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Art censorship definition
Art censorship definition
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The issue posted to contemporary art and artist is the limiting of art they can create, they have to create government art that shows the leader in a good light. Even if that leader is not a good leader. The political issue is that the communist government will not allow certain art work this limits the expression the artist have to use. Art work as propaganda paintings show Mao Zedong as a great man, not the man that caused millions of deaths. If they painted artwork that the government does not like they face death. Some culture changes where; the feet binding that was used for many years prior to the modernization of China, two examples of this are the use of typing, western medicine Even though there was improvements finical division of
From 100 CE to 600 CE the Chinese had many cultural and political life changes and continuities. A political change was in the end of the Classical Chinese period when the Han Dynasty fell. A cultural change during 100 CE to 600 CE was the paper invention that led to passing down cultural rituals. Not only were there changes but there was also continuities in the Chinese political and cultural life. An example of a cultural continuity is the increasing power of Buddhism. A political continuity is the ruler of the Chinese wanting the people to be protected with for instance The Great Wall of China.
Schoenhals, Michael. China's Cultural Revolution, 1966-1969: Not a Dinner Party. Armonk, NY: M.E. Sharpe, 1996. Print.
Success, as defined by the Oxford English dictionary, is the prosperous achievement of an objective. (Oed.com 1968) Conferring to this definition, the 1949 Chinese revolution was certainly a successful revolution. The communist party of China (CCP) was incredibly successful in its attempt in replacing the bourgeoisie dominated nationalist government – The Kuomintang (KMT) - with a proletariat class lead communist government. However, whether the achievement of such objective proves to be prosperous for China and its peoples requires further analysis. Ever since the establishment of the People’s Republic of China, the legitimacy of the revolution of which it was built upon has perennially been in question. For example, in a 1999 issue of the
“I don’t want to be part of this kind of denying reality. We live in this time. We have to speak out” (Klayman). Ai Weiwei is an internationally known Chinese artist as well as activist, and his motivation and determination can be summed up by this quote. In all of his pieces, Weiwei critically examines the social and administrative issues facing China today. Many of his works exhibit multiple themes that can be interpreted in various different ways. This lends itself to the universal appeal of his art and makes it a more effective medium of conveying his messages to viewers. Ai Weiwei’s activist artwork—and activist artwork in general—is important to society because it effectively forces the viewer to engage in a self-reflective process that makes the viewer critically examine his or her own beliefs and world. Nevertheless, censorship greatly hinders the dissemination of the critical and thought provoking messages of Ai Weiwei’s art and makes his artwork less effective. In order to gain a better understanding of the relationship of Ai Weiwei’s activist art and the Communist Party’s subsequent censorship, I will examine Ai Weiwei’s influential childhood, his specific brand of activist artwork, the censorship of the Chinese government and the effects of censorship on the effectiveness of Ai Weiwei’s art.
In the outstanding book Mao’s Last Dancer, it tells a life story about a peasant boy named Li Cunxin who’s fate is laid out for him being a labourer in the fields just like his whole family but his determination helps him to escape his destiny. Li was chosen to go to the Beijing Dance Academy to study ballet. He moved away from his home and family to pursue ballet and make his family proud. Li got the chance to go over to America to discover the Western World of ballet. Through hard work, perseverance and dedication, Li was able to escape from his so-called destiny.
The Cultural Revolution in China was led by Mao Zedong, due to this Liang and many others faced overwhelming obstacles in many aspects of their life such as work, family and everyday encounters, if affected everyone’s families life and education, Liang lets us experience his everyday struggles during this era, where the government determined almost every aspect of life.
Most films captivate the audience’s interest through the main character. This film did just that. Through the main character Li Cunxin, I was able to notice the amount of hard work and dedication which lead Li to become a famous ballet dancer known worldwide. The film, based on the autobiography by Li Cunxin, “Mao’s Last Dancer” directed by Bruce Beresford is about a Chinese boy named Li Cunxin who’s born into a large family of 6 boys. At the age of eleven, Li got chosen from a poverty-stricken Chinese village by Madam Mao’s cultural representatives to leave his family and study ballet in Beijing. This film focussed on his eventual departure from China to U.S.A after being selected by a world leading choreographer, Ben Stevenson including the
In many of the works we have read this year, there have been many critiques to the Chinese Communist ideals. These works solely critique the ideals of communism, and promote change in the way that it is implemented in life. The movie “Blue Kite,” tries to show what life was like under the communist government in China. By showing the people the true agony and suffering during the regime, they hoped to change the ideas of many people about communism. While the majority of scholars and students believe that “Blue Kite” is solely a critique of communistic ideals in China, I believe that it is a promotion of more progressive and democratic ideas shown through the Chinese government emphasis on little to no family life, and the visual and metaphorical
Hung Liu is successful in creating a juxtaposing image that tells a story about the many aspects of her Chinese origins. According to the painting, not all life in China is surrounded by beauty and elegance, like many believe it to be based on the traditional historical customs. Liu makes her point using a brilliant yet subtle progression, moving from the ideal to reality. Making use of the various principles and elements of art in her work creates a careful visual composition that benefit and support the painting’s achievements as a whole. This oil painting, being approximately 13 years old now, will hold a special place in Chinese history for the rest of its existence. The ideas Hung Liu portrays in Interregnum may help reform a social movement in the country by making her viewers socially aware of the cruel conditions the Chinese are facing under Communist rule, and this is all made possible through the assimilation of the principles and
Communism is a system of government, a political ideology that rejects private ownership and promotes a classless, stateless society based on common ownership of all property and the means of production, where by all work is shared and all proceeds are commonly owned. Communism is practised in China, North Korea, Vietnam, Laos and Cuba. However most of the world’s communist governments have been disbanded since the end of World War II. Soon after the Japanese surrendered at the end of World War II, Communist forces began a war against the Kuomintang in China. The Communists gradually gained control of the country and on the 1st October, 1949, Mao Zedong announced the victory of the Communist party and the establishment of the People's Republic of China. China has been ruled by the Communist party ever since.
“Mao’s Last Dancer” is a book about the life of Li Cunxin. Li Cunxin was born into poverty in China under the rule of Mao Ze dung. The book was first published in 2003 and since then has won several awards including the book of the year award. Throughout the novel the composer chronologically cites the life of Li Cunxin and how he felt and where he belonged at certain points in his life.
Chinese art went through many different stages starting from the year 1842. But the massacre of Tiananmen Square in the year 1989 was a turning point in the political life of China and in the country's art. Until the year 1992 art in China was underground, but it kept expanding. As a result of that, some Chinese artists started to do art works that rebel against their government and express their feelings towards China. One of these artists is the famous Chinese artist Ai Weiwei who expressed in each piece of art he did, his feelings that China should let its people break away from the rotten traditional, in order to express their thoughts freely.
Inspired by the works of Karl Marx, V.I. Lenin nonetheless drew his ideology from many other great 19th century philosophers. However, Marx’s “Communist Manifesto” was immensely important to the success of Russia under Leninist rule as it started a new era in history. Viewed as taboo in a capitalist society, Karl Marx started a movement that would permanently change the history of the entire world. Also, around this time, the Populist promoted a doctrine of social and economic equality, although weak in its ideology and method, overall. Lenin was also inspired by the anarchists who sought revolution as an ultimate means to the end of old regimes, in the hope of a new, better society. To his core, a revolutionary, V.I. Lenin was driven to evoke the class struggle that would ultimately transform Russia into a Socialist powerhouse. Through following primarily in the footsteps of Karl Marx, Lenin was to a lesser extent inspired by the Populists, the Anarchists, and the Social Democrats.
The second section of The Communist Manifesto is the section in which Karl Marx attempts to offer rebuttals to popular criticisms of his theory of governance. These explanations are based upon the supposition that capitalists cannot make informed observations upon communism as they are unable to look past their capitalist upbringing and that capitalists only seek to exploit others. Though the logic behind these suppositions are flawed, Marx does make some valid points concerning the uprising of the proletariat.
people on to the side of the CCP. The CCP’s victory was also down to