathetic for her sister, and she seems to not care what will happen to any of them. Mary also portrays a weak women by betraying her sister and being moralistic with these standards. Both works characterize weak women, but in A Midsummer Night’s Dream, the weak women is the one who disobeys, while in Pride and Prejudice, she is the one following society’s standards. Similar to Lydia and Wickham, “Lysander and [Hermia] will fly th[e] place” to be together (Shakespeare I.i.203). Hermia was told she was going to marry Demetrius, …show more content…
Shakespeare focused on the role of women in marriage and love, while Austen illustrated a more rounded view of their role in society. Although there are some women who are weak and do the opposite of the standards, most women who follow them are characterized as weak, while those who go against the standards are often stronger and had their own and were ready to fight back. Throughout the world, the roles and expectations of women have always been similar, and has depicted in all forms of
The views on women in this play are shown through Hermia’s recklessness, Helena’s desperation, and Hippolyta’s hypocritical behavior. The women in this era of when Shakespeare wrote this play were subservient to men and had no will and choice of their own. This included marriages that were usually arranged by a powerful male relative instead of giving the woman the opportunity of choosing a husband that she loved. First, Helena was a woman who chased after men. She contradicts her gender by breaking society’s rules. Helena even says, “We cannot fight for love, as men may do; we should be woo’d and were not made to woo” (Rogers, 1998, Act 2, Scene 1, 241-242). Second, Hermia disobeys her father and cannot decide on marriage. She is disrespectful towards her father’s commands. Hermia goes on to say, “I do entreat your grace to pardon me. I know not by what power I am bold” (Rogers, 1998, Act 1, Scene 1, 58-59). Lastly, we have Hippolyta who pretends to love King Theseus and is a liar. She stands by through the oppression of different women in the play. Although, Hippolyta shows dominance in her words. “Four days will quickly steep themselves in night; four nights will quickly dream away time” (Rogers, 1998, Act 1, Scene 1, 6). We see the King’s impatience at having Hippolyta, but Hippolyta has the control and patience. “Hippolyta, I wooed thee with my sword, And won thy love,
There have been strict gender roles set in place for men and women to follow, throughout history. During Shakespearean times, The females were viewed as this weak, emotionally and physically. Women were expected to always listen and obey their husbands, father or male when demanded. Women were never in positions to make the rules. Men on the other hand, were expected to be the head of their households, strong, and wise. In “A Midsummer Night's Dream” written by Shakespeare, you may notice a lot of “gender roles” being played. Oberon and Titania characters are the only couple in the play who have been married for a while in the play. That makes them an important role in “A Midsummer Night's Dream”.The other couples are just starting out
While Helena prove this status as she is dependent woman who hardly cares for her lack of free will, and Hermia dares to go against her tradition by not only go against the will of her father but also by speaking her mind out in front of Theseus the Duke of Athens as well. However, it has been shown that even in her action, Hermia may have felt guilty as she went against the male authority. All in all, these two female characters clearly shows that the male authority over women in William Shakespeare
The struggle of women to fight for equal rights has always been a problem in society. This issue has transcended from generations and can be tracked down from many literary sources: books and articles, the conflict women went through to even be able to voice their point in in any matter, even ones that included them. William Shakespeare, as said by Scott Guffey, manages to bring “fourth [the] highly believable and realistic” (Guffey 2) judgment and belittlement of women during the Renaissance period in Othello. Shakespeare does this by establishing societies need for women to portray the image of the perfect wife and signifying the repercussion that occur when those needs are not meet. He illustrates what happens to Desdemona and Emilia’s credibility and treatment after their husband’s accuse them of cheating, an allegation that causes them to no longer hold the only thing women were valued for: their image of an impeccable wife. Although, they were both strong women by defying important men in their life, gender was represented as a source of supremacy, in Othello, and challenging those norms ultimately lead to both of these women’s demise.
Since the beginning of time women have been viewed as weak and inferior to men. It wasn't until 1839 that women could even own property, before that a father would give the land to his sons and just skip over their daughters (Mcgree and Moore). The reasons a father would skip his daughters' inheritance was because women were thought to be unable to handle the responsibilities of holding land or any job. Shakespeare plays on these stereotypes of women by placing Emilia, Desdemona, and Bianca in Othello. These three women portray the expectations placed upon women during the Elizabethan era. Othello displays different examples of the expectations of the Elizabethan patriarchal society and the suppression of females. Although Shakespeare isn't
At age fifteen, my hormones went wild and I threw myself at every boy in the neighborhood. Although I didn’t go all the way, I offered as much flesh as I dared. If the suburbs can create such sexual angst, imagine the lust stirred by moonlight, fairies, and a warm midsummer night. In Shakespeare's comedy A Midsummer Night's Dream, Helena represents the frenzy of young love when fueled by rejection and driven to masochistic extremes.
The Alarming Dilemma of Gender Inequality Even with the many demonstrations and campaigns advocating for women’s rights, women still do not receive the same treatment men do. In the play A Midsummer Night’s Dream–written by William Shakespeare–a young maiden, Hermia, wants to marry Lysander, but her father holds a different opinion, choosing Demetrius, who is also in love with Hermia, as her future husband. Hermia runs away with Lysander to the forest, where they get wrapped up in the fairy rulers’ conflict. None of the female characters in the story had authority over their male counterparts, which reflected the injustice towards women encountered during Shakespeare’s time. It is quite apparent in the interview “Gaming for Change” by Scholastic Scope, the study “Stereotypes Might Make ‘Female’ Hurricanes Deadlier” by Bruce Bower, the essay “Women in Combat: Is It Really That Big of a Deal?” by Darlene M. Iskra, the article “Women in Combat” by Walter E. Williams, and the commentary “We celebrate women but they don’t get equal pay, have adequate rights” adapted by Newsela that society’s mistreatment of women has been perpetual Although circumstances for female citizens have slightly improved from the fourteenth century, gender equality is still scarcely encountered.
Over the centuries, women’s duties or roles in the home and in the work force have arguably changed for the better. In Pride and Prejudice, Jane Austen teaches the reader about reputation and loves in the nineteenth and twenty-first centuries by showing how Elizabeth shows up in a muddy dress, declines a marriage proposal and how women have changed over time. Anything a woman does is reflected on her future and how other people look at her. When Elizabeth shows up to the Bingley’s in a muddy dress they categorize her as being low class and unfashionable. Charles Bingley, a rich attractive man, and his sister had a reputation to protect by not letting their brother marry a ‘low class girl’. Reputation even today and back in the nineteenth century is still very important aspect in culture. In the twenty-first century, women have attempted to make their lives easier by wanting to be more equal with the men in their society. Women are wanting to be the apart of the ‘bread winnings’ efforts within a family. Since evolving from the culture of the nineteenth century, women have lost a lot of family and home making traditions but women have gained equality with more rights such as voting, working, and overall equal rights. In the twenty-first century world, most women are seen for losing their morals for and manners for others. As for example in the novel when Mr. Darcy is talking badly about Elizabeth she over hears what he and his friend, Mr. Bingley, are saying about her but she does not stand up for herself.
The Duchess in John Webster’s tragic play, The Duchess of Malfi, and Beatrice Joanna in Thomas Middleton and William Rowley’s The Changeling, are both strong women living in a male-dominated society. The two women attempt to free themselves from this subordination by choosing to love that they desire. Both pay with their lives for this chance at freedom, but differ in their moral decisions about how they attempt it. Beatrice Joanna’s plan involves murder, whereas the widowed Duchess merely lives the life she chooses, then plots to leave Malfi. Both women are forced into their actions, but, whereas Beatrice Joanna is Machiavellian in her actions, the Duchess is morally superior.
During the time they are living, men and, especially, women had many rules on how to act forced upon them. In Jane Austen and the Province of Womanhood, Alison Sulloway discusses the complicated relationship between the “woman question” and female writers, specifically focusing on Jane Austen’s works and how she represents this tension. Sulloway describes the “woman question” as voiced desires of the male population to confine and limit women (page 4-5). In citing many male critiques and thinkers of the time, Sulloway shows that women were thought to have a natural inferiority and a weaker mind. The job fell on fathers and husbands to mold their minds into something reasonable (11). Reverend James Fordyce, the writer Mr. Collins reads the Bennet girls in the novel, is cited condemning female intelligence. Fordyce theorized that “‘knowing’ disfigures women’s faces, bodies, and spirits […] no wit, no scrutinizing intelligence was allowed her, and benevolent silence became her more than any other discourse of which she is capable” (23-24). According to this view, having intelligence, personality, and a voice are undesirable because they hinder women from getting married. A woman’s place is to be neutral until she finds a husband; then, she is to be submissive. Sulloway points out that Austen was a critic of Fordyce’s – we can see this in Pride and Prejudice when the girls,
Both Hippolyta and Titania, as well as Hermia and Helena, share common interest in defying the laws of a patriarchal society. The foremost problem associated with a male dominated society in "A Midsummer Night's Dream" was love. Therefore, a common focus associated with Hippolyta, Titania, Helena, and Hermia, in spite of their social standing, is their likenesses and contrasts in handling the idea of love in a patriarchal society. Still, the patriarchal society in which Hippolyta, Titania, Helena, and Hermia reside in strives to impede the feelings and attitudes which make up their idea of what love should become in a patriarchal society.
Men have so much control in this society and Shakespeare has a little bit of a change in the women in his play.
Elizabeth is not the average girl of her time, she could not care less about breaking societal gender roles. In Pride and Prejudice by Jane Austen, Elizabeth asserts herself to many people to show her inner strength regardless of her being a woman. Rejecting marriage was almost unheard of for her time, but Elizabeth rejects Mr Collins without hesitation. Elizabeth also speaks out to members of society that are of a higher rank than she is, which was not tolerated. Elizabeth’s search for love and a true connection with Mr. Darcy is not what most girls of her time look for in marriage.
In one of Jane Austen’s most acclaimed novel, Pride and Prejudice, Elizabeth is her sassy independent protagonist. However, is she the ideal woman? Feminism in the Regency Era was defined by women wanting education and an equal position in family and homes. In this era, the ideal lady had to be modest, dutiful, beautiful, and rich, especially to gain a wealthy husband. With this narrow, cookie cut definition, not many women fit this criteria. This is greatly highlighted in this satirical novel of the upper class. Elizabeth Bennet is a feminist wanting equal positioning in society, but does not fit the mold of the ideal woman according to the Regency Era.
William Shakespeare’s A Midsummer Night’s Dream centers on shaky gender norms and confusing love objects. Primarily adopting a Greek setting, the play concentrates on some deviant fairies, a group of inexperienced actors and four lovers from Athens. The elves launch into puzzling everyone and everything by casting a spell on the actors and the four lovers. Scholars have since then questioned Shakespeare’s thinking and the motive behind his writing of A Midsummer Night’s Dream. Louis Adrian Montrose argues that Shakespeare’s thinking was influenced by the fact that Britain at that time was under the leadership of a woman – Queen Elizabeth I. Before the formation of the NBC, the British Empire existed in the 16th Century and was under another