Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Metaphysical elements in Done's poetry
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Metaphysical elements in Done's poetry
Metaphysical wit and conceit are two of the most famous literary devices used in the seventeenth century by poets such as John Donne. Emerging out of the Petrarchan era, metaphysical poetry brought a whole new way of expression and imagery dealing with emotional, physical and spiritual issues of that time. In this essay I will critically analyse the poem, The Flea written by John Donne in which he makes light of his sexual intentions with his lover.
In the first stanza of the poem, Donne tries to convince his lover to have sexual intercourse with him. At first one would not realize that this is his intention because he uses a flea to describe sex which is a very far-fetched description of the act hence this poem being metaphysical. Using a conceit he belittles the impact of sex and the power it has over him even though it may be untrue. Knowing that she has thought about it before, he assures her that by withholding sex from him is something so small that it does not give her power in the relationship.
‘Mark but this flea, and mark in this
How little that which thou deniest me is;
It suck’d me first, and now sucks thee,’
(Lines 1 – 3)
He encourages her to give in to his demand by making the act seem trivial, insignificant and nothing to be ashamed of. He implies that if their blood can be shared by a flea, why not they share it with each other. A sense of humour is evident as he ridicules the mindsets of sex before marriage being a sin.
‘And in this flea our two bloods mingled be.
Thou know’st that this cannot be said
A sin, nor shame, nor loss of maidenhead’
(Lines 5 - 7)
He then goes on to persuade her into considering it by describing the passion that they would encounter. He aims to arouse her sexu...
... middle of paper ...
... be intimate with his lover.
‘Yet thou triumph’st, and say’st that thou
Find’st not thyself nor me the weaker now.
‘Tis true; then learn how false fears be;
Just so much honour, when thou yield’st to me,
Will waste, as this flea’s death took life from thee.’
(Lines 23 – 27)
Donne’s approach to the topic plays an important role in the result in which the poem ended. Instead of being utterly romantic and persuading his lover in a kind and tender way, he is straightforward and not afraid to ask of her what he wants. To a certain extent the metaphor of a flea can be deemed as logical in the sense that if a flea bit them both their blood would have already been shared. In this poem Donne breaks the barriers of Petrarchan poetry when using metaphysical wit and conceit to portray his feelings making metaphysical poetry much more interesting and challenging.
She is willing to sacrifice an understanding lover for something that maybe a one night stand or worse. It is difficult to comprehend her decision, especially because of her extended session of “mulling” (Farley 2).... ... middle of paper ... ...
When readers reflect on the poetry of the seventeenth century, poets such as John Donne and the
At first, this poem seems to be simply about a young, sexually hungry man who is trying to convince a girl to give into his sexual wishes. She denies the ?wanna be? lover because she believes that the act of intercourse before marriage is a dishonorable sin in the eyes of the church. The lady ends up killing the flea and symbolically killing the false world the man had constructed in the flea. She then says that neither of them are any worse by killing the flea, which the male agrees with. The man concludes his point by granting that the death of the flea does not really have any consequences, just like her fears to loose her respectability and honor. His main point in all his talk about the flea is to show her that her honor will not be ruined if she yields to him.
The speaker states that “Thou know’st that this cannot be said a sin, nor a shame” (5). Doone is displaying a sense of religious imagery by the speaker stating that even though it may be known as immoral, the woman should know that it is not a shame to have sex with him because their bloods already mingled together inside the flea (4). The speaker says that “And in this flea our two bloods mingled be” (4). By using this religious imagery, the speaker is stating their bloods being together inside the flea is already equivalent to sex, so it would not be an immoral gesture. Doone also presents religious imagery in lines thirteen and fourteen.
He is suggesting that they are united in this flea and ,thus, would equally be united in intimacy. In addition, he states, "This flea is you and I, and this our marriage bed, and marriage temple is." The speaker is suggesting that through the flea the two are married. Again, the flea represents marriage, union, and consummation through intimacy. However, the woman crushes the flea, thus, refusing his request, and states that neither she nor he is weakened by its death.
Journal 7 “The Flea” by John Donne is a poem first published in 1633. The poem is a nine-line stanzas which rhyming scheme in each stanza. The lines in the poem switch back and forth between iambic pentameter and iambic tetrameter. The poem is written in old style English, which to me leaves room for open interpretation. In my opinion, the speaker uses the flea as a sign for him and his love to be romantic and to pursue her to give him more of her.
The speaker begins by describing how the flea sucked his blood and his lover’s blood. He uses the illusion that since the flea has both his and his lover’s blood that they are connected in some special way. He described the flea as being a symbol of both himself and his lover in the following quote: “The flea is you and I.” The speaker carries on to how the lover should not kill the flea because she would be committing three murders.
The speaker in Donne's poetry is a theatrical character, constantly in different situations, and using different roles to suit the action. He can take on the role of the womanizer, as in "The Indifferent," or the faithful lover from "Lover's Infiniteness," but the speaker in each of these poems is always John Donne himself. Each poem contains a strong sense of Donne's own self-interest. According to Professor J. Crofts, Donne:
The two poems The Flea and The Sunne Rising capture John Donne’s primary motive to get in bed with women. Donne wrote these poems at an early age, and at that time he was seeking nothing more than a sexual relationship. His poetry depicted clearly how sexist he was at the time and how he used to perceive women as a medium of pleasure. The content of his early poems express an immature and desperate image of Donne, who is dominated by his fixation on the sensuality of women. In The Flea, Donne shows his desperation to have sex by addressing a flea that has sucked the blood of both him and the woman he is persuading. It is quite awkward how the poet uses this obscure image of the flea as a symbol of love and sex to convince the woman that...
There is a similar theme running through both of the poems, in which both mistresses are refusing to partake in sexual intercourse with both of the poets. The way in which both poets present their argument is quite different as Marvell is writing from a perspective from which he is depicting his mistress as being 'coy', and essentially, mean, in refusing him sex, and Donne is comparing the blood lost by a flea bite to the blood that would be united during sex. Marvell immediately makes clear his thoughts in the poem when he says, "Had we but world enough, and time/ This coyness, Lady were no crime", he is conveying the 'carpe diem' idea that there is not enough time for her to be 'coy' and refuse him sexual intercourse and he justifies this thought when he suggests when she is dead, in ?thy marble vault?, and ?worms shall try that long preserved virginity?. He is using the idea of worms crawling all over and in her corpse as a way of saying that the worms are going to take her virginity if she waits until death. Donne justifies his bid for her virginity in a much longer and more methodical way, he uses the idea of the flea taking her blood and mixing it with his, ?It suck?d me first, and now sucks thee?, and then...
The man insists that he don’t want her to do it if he makes her feel that way. At this point she has clearly caught the hint that his is something that it really wants done. You can tell at this point she is frustrated about the situation because she walks off. As she walk off and look into the mountains the says “We can have all this” insinuating that she saying it to please him.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
It is quite feasible to state that poetry at its finest is a dazzling and expressive art of words. A poem not only can expose the diplomatic beliefs of societies, but can also articulate passions and sentiments of the author to whom the poem belongs. One of the many fine poems that have been prevalent among the study of literature that is irrefutably powerful is Meditation 17 by John Donne. This poetic essay exposes John Donne’s opinions and beliefs on humanity, and covers much cogitation from religion all the way to death. Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts. John Donne utilizes situation, structure, language, and musical devices to enhance the poem and to aid in delivering his message efficiently.
John Donne is known as being one of the most famous and influential metaphysical poets. The term “metaphysical," as applied to English and continental European poets of the seventeenth century, was used by Augustan poets John Dryden and Samuel Johnson to reprove those poets for their “unnaturalness.” As Johann Wolfgang von Goethe wrote, however, “The unnatural, that too is natural," and the metaphysical poets continue to be studied and revered for their intricacy and originality. Due to Donne’s personal experiences with spirituality and love, he is able to grasp the true meaning of metaphysical poetry (Brief Guide to Metaphysical Poets). Using all the aspects of metaphysical poetry, Donne creates a mysterious metaphoric poem titled, “The Flea.” Throughout this poem, the use of metaphors and breaks into the separate stanzas allow for the audiences to understand what The Flea is really about. At first glance, many read The Flea as a poem that compares sexual intimacy with an animal, but when broken down, it can be seen that the meaning is much deeper than intimacy, but it
In the first stanza of the poem, the speaker develops similarities between the fleabite and lovemaking. The first two lines of the poem, “Mark but this flea, and mark in this, How little that, which thou deny’st me, is;” I interpreted to mean that the woman doesn’t deny the flea access to her body, yet she denies the advancements of the speaker. Next the speaker uses conceit to illustrate the similarities between their lovemaking and the mingling of their blood within the flea. “Me is sucked first, and now sucks the, An in this flea our two bloods mingled be.” The speaker uses this argument to show the woman that the same physical exchange, which t...