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I find it strange that Meursault knows that he has ruined his own sense of peace and happiness when he shoots the man on the beach, yet he then goes to shoot the man four more times. He even acknowledges that “it was like knocking four quick times on the door of unhappiness,” which reveals that to some extent, Meursault understands the consequences of his actions. But due to his total mental detachment from the world, he does not care about consequences, no matter how dire they may be. I cannot help but think that Meursault is as indifferent to the state of his own life as he is to the life of the man he killed. It is pretty disturbing to me that Meursault’s guilt is being determined by how he grieved (or more accurately, how he did not grieve)
Second part of the novel begins with the interrogation, (after killing the Arab for no reason) and illustrates Meursault’s unique personality of not caring about the society's customs and practices,” I didn’t take him to seriously”.(63) During this process, Meursault is presented as a human with no soul, not reacting as expected by the magistrate when he waves the crucifix at him, and indifferent to prison. Once again, like at his mother’s funeral, Meursault focuses on the practical details of his new life, rather than on its emotional elements. His imprisonment does not incite any guilt or regret whatsoever and even worst he doesn’t think about the implication of his crime, but instead he selfishly goes back on analyzing his physical state and the case trial from the outside with no emotional implication. He notes that getting an attorney appointed by the court is “very convenient”, he also enjoys the examining magistrate’s friendly attitude and does no t...
“Soon one of the women started crying… I wished I didn’t have to listen to her anymore,” (Camus 10). The statement seems uncaring at first. In theory, Meursault should hardly notice the woman from his haze of grief over losing his mother, but Meursault is simply ready for the process to be done with. His mother was old; old people die. The sorrow did not envelope Meursault like some think it should have. His thoughts were focused on his physical self, who wanted the lady to stop crying. Outside of the setting of a vigil, it would be entirely reasonable to wish for a lady to stop crying and causing a commotion. Yet, later in the novel, Meursault finds himself being damned for this thought and similar moments in his mother’s funeral proceedings. For remaining stoic, he appeared uncaring and became “morally guilty of killing his mother” as the prosecutor decided (Camus 101). There was no sound reasoning in this assertion. Common sense, had anyone attempted to use it, would have entirely shut down the prosecutor’s argument. There is no way to be “morally guilty” of anything. The only
Meursault shows very little love or sorrow at the fact of his mother's death. A normal man would feel pain and regret for not being by her side while Meursault does not even care much about the date she passed away. Immediately on the first page in the novel, we confront the situation where Meursault's mother dies, and he does not care about it. "Maman died today. Or yesterday maybe, I don't know. I got a telegram from the home: `Mother deceased. Funeral tomorrow. Faithfully yours.' That doesn't mean anything. Maybe it was yesterday" (3). Meursault does not bother to call back and find information about his mother. Meursault shows no emotion or care for his mother because he sends her away for someone else to take care of her. During the last years of an elder person's life, they are invited to stay with the family in order to become closer with one another. Meursault could care less as he shows no sign of pain, and goes off to do something else. He resembles a figure where an issue as important as death does come as a priority. "We are the hollow men/ We are the stuffed men/ Leaning together/ Headpiece filled with straw" (Lines 1-4).
Since he cares little for the affairs of the world, claiming they do not mean anything, then justice—a major concern of the world—also means nothing to him. His actions both before and after his decision to kill a man without provocation demonstrate his apathetic view of the world, and his indifference to justice. Therefore Meursault’s search for justice, culminated by the court’s decision to execute him, remains an example to all of the inability of society to instill justice in criminals. Meursault’s perpetual refusal to acquire a sense of morality and emotion instigates skepticism in all who learn of his story of society’s true ability to instill justice in the
Meursault resists being typecast into an archetypal moral category in many of his deeds and actions. Many of his actions in Part One of the novel help contribute to the fuzzy picture of the character. For example, at his mother's funeral, Meursault does not cry or weep in the typical mourning fashion, but rather sleeps during the vigil and entices one of the other mourners present to smoke a cigarette with him. This would be typically considered "evil" behavior, in the context of the story. He could easily been seen as disrespectful and seditious toward his mother and the established procedures of mourning, which seem to be fairly definite at that era in France. However, this "evil" mold can easily be shaken if one considers that Meursault may be more shaken than anyone else present at the funeral. Considering the other events in the novel, it seems as though he does not have a large capacity for emotion. Based on this, it is not unreasonable to assume that the events leading up to and including his mother's death may have overtaxed his limited scope of emotion, and he was therefore nearly incapable of mourning in the "normal" or expected way for his mother, but rather had to resort to his own, more c...
When Meursault hears about his mother 's death, he shows no emotion and no sadness. The event has no affect on Meursault and he attends the funeral without showing any feeling (#7) of depression, sadness, or remorse. Meursault, even when recalling the event of his mother 's passing, does not remember the day she died even when it was only one day prior. Most people would remember a day they lost a loved one for the rest of their lives. Meursault, exhibiting sociopathic traits, has an ability to control other people using his calm. Meursault was able to convince Raymond to not shoot the Arab and put the gun down. (#16) Meanwhile, Meursault shows another trait of sociopathy that resulted in a radical action: a murder of one of the Arabs. Even after Meursault shot the Arab dead, he fired four more rounds into the Arab 's dead body. One may infer that Meursault thought to himself: the Arab was not anymore dead after the first round than the last four rounds. Once again, Meursault has no feeling of regret, remorse, or grief. At the end of his life, Meursault is condemned to death. Meursault accepts this and towards the very end, actually looks forward to death. It seems as if the only thing that made Meursault happy in his life, was awaiting his death. Meursault is like white noise in the background of life. The noise plays in the background, yet has no actual effect on anything. Meursault has no first name, without an age, without any features. He has no identity. Meursault, is indeed, The
Later, Meursault goes to the beach and ends up walking to the spring to cool off, when he arrives, he spots the Arab. The Arab draws his knife, “The light shot off the steal was like a long flashing blade cutting at my forehead.” (Page 59) and Meursault shoots him. “I fire four more times into the motionless body where the bullets lodged without leaving a trace.” (Page 59) Meursault has no recognizance of the crime he has caused at this point and shows no feeling towards it. “It was like knocking four times at the door of unhappiness.” - Meursault states on page 59; which says that he knows he should feel bad about what he had done but in reality he just can’t, he is just used to finding ways around his
...immediately gives an impression of a lack of emotion towards the demise of his mother. This lack of emotion highlights the existentialist ideal that we all die, so it doesn't matter what life we have while we are alive. We simply exist, as did Meursault. It becomes apparent, as the novella unfolds, that Meursault has acquired an animal like indifference towards society. His interactions with his neighbour Raymond are an example of his indifferences. It never dawns upon Meursault that society does not condone his interactions with the pimp, avoided by his community. Meursault simply acts to fill his time. Being a single man, he has a lot of time to fill, and finds the weekends passing particularly slowly.
Throughout the novel, coincidence also plays a part in Meursault’s murder of the Arab. His encounter with the Arab shows how the presence of other people in his life makes absolutely no impression on him. His entire life is shaped by happenstance. Taking the Arab’s life was something he did as a natural reaction; he pulled the trigger thinking it was justified. For Meursault it was as simple as asking the Arab to stop, but instead, Meursault kills him, without remorse. Albert Camus portrays Meursault, as aloof, detached, and unemotional. He does not think much about events or their consequences, nor does he express much feeling in relationships or during emotional times. His satisfaction comes above everything else in his life and controls everything he does. Anything that occurs without being a direct plan of Meursault’s is sheer coincidence. He is never concerned with what is going on in other areas of his life or others. He displays impassiveness throughout the part 1, in his reactions to the people and events.
.... He wanted to file a legal appeal but he knew they would all get rejected. Meursault was not sentenced to death because he killed the Arab but because of his absence of emotion to his mother’s death. The people wanted him dead because he posed a threat to the morals of the society. But when he accepts the fact that he is going to die he feels a sense of freedom and he looks forward to his execution. By rejecting to believe in God, it shows that he does value any hope of life after death. Then when he accepts his death sentence, he also takes the punishment away from it either. He is neither depressed nor hopeful when it comes to his death, which overall proves how he lacks morality in the story.
Society believes Meursault as an emotionless killer or a stranger to society’s morality, Meursault then can’t explain why he couldn’t feel any emotion, drive, or thoughts of remorse for his murder. Lastly, when the chaplain visits Meursault against his wishes, this scene shows how society expects everyone to ask for forgiveness from God when near death. Meursault then thinks it is absurd and refuses to believe it because he says it’s ridiculous and there’s no time at all.
Meursault, an unemotional, a moral, sensory-orientated character at the beginning of the book, turns into an emotional, happy man who understands the "meaninglessness" and absurdity of life by the end of the book. Meursault realizes that the universe is indifferent to man's life and this realization makes him happy. He realizes that there is no God and that the old codes of religious authoritarianism are not enough to suffice man's spiritual needs. One has to create one's won meaning in an absurd, meaningless world.
There is no doubt that Meursault shot and killed a man. However we know that it only happened because of his extreme sensitivity to the Sun. On the beach where the killing takes place Meursault ends up standing across from the man who stabbed his friend but the only reason he was there was that he was trying to “escape the sun” (Camus 57). He had no intention of harming anyone.
Meursault is a bit detached from life and is deathly honest to himself and those around him. Being an atheist, Meursault believes in life and death and nothing beyond that. He does think about the consequences of his actions and isn’t scared of them either. In Meursault’s character,
This ideal destroys the very purpose of the trial, which seeks to place a rational explanation on Meursault’s senseless killing of the Arab. However, because there is no rational explanation for Meursault’s murder, the defense and prosecution merely end up constructing their own explanations, which they each declare to be the truth, but are all based on false assumptions. Therefore, the prosecution itself is to be viewed as absurd. When the prosecutor asks Perez if “he had at least seen [Meursault] cry,” he tries to persuade the crowd that Meursault is without feeling (91). The prosecutor then further turns the crowd against Meursault when he asks him about his “liaison” with Marie right after his mother’s death. The prosecutor remarks “indifferently that if he was not mistaken, that was the day after Maman died” (93). Though the liaison with Marie and the lack of emotions at Maman’s funeral may seem unrelated to Meursault’s killing, the prosecutor effectively convinces the crowd that they are in fact intertwined. The jury convicts Meursault not because he killed a man, but because he didn't show the proper emotions after his mother died. Despite hearing Meursault’s own thoughts ...