Metaphysical poetry gains unique recognition for its unnatural nature and complexity. It engages in philosophical and spiritual dimensions and develops a completely unconventional sense of knowledge. One of the most influential meta-physical poets was John Donne. His work was known to be intriguingly sophisticated. Donne laid his spirituality as a foundation to his work which allowed him to shape his poetry to greater extents of spirituality and morality.
He was natural, unconventional, and persistently believed in the argumentation and cross analysis of his thoughts and emotions through direct languages. He also concentrated on love and religion through intellectual, analytical and psychological point of view. His poetry is not only scholastic and witty but also reflective and philosophical. INTRODUCTION The metaphysical poets have immense power and capability to wonder the reader and cajole inventive perspective through paradoxical images, subtle argument, innovative syntax and imagery from art, philosophy and religion implying an extended metaphor known as conceit. The term “metaphysical” broadly applied to English and European poets of the seventeenth century was used by Augustan poets John Dryden and Samuel Johnson to reprove those poets for their “unnaturalness”.
In my seminar today I will allow analyse you to appreciate the value of poetry and enter Donne’s mind as he expresses his thoughts on the supremacy and prominence of love and heartbreak. Donne is valuable not simply as a representative writer but also as a highly unique one. He was a man of contradictions: As a minister in the Anglican Church, Donne possessed a deep spirituality that pairs his thoughts and feelings throughout his lifetime. Donne also possessed a sensual outlook on life, sensation, and experi... ... middle of paper ... ...and the process of being broken hearted has led him to envision Love as a living thing; a human, that can and will hurt all who are vulnerable. Throughout the poem Donne uses a multitude of imagery to reveal the Donne’s attitude toward Love.
But all of these things are what makes poetry pleasurable for me. Poetry isn’t simple as ABC for everyone. Poetry exists to tell of significant experience cleverly and creatively, expanding our knowledge of the senses. Modern poetry is significant to everyday life because it dares us to break free from the safe strategies of a discreet mind, enabling us to honor the unknown, both in us and in the world. John Keating stated in “Dead Poets Society” “We don’t read and write poetry because it’s cute.
Robert Frost became one of the greatest American poets because he was able to do this. His belief that human society was often chaotic and stressful and that the meaning of life is elusive, has been promoted in his poetry. He looked to the metaphor - nature, whose undying beauty and simplicity did not force him into a strict, moulded society, but represented freedom from life and its constant stresses of family and work. Robert Frost’s beliefs are reflected in the poems in this anthology, so read the following verse and find yourself questioning your own life and the meaning of it. Lose yourself in some of the best poems written by one of the best poets in the world.
The deviation of form can be witnessed in his idea to note write in the form of a sonnet, indenting lines, having long sentences, and rhetorical questions. Sir Thomas Wyatt was a wonderful craftsman of love poems such as "Is it possible." Although love is a difficult thing to express, Wyatt makes it look too simple with his brilliant word choice and structure. With careful skill and attention to spacing, emphasis, and detail, he manages to create one of the most intriguing love odes to date. Wyatt also managed to construct his own unique idea on how to express such an emotion such as rejection and the love lost within it.
It is no surprise that he was an open-minded critic, attentive observer, inspired participant, and devoted lover of various art forms besides his renowned poetry. The concepts of impulsive creation which are evident in art are also apparent in Cummings’ poems. From the first publication of his works to the last they have remained free of confining syntactic and rigid guidelines. The exact way an impressionist painter may use potent color to convey the essence of his paining; Cummings uses vivid words to attract the reader and make their subconscious feel his point before their mind understands it. The use of this rare technique is how he has originated a small miracle in each individual poem.
This poem manages to reach out on a personal level even though the method is transparent which validates the authenticity of Hardy’s poetic skill. He builds an image through the use of simple poetic devices to lull the reader into an easy read and proceeds to squeeze the reader’s sore spots to capture their attention. Hardy’s poem reads in the same manner it must have been written, in self loathing. Hardy was a tragic figure living within a tragic poem, this work accurately portrays Hardy in his futile attempt to understand and deal with the unavoidable trials of his life. He uses this struggle as a common thread to effectively tie his audience together, capturing the readers as they marinade in one of the defining qualities of life: regret.
It is quite feasible to state that poetry at its finest is a dazzling and expressive art of words. A poem not only can expose the diplomatic beliefs of societies, but can also articulate passions and sentiments of the author to whom the poem belongs. One of the many fine poems that have been prevalent among the study of literature that is irrefutably powerful is Meditation 17 by John Donne. This poetic essay exposes John Donne’s opinions and beliefs on humanity, and covers much cogitation from religion all the way to death. Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts.
Although a fairly common term, its relatively frequent use alongside Frost’s usually vivid and descriptive imagery make it a characteristic of his works worth exploring. Upon evaluation, it becomes evident that Frost’s most potent reason for the use of the word “something” is to infuse an element of doubt or uncertainty into his poetry. It is perhaps an instilled ambiguity that Frost describes as distinctive of good poetry – often found in his better works with a “tantalizing vagueness”. Before drawing conclusions though, it is wise to explore all avenues of possible meaning with regard to Robert Frost’s use of the word “something”. An important aspect to realize is that Frost raised concerns over readers’ far-fetched assumptions in their understanding of his poetry.