There is a striking resemblance, as well as notable differences between Lorenzetti’s frescos paintings: Good Government in the City and Good Government in the Country. The two large pieces are definitely analogous. In the fresco wall painting Good Government in the City Ambrogio Lorenzetti depicts an ideal and almost utopian city in which the homes and streets are filled with activity as a way to show a city state that is well in order (Davies et al. 460). In its civically flourishing scenery everyone is engaging in productivity; classes are being taught by their teachers, merchandise is being sold by merchant’s, and royal dignitaries riding their horses amidst (460). My goal is to describe how politics and economic status in these paintings were symbolized in its content.
In Good Government in the City the color scheme consists of blue, green, red and peach, including earth tone colors such as russet and badge (Davies et al. 460-461). The overall texture is course and the people are drawn rather simply with moderate details to their faces and clothing. In the background the architectural ambiance of Sienna is visible, and it is the most prominent feature in the painting (460). On
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460-461). These artistic details symbolize the productive nature of governed inhabitants who also supports the life of the city. The Good Government in the Country is similar to the “Good Government in the City” both visually and conceptually (460-461). The country portrait has some of the colors that are in the city (orange, red and green), though the painting has more earth tones. In addition, the low saturation and rough texture is also common in both pictures. They differ however in that there are more livestock and plant life in the country (460-461). “The allegory of these pieces was mostly consigned by a civic group called the Council of Nine, they commissioned him for approximately 70 years” ("The Fresco Known as Good and Bad
The colors used in this painting are a combination of bright and dark, giving a sense of professionalism and unconventional feel to the ambassadors and their backdrop. Their clothing is brittle and complete. The composition of this painting is mainly “stuffed” into the center column of the image with the ambassadors substituting walls marking the end of the items in the composition as well as forming an area that our eyes are tensed
We find that, in conclusion, that these pieces are very similar in many ways. They are both originally created in the same style and time period. They are Hellenistic and dramatic, although in their own, individualistic way. Each sculpture was created in different mediums and have different stories. These are both very individualistic pieces of Greco/Roman sculpture that has influenced many artists throughout time and will
Contextual Theory: This painting depicts a portrait of life during the late 1800’s. The women’s clothing and hair style represent that era. Gorgeous landscape and a leisurely moment are captured by the artist in this work of
Canal is heavy on the use of values. The piece of art work has heavy contrasts and deep shadows. This can be seen with the building on the right’s corridor. In the middle left he uses high light to show the sun light in the horizon. On the right bottom in the building’s outer corridor Canal uses cast shadow and core shadow. The shadows of the individuals walking are consistent in not only in direction, but in length. Canal used planes to divide the surroundings with the building and lines to divide the building to the sky. He also uses lines to create movement and direction as you can see the citizens heading toward the middle of the art work. The “View of the Molo” also gives the building a sense of texture on the surface. The building does not look flat. The windows protrude a bit. One can see depth on the window sills and the bottom corridors. Canal uses one-line perspective and the vanishing point is the building in the bottom middle. Canal’s use of color is minimal. The colors are not vibrant at the same time not dull. The art work uses colors minimally. The temperature of Canal’s art work is
... study for the overall concept they appear rather as abstract patterns. The shadows of the figures were very carefully modeled. The light- dark contrasts of the shadows make them seem actually real. The spatial quality is only established through the relations between the sizes of the objects. The painting is not based on a geometrical, box like space. The perspective centre is on the right, despite the fact that the composition is laid in rows parallel to the picture frame. At the same time a paradoxical foreshortening from right to left is evident. The girl fishing with the orange dress and her mother are on the same level, that is, actually at equal distance. In its spatial contruction, the painting is also a successful construction, the groups of people sitting in the shade, and who should really be seen from above, are all shown directly from the side. The ideal eye level would actually be on different horizontal lines; first at head height of the standing figures, then of those seated. Seurats methods of combing observations which he collected over two years, corresponds, in its self invented techniques, to a modern lifelike painting rather than an academic history painting.
This painting, measuring about six-by-seven feet, is a massive work that draws viewers directly to it once they enter the room in which its displayed. It is not covered by any glass and is in a very well-lit area, thus it allows viewers to stand as close as possible to see the details of how Peter Paul Rubens handled his medium. Looking at the painting from a photograph is much different than viewing it up close and in person, because when looking at a photograph, one cannot see the texture of the paint that gives the painting its very delicate, unique, and realistic quality. The work appears to be in very good condition because most of the colors are still very rich and vibrant, such as Adonis’ red garment (Rubens). Although one cannot tell when directly viewing the piece, it has been said that previous use of radiographs for further analysis on the painting uncovered that initially, “Rubens gave A...
If someone who had no prior knowledge about art, or the elements and principles of design, were given five seconds to look at these two paintings, they’d probably say they had almost nothing in common, other than the fact that they both feature mountains, and it’d be true for those people. But, if you are someone that does know a lot of information
reflects similar outlooks to that of Daumier’s constrasting depiction of the first and third carriages, offering the audience’s perspectives of society not through a painting of the different classes, but through a poll taken by the audience on whether or not capitalism is truly beneficial for them as individuals. The piece is constructed from a large LED sign stating the piece’s title, surrounded by scoreboards that register the "True" or "False" responses from audience members. The artwork, which has traveled through several cities in America, explores the effects the political and economical system of capitalism in the western country, the audience having to parse what capitalism means for themselves. Whilst Lambert’s work is mostly accessible to that of the middle class, it publicly explores and offers critique for a social and economical system that ultimately divides up classes from those who benefit from such a system to those who are exploited by such. The notion of being able to critique the bourgeousie and government through art was thoroughly pioneered by Daumier through his illustrative critiques that lead to the constraversial censorship of artist’s and such works, Lambert’s creation ultimately owing itself to
In conclusion, although Mycerinus and Kha-merer-nebty II and Augustus of Primaporta, do appear very different, come from entirely different geographic regions and were separated by thousands of years, they do have many things in common. When we consider subject, style, and function; perhaps other works of art have more in common than they appear to have.
In our Government and Business American Politics book with Richard Lehne he introduces the topic of Positive Government. The term Positive Government is another word for big government and explanation would be that it’s more public and private. In Lehane's book he mentions the emergence of positive government and how it changed federal government permanently. Positive Government emerged in the late 1920 when the stock market had crashed and created the Great Depression. Although economic professionals attributed the great depression to many things not just the market it did have a negative impact on our economy and caused for many problems throughout the nation. Due to the depression the citizens turned to the federal government for help which
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
Sovereignty means that the state has control over it is itself (“Sovereign”). America became sovereign whenever it broke free from British control during the late 18th century. This is because their laws were no longer determined by the British empire but instead themselves. The purpose of government depends on those implementing the system. In dictatorial regimes, the purpose of government is vastly different than that of a republic. In the United States, according to the Constitution, the purpose of government is defined to be “Establish Justice, Insure domestic tranquility, provide for the common defense, promote the general welfare and secure the blessings of liberty” (U.S. Const. preamble). All the powers outlined in the Constitution are
In the article “Conditions of Trade,” Michael Baxandall explains the interaction serving of both fifteenth- century Italian painting and text on how the interpretation of social history from the style of pictures in a historical period, pre-eminently examine the early Renaissance painting. Baxandall looks not only on the explanation of how the style of painting is reflected in a society, but also engages in the visual skills and habits that develop out of daily life. The author examines the central focus on markets, material visual practices, and the concept of the Renaissance period overlooking art as an institution. He observes a Renaissance painting, which relate the experience of activities such as preaching, dancing, and assessing. The author considers discussions of a wide variety of artistic painters, for instance, Filippo Lippi, Fra Angelico, Stefano di Giovanni, Sandro Botticelli, Luca Signorelli, and numerous others. He defines and exemplifies concepts used in contemporary critic of the painting, and in the assembled basic equipment needed to discover the fifteenth- century art. Therefore this introductory to the fifteenth- century Italian painting and arise behind the social history, argues that the two are interconnected and that the conditions of the time helped shape the distinctive elements in the artists painting style. Through the institutional authorization Baxandall looks at integration in social, cultural and visual evaluation in a way that shows not only the visual art in social construction, but how it plays a major role in social orders in many ways, from interaction to larger social structural orders.
Democracy has been the root of a limited government, the system of which government powers are distributed so that one group of leaders do not have too much influence. The limited government has been structured to keep peace amongst all parties that are involved in the government. And under the U.S. Constitution, citizens are given ultimate power by their right to choose their representatives through the democratic process of voting. Each levels of the government are limited as they have their own responsibilities. The city government has the most local level of government as the residents elect a city council and mayor to represent their interest at the city level. All city governments establish housing and health regulations, and are responsible
Additionally, the styles changed; from Rococo, which was meant to represent the aristocratic power and the “style that (…) and ignored the lower classes” (Cullen), to Neoclassicism, which had a special emphasis on the Roman civilization’s virtues, and also to Romanticism, which performs a celebration of the individual and of freedom. Obviously, also the subject matter that inspired the paintings has changed as wel...