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Critical analysis of extremely loud and incredibly close
Critical analysis of extremely loud and incredibly close
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In his novel, Extremely Loud and Incredibly Close, Jonathan Safran Foer conveys how repentance along with certain losses of peers attract a variety of individuals together, including strangers. He incorporates several elements such as sophisticated diction, rambling, and humor to demonstrate how the protagonist Oskar distracts himself from mourning over his father’s loss, who had been killed in the nine-eleven accident. Oskar is pursuing a mission for his dad where he struggles to discover a lock to the enigmatic key; as a result, he gets involved with strange types of personalities. Jonathan Foer presents a multitude of characters who employ various techniques for coping in times of agony. We observe Oskar has a quite a decent personality, …show more content…
He encounters a diverse range of individuals from New York who are in difficult phases of overcoming adversities. Oskar’s journey does not primarily concentrate on pain and sorrow, but the common strain which humans share and struggle to survive through different means. Although his wounds do not heal instantly, Oskar is able to fully take control of his past towards the end of the novel when he finally acknowledges his mother’s relationship and informs her “It’s OK if you fall in love again.”(Foer 324). Oskar realizes that other individuals need similar support to move on in life . What he considers to be his mother's betrayal is simply just another form which allows him to recover over his horrific loss. Oskar finally succeeds in recovering over his loss by investigating himself and others similar to him, fulfilling his journey’s purpose. If we look closely at McCloud's Show and Tell Comic we see that he focuses mainly on symbols and their use of enlightening one on understanding complex concepts. He writes, "Some of this art show considerable attention to detail, concerned with pictorial representation."(Page 715, Show and Tell). Symbols are greatly used in this novel to explain concepts. For instance, the birds allow Mr. Black to flee from his past, and the coffin serves as a symbol where Oskar is able to fade his past. Without symbols, it would be nearly impossible for this story to have any sort of a meaning. Symbols along with words are conducive to one’s understanding of the external world. Therefore pictures and text play an equal role in helping us learn various forms of nature and the surrounding
Extremely Loud and Incredibly Close by Jonathan Safran Foer is a non-fiction novel written by an American author. The book mostly follows the three main characters, Oskar, his grandmother, and his grandfather, Thomas Schell, Sr. Oskar is a nine-year-old boy from New York whose father died in the World Trade Center on 9/11. He is exceptionally intelligent and curious and goes on a quest through New York City’s five boroughs to find the lock which belongs to a key his father had in his closet. Between chapters, a separate story is told of his grandparents marriage and life in Dresden, Germany. His grandfather, Thomas Schell Sr. is mute and collects stacks of daybooks in which he writes what he needs to say. His first love, Anna, died in a bombing while pregnant with his child. Shortly after starting his new life in the United States, he runs into Anna’s sister, they get married, and he leaves her after he found out his wife was pregnant. His wife, Oskar’s grandmother, lives across the street from Oskar and his mother and helped raise him.
Elisabeth Kubler and David Kessler have a hypothesis in which they have discovered the five stages of grief. Many people experiences grief in many different ways, but they usually follow the 5 stages of grief. In the novel Extremely Loud and Incredibly close they discuss the recent events of 9/11. Jonathan Safran Foer talks about grief through a nine year old's point of view about grief and the loss of his father. This novel was very real and personal it shows that type of human emotions you go through when you lose a family member, in this novel many people are able to go through the five stages of grief and it also shows how these characters are able to get through each death individually. Grief is one of the most powerful emotional forces
The critics who perceived this book's central theme to be teen-age angst miss the deep underlying theme of grief and bereavement. Ambrosio asks the question, "Is silence for a writer tantamount to suicide? Why does the wr...
At first glance, the readers have preconceived ideas that the story’s theme is one of a positive nature. One anticipates that there will be a character with good fortune; however, once reading it only becomes evident in the middle of the story. Readers begin to understand that he person who has the misfortune, the colored paper, is stoned to death in front of the whole community. This is evident when it states, “It had a black spot on it, the black spot Mr. Summers had made the night before…there was a stir in the crowd” (Jackson 249). This quote emphasis’s the negative connotation related to the black dot, which makes readers aware of the detriments related. Its relevance leads readers to understanding the development of the drama. Within the Hutchinson’s family, the mother, Tessie Hutchinson, is the victim to the lottery that
In Extremely Loud and Incredibly Close, Oskar Schell can be seen confronting several different types of trials, some of these being man versus man conflicts, and others being man versus self. One of the major man vs. man trials Oskar faces throughout the course of the book is in the form of the noticeable and consistent bullying he takes because of his awkward personality and odd quirks. Kids like Jimmy Snyder can be seen exploiting Oskar’s social shortcomings verbally, and even being ready to turn towards physical bullying (Foer 189-192). As Oscar is not the knight in shining armor, he rarely stands up for himself, instead fantasizing about actions he would like to take and follows that up by saying, “that’s what I wanted to do. Instead I just shrugged my shoulders” (Foer 203). Throughout the course of the story, Oskar also faces many internal conflicts. The death of his father has left Oskar traumatized giving him fears of taking showers and getting into elevators…people with mustaches, smoke, knots, tall buildings, and turbans” (Foer 36). As Oskar continues on his quest, he eventually comes face to face with many of his fears, and is forced to confront and ultimately overcome them. Oskar’s final and arguably most daunting challenge is facing his own inner demons in regards to the death of his father. A year after his father’s passing, he has
The characters in Alice Sebold’s The Lovely Bones are faced with the difficult task of overcoming the loss of Susie, their daughter and sister. Jack, Abigail, Buckley, and Lindsey each deal with the loss differently. However, it is Susie who has the most difficulty accepting the loss of her own life. Several psychologists separate the grieving process into two main categories: intuitive and instrumental grievers. Intuitive grievers communicate their emotional distress and “experience, express, and adapt to grief on a very affective level” (Doka, par. 27). Instrumental grievers focus their attention towards an activity, whether it is into work or into a hobby, usually relating to the loss (Doka par. 28). Although each character deals with their grief differently, there is one common denominator: the reaction of one affects all.
Through an intimate maternal bond, Michaels mother experiences the consequences of Michaels decisions, weakening her to a debilitating state of grief. “Once he belonged to me”; “He was ours,” the repetition of these inclusive statements indicates her fulfilment from protecting her son and inability to find value in life without him. Through the cyclical narrative structure, it is evident that the loss and grief felt by the mother is continual and indeterminable. Dawson reveals death can bring out weakness and anger in self and with others. The use of words with negative connotations towards the end of the story, “Lonely,” “cold,” “dead,” enforce the mother’s grief and regressing nature. Thus, people who find contentment through others, cannot find fulfilment without the presence of that individual.
Weird. If the relationship between the characters of Grandpa and Grandma could be described in one word, it would be weird. Then again, Jonathan Safran Foer’s novel, Extremely Loud and Incredibly Close is a shining example of everything unconventional, exploring the nuances of grief through multiple and varying perspectives, each with a unique approach that attempts to achieve recovery and solace. The relationship of Grandpa and Grandma is an example of one such attempt at recovery, one that tries desperately to reconcile past traumas, yet ultimately acts as a futile effort that harbors more grief and denial.
Emotional discomfort can sometimes be perceived as mental instability. A person may look, act, or feel insane, when in truth they are just very uncomfortable in their own skin. The narrator has a genuinely difficult decision to make which far outside his comfort zone. He is choosing between a woman who has been like a mother to him and much needed job that he feels he may enjoy. This choice is tearing him apart from the inside out. From the ringing noises that interrupt his every thought to the skin he is scraping off. The author uses diction, syntax, and extended metaphors to express the complete and utter discomfort of the narrator, both physically and emotionally.
We then move into a very major part of both the story and modernism, symbolism. Symbolism is the use of images to represent ideas. Symbols are used throughout modernism to bring deeper meaning into basic tales. In this story, an example of symbolism is the golden palm leaf on the sculptor's coffin. The sculptor was protecting himself with the palm leaf. All throughout his life, the sculptor disappointed his community. “There was a general chuckle. The minister took out his handkerchief and blew his nose sonorously. Banker Phelps closed his knife with a snap. “It’s too bad the old man’s sons didn’t turn out better,” he remarked with reflective authority. “They never hung together. He spent money enough on Harve to sto...
The fictional life and death of a twelve year old little boy named Robert is vividly articulated in this moving tale by Thomas Wolfe. The reader learns of the boy’s life through four well developed points of view. The reader’s first glimpse into Robert’s character is expressed through a third person narrative. This section takes place on a particularly important afternoon in the boy’s life. The second and third views are memories of the child, through the eyes of his mother and sister. His mother paints the picture of an extraordinary child whom she loved dearly and his sister illustrates the love that the boy had for others. Finally, an account from the narrator is given in the ending. It is in the last section of this work that the narrator attempts to regain his own memories of his lost brother.
The events in the novel are predicated upon the death of Joel's mother. The account of his mother's death and the upheaval it caused for him (p 10 ) is more poignant to a reader who has experienced the untimely death of a parent than to one who has not. The reader who has experienced the loss can identify with everyone “always smiling” and with the unexplainable changes in one's own behavior toward others as one adjusts to the emptiness.
Symbolism is found in many place within the story. Shirley Jackson uses symbolism to communicate through picture with the readers. In the story there is a black wooden box that is well known to the villagers. In the black box there were two slips of paper one was white and the other was black. The box is a connection to their tradition in the village. “ Mr. Graves opened the slip of paper and there was a general
During his stay at the house of Usher, the narrator finds himself unable to draw his friend out of the abyss of misery in which he has enshrouded himself, both figuratively and literally. Admitting to his sister's approaching death being one of...
Michael Henchard’s constant exercise of jealousy, pride, immature actions and overwhelming emotions bring him to his tragic end. Although Henchard might have you think he is a victim, the reader can see that his personality leads to the conclusion of his downfall and that Henchard’s inability to learn from his first mistakes takes him down a path no one wants to face. He might have been able to survive his mistakes had he not been so self-destructive. But because of the combination of his personality traits and the complexity of his character’s mind, he is eventually led to the nothingness that engulfs him.