Michael Scoggins

639 Words2 Pages

This semester we were supposed to go see a piece of art and for the convenient factor I went to the Weil Gallery located on the first floor of the Center for the Arts on campus. Unfortunately I couldn’t take a selfie with it because they didn’t allow pictures so I just took a quick sneaky picture of the piece of art by itself. The piece I choose was made by Michael Scoggins in December 25, 2011, with a colored pencil on a gigantic piece of notebook paper about the size of an average person six feet .Well actually all the pieces were made by him as this gallery was his view of America. This gallery was called Michael Scoggins: Americanism, which fits exactly in to this artist’s style and background. “The work I make is always political,” says Michael Scoggins, who lampoons American and art-world politics and …show more content…

Lines are probably one of the most emphasized elements in this piece, as Jesus is almost completely made from lines and he is the center piece of this work. The Lines were used to define boundaries of shapes and spaces in most of Jesus like his hair and clothes. Also, lines were grouped to depict shadows and form patterns or textures, in his neck, head, hands, and clothes. It’s safe to say that Jesus in this piece is made up almost entirely of lines, with little shading and no color. Therefore it intertwines with the other elements like shape, mass, light, color, and texture in this piece, which is great as the piece would of have seemed more flat and inhumane. Also space, but more particularly implied depth was used on the sun behind Jesus with vertical placement and overlap elements. Probably to emphasize the holiness of Jesus as the sun is portrayed shinning on him and is the only real color used in this piece. There is no actual motion, but implied motion using Jesus’s hands that was used to make this piece seem more real and not as

Open Document