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Rise of Christianity in Early Christian Art
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Jacopo Robusti, known as Tintoretto, was a famous Italian artist, born in Venice, Italy in c. 1518, and died in 1594 in Venice. He created many well-known paintings, such as Christ Washing His Disciples’ Feet and The Last Supper. He is known for large canvas paintings and for using dark dramatic lighting and space. One of Tintoretto’s masterpieces, Christ Washing His Disciples’ Feet is an oil on canvas painting that is approximately154.9 x 407.4 cm, which was created around 1545-1555. This painting is located in the Art Gallery of Ontario. Christ Washing His Disciples’ Feet is based off of Christian beliefs that Christ washed his disciples’ feet after The Last Supper. There are many elements of art that are shown within this art piece, that …show more content…
Colour is the light reflected off of objects and is categorized by hue, value and intensity. Hue is the name of the colour shown, value is how light or dark it is, and intensity is how bright or dull it is. The main hue’s shown in this painting are red, white and gold. The colour red on the people’s clothes really showcases the people and makes them the main focus of the painting. Specifically, Christ and his disciple’s in the foreground of the painting are really showcased through the colour of their clothing. Also, the white contrasts with the red, showcasing the white tablecloth, the white pillars in the background, the white apron around Christ’s waist, and the dog sitting in the front. The value of the colours throughout the art piece are all very dark, making the piece very gloomy and intense. The dark colours, as well as the darkness coming in from both sides of the painting make the painting very expressive. The deep red colour really captures the expression and meaning behind the washing of the disciples’ feet. The colours overall are not very vibrant, but very dull, which also showcases the expression around the painting and how intense the scene is. Therefore, through the formal element of colour, the artist is trying to express the realism of the
He spends his last few hours of freedom before his death washing all twelve disciples' feet and drying them. Pope Francis Re creating this ritual was intended to send a message to the people whose feet were being washed. In source 2, the people’s feet being washed were inmates of a juvenile prison, who are considered vulnerable people in society. The twelve inmates were of different nationalities and religions. The Pope washed, dried and kissed the inmates feet which is the ultimate act of humility. Jesus originally did this to his disciples. To show that their lives must be one of servitude to others especially those most vulnerable. By the leader of the Catholic church doing this ritual it highlights the present themes of the Catholic church of servitude to others and shows that even the Pope lives a life of servitude to others. In this case, the servitude is for the vulnerable, which the pope is trying to show the values that contemporary Catholicism represents. Besides the washing of the feet Pope Francis also say’s “do not give up on hope, but rather look to God for an answer”. This is meant to show God’s forgiveness and grace by giving them an avenue where they can consolidate themselves through God. This is despite breaking the law and possibly not being of the Catholic faith, Pope Francis actions it shows God’s grace. This act of love
At the top of the artwork the upper part of the cross extends beyond the altarpiece. The edge of John the Evangelist’s red robe on the left of the altarpiece and the edge of Mary Magdalene’s pale blue skirt on the right are cut off when the panel ends, giving the viewer the feeling that, rather than looking in on the scene, the viewer is actually taking part in the scene. This, added to the empathy invoked through the delicate, heart-wrenching rendering of the figures in the artwork, let the observer directly interact with the painting and places him/her within the narrative.
The Merode Altarpiece is a triptych painting that represents the Annunciation of the Virgin Mary. This work displays the main characteristics of the Northern Late Gothic period. There is so much detail in this work of art. Campin utilizes many symbols in this altarpiec. The setting of the painting is in a Flemish middle class house. The Annunciation theme is being depicted in the central panel. A scene of Saint Joseph at work as a carpenter occupies the right-hand panel. The portraits of the donors are depicted in the left hand panel. Campin failed to understand the scientific perspective. To illustrate, there is no focal point in the painting and the table looks tilted. Campin used no aerial perspective. To illustrate, the background is still very crisp when seen from a distance. The most important aspect of the painting is the symbolism. For example, the lilies represent Mary's purity, the candle represents the Holy Spirit, even the mouse traps represent trapping evil. Campin also made use of bright, rich colors. In the central panel, the drapery of the figures are filled with colors of red and white. Campin has also made a good use of illusion of the space by making the town seem to be far away by distance by making them appear blurry. Furthermore, Campin has created figures that are not in proper proportion. To illustrate, the figure’s head is small and the bodies are big and it seems that if they get will hit their head if they get up. They look very unrealistic. Although they are not in proportion, the figures seem to have very sharp edges. The figures also look very stiff and rigid. In Merode Altarpiece, the light is arbitrary and the figures do not cast any...
The chosen art work is "Miracle of St. Dominic." This painting is a tempera on panel, painted by the Renaissance artist Taddeo di Bartolo, in the year thirteen sixty three. The painting is currently housed at the McNay Art Museum, measuring approximately 10" high by 10" wide. In this particular painting we are witnessing a miracle by St. Dominical. There are spectators and a horse that lays above the man in red, who St. Dominical has brought back to life.
Looking across the entire triptych certain visual elements can be seen. Lighting is carefully used to highlight many important details in the painting; the dramatic facial expressions of many of the people in this scene are clearly lighted and defined to illustrate the emotions felt by the witnesses. In the left panel of The Raising of the Cross, among the mourners appear to be St. John, another man that seems to be consoling St. John, Elizabeth (the mother of John the Baptist), St. Mary (the mother of Jesus) and Mary Magdalene (hoocher.com). One of the mourners is actually looking directly at the viewer with a very distraught expression on her face. The mourner that I suspect is St. John in the back appears to be almost nauseous and his face is surrounded by darkness and is subordinate and his face is being emphasized. Also, the rocky background is subordin...
One word to describe this painting is interesting. One who does not have any clue about the holy moment cannot help but ponder as to what this may imply. It automatically sets a mood of being in tragedy. The landscape in this work of art is beautifully painted. Starting from the top, you can see the sky is filled with clouds that cover up a sunset. The dark clouds give out the impression of rain which symbolizes sorrow. The blue, orange and yellow colors used in the sky depict the time of day to be sunset or sunrise as the sun is making its way through. On the top left of the sky there is a figure that looks ...
From the excerpt from the novel, “Under the Feet of Jesus” by Helena Maria Viramontes, the main character is Estrella, a young Spanish girl with a powerful desire to learn to read. Although she is persistent, her teachers refuse to educate her because they are more concerned of Estrella’s personal hygiene. This leaves Estrella resentful because of the barrier between herself and knowledge. Estrella remains silent until a man named Perfecto Flores teaches her how to read by using his expertise in hardware and tools to represent the alphabet. Viramontes depicts the heartfelt growth of Estrella through her use of tone, figurative language, and detail.
The book Under the Feet of Jesus by Helena Maria Viramontes shows you the story of Estrella and her family and the struggles they face as migrant workers. Among all the symbolism in the book the one that stand out the most is Petra’s statue of Christ, which symbolizes the failure of religion and the oppressive nature of the Christian religion especially in minorities. Throughout the book, Estrella’s mother, Petra relies on superstitions and religion to get her through the hardships in life. In tough times, she turns to the statue and prays for guidance. Her thirteen-year-old daughter Estrella is the first of her family to realize that she needs to stop relying on religion and take control of her life. This brings in a wave of self-empowerment, not only for Estrella but eventually for all the characters as well. In the book, you’re able to see how religion exemplifies the failures of religion in minorities and how it hinders the growth of the characters while helping some of them.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
Throughout this painting, Chagall paints with primary and secondary colors. Most of the colors used are around or on Icarus, the focal point, to draw the most attention to him. The primary colors that Chagall uses are blue, red, and yellow. Chagall uses blue on and around Icarus’s wings, people, and houses. The blue on Icarus’s wings, the people, and the houses are a shade because the color was mixed with black to make the color darker. Red was used more often than any other colors. The color red was painted in the streets and painted on the figures in the streets. The streets are intensified because the saturation of the color red is so high. With the red color filling the streets, I feel like Chagall is trying to convey the danger that the people are in since Icarus is right above them falling towards his doom. The color yellow is also surrounding Icarus. The color yellow surrounding Icarus is a tint because the color was mixed with white to make the yellow lighter than the rest of the primary colors on Icarus. Since the yellow is so light, Chagall creates more variety on Icarus. The secondary color that Chagall uses is green. The color green is used for the animals and grass. The green on the animals and grass is a tint because the color is lighter than the rest of the colors. But, one particular donkey in the street, the color green is a shade because the
... the way that the artwork is resembled in the religious background of the gospel but reconstructed in to a celebrating impression. Throughout the fresco painting it depicts the myth of the Christ’s three fold temptations relating back to the article that “distinction between fresco and panel painting is sharp, and that painters are seen as competitors amongst themselves discriminating also, between the difference in genuine attempts in being better then the other.” Baxandall, “Conditions of Trade,” 26. in relation, the painting concerns the painter’s conscious response to picture trade, and the non-isolation in pictorial interests.
For example, According to artnet.com “The Last Supper" suite is an anthology of Warhol riffs. The painting appears whole, as a double-silkscreened image, washed in the medicine-bottle hues he loved -- green, blue, yellow, rose-red -- and in details, executed by Warhol in deft outline. The show includes two big versions of the painting, Christ 112 Times.” So he used these colors for his liking. If you look at the color theory you will find out that red can mean love, light blue-strength or cool, orange- energy or excitement, purple- being the most powerful , yellow- happiness . All these color are positive rather then negative, and may have been used to create his version of “The Last Supper” being a positive message with his choice of colors .The Artist behind the “The Last Supper” is Leonardo de Vinci. Lenardo was born in 1452 and was known for his work of “The Last Supper and “Mona Lisa”. Leonardo was not just a painter according to biography.com he “studied the laws of science and nature, which greatly informed his work as a painter, sculptor, architect, etc.” He is inspiring to many artist and made a leading light of Italian
Color is used to draw attention to important characters and objects in the painting. The red of Mary’s shirt emphasizes her place as the main figure. A bright, yellow cloud floating above the room symbolizes the joy of the angelic figures. De Zurbaran uses warm colors in the foreground. The room, used as the background for the scene, is painted in dark colors utilizing different hues of gray and brown.
The painting shows both figures into what seems to be two different types of postures. which I believe have a hidden message behind them. The figure in the back which is Saint Joseph the baptist looks as if he is in a rigid pose. The figure looks as if he he trying to move around with his walking stick. I think that van der Weyden purposely makes saint Joseph appear rigid to signify illness which ties into the crucifiction of jesus. However, Magdalen does not have that statue like posture. She seems to be moving through space when one looks at the book the figure is reading and how her fingers seems to be moving the pages. The fact that she is reading the bible tells the audience that she has faith in the bible's words. There is a gargantuan amount of detail in the painting. For example, the clothes that Magdalen is wearing one can see the wrinkles of the cloth while it is not too obvious the body is present under the clothing. The knees are visible under the green cloth. Also, the objects in the painting create shadows which ties into Roman art because of their attention to detail. Another reason why the painting has aspects of Roman art is because of the
A remembrance before his life is taken away. It is also notice that some of the apostles seem to be in disbelief, by their facial expressions and body gestures alone. That is to say, that they have receive discomforting news. Neighboring on the left of Jesus, a figure is presented with his hands in the air in like matter of how someone will show that they surrender or the didn’t do the action he or she has been accused for. Such as clearing their name out of trouble. While illustrated on the right of Jesus, figures are talking amongst themselves mischievously as if they have news to bring forth onto the topic. This one painting tells the story clear enough to follow. As to where you have painters within the decade that tried to illustrate this very story and could not do recite such a clear interpretation. With details such as these, this painting will remain a timeless piece. The hidden details speak for it self without the artist having to give away the concept of his work. Nonetheless, the amount of effort it took to bring such a biblical story back to life to be relived once more. To continue, Michelangelo’s piece “Sistine Chapel Ceiling” is another well-detailed piece. This piece shows