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Interpretation of As you like it shakespeare
As You Like It By William Shakespare
Interpretation of As you like it shakespeare
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“Human nature is like water. It takes the shape of its container.”
Manipulation of the human condition, by where and with who contentment and satisfaction is found, is fabricated through experiences which dictate direction and purpose. William Shakespeare’s pastoral comedy, As You Like It (1611) explores individuals escaping a world poisoned by man’s inhumanity to man, to an ideal bliss where community thrives from the joyous aura circulating amongst people. Gillian Dawson’s short story, East Wind captures disconnection from place and people as a powerful driving force to find fulfilment. Further, the texts explore comfort and security spurring from the unexpected, revealing change in human nature at an instant.
Place acts as a supporting
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Being ‘lost’ in the city as a young child, initiated Michaels sense of comfort amongst the chaos and tall buildings. Repetition of “running away” from home, indicates his desperation to escape his discontentment; his desired fulfilment can only be satisfied in the city. Conversely, his parents personify the city as a foreign place “Alien city eyes,” somewhat surreal and unexplainable in comparison to the comfort of their suburban home. Despite this lack of understanding between mother and son, she unwillingly accepts the drug soaked city, as his place of true satisfaction, “I released him into the darkness where he belongs,” infers his wild, untameable nature, as the city has taken away his child-like innocence. However, Dawson expresses Michael’s liberation from the city that to his mother, is tainted by danger and the unknown. Thus, connection to place is personal, the urge to assimilate in a particular place can influence the subconscious mind to see morality in indecent …show more content…
Through an intimate maternal bond, Michaels mother experiences the consequences of Michaels decisions, weakening her to a debilitating state of grief. “Once he belonged to me”; “He was ours,” the repetition of these inclusive statements indicates her fulfilment from protecting her son and inability to find value in life without him. Through the cyclical narrative structure, it is evident that the loss and grief felt by the mother is continual and indeterminable. Dawson reveals death can bring out weakness and anger in self and with others. The use of words with negative connotations towards the end of the story, “Lonely,” “cold,” “dead,” enforce the mother’s grief and regressing nature. Thus, people who find contentment through others, cannot find fulfilment without the presence of that individual.
Significant experiences denote self-image about connection with place and people, transforming individual attitudes and purpose. It is evident through the analysis of Shakespeare’s ‘As You Like It’ and Dawson’s ‘East Wind’ that connections influence someone’s beliefs and actions, to determine the type of person they are. However, human nature is not constant, thus through new experiences, virtues can evolve and adapt to find
In her article, Quindlen delivers her position to the massive mixed audience of the New York Times, drawing in readers with an emotional and humanizing lure; opening up about her family life and the deaths she endured. Later presenting the loss of her brother's wife and motherless children, Quindlen use this moment to start the engine of her position. Quindlen uses her experiences coupled with other authority figures, such as, the poet Emily Dickenson, Sherwin Nuland, doctor and professor from Yale, author Hope Edelman, and the President. These testimonies all connect to the lasting effects of death on the living, grief. She comes full circle, returning to her recently deceased sister-in-law; begging t...
People has times that they are looking forward to. The times such as childhood, schooling help lead us through our life. While this way of thinking has many positive side, we forget the appreciation of all details of the moments. We see the moments in Thornton Wilder's play “Our Town”. This play takes us to a small town in New England and we see how simple it is, to the point where we may get bored to our lives. After looking through the events in the play we might have see as big and important described as relatively simple and straightforward, we begin to question how important that these events are in our life. Not like Emily realize how much of life was ignored until death. But after death, she can see how much everyone goes through life without noticing the events that are occurring all the time.
We all deal with death in our lives, and that is why Michael Lassell’s “How to Watch Your Brother Die” identifies with so many readers. It confronts head on the struggles of dealing with death. Lassell writes the piece like a field guide, an instruction set for dealing with death, but the piece is much more complex than its surface appearance. It touches on ideas of acceptance, regret, and misunderstanding to name a few. While many of us can identify with this story, I feel like the story I brought into the text has had a much deeper and profound impact. I brought the story of my grandmother’s death to the text and it completely changed how I analyzed this text and ultimately came to relate with it. I drew connections I would have never have drawn from simply reading this story once.
All through the times of the intense expectation, overwhelming sadness, and inspiring hope in this novel comes a feeling of relief in knowing that this family will make it through the wearisome times with triumph in their faces. The relationships that the mother shares with her children and parents are what save her from despair and ruin, and these relationships are the key to any and all families emerging from the depths of darkness into the fresh air of hope and happiness.
In Amy Hempels’ Short Story “Going,” our journey with the narrator travels through loss, coping, memory, experience, and the duality of life. Throughout the story is the narrator’s struggle to cope with the passing of his mother, and how he transitions from a mixture of depression, denial, and anger, into a kind of acceptance and revelation. The narrator has lost his mother in a fire three states away, and proceeds on a reckless journey through the desert, when he crashes his car and finds himself hospitalized. Only his thoughts and the occasional nurse to keep him company. The narrator soon gains a level of discovery and realizations that lead to a higher understanding of the duality of life and death, and all of the experiences that come with being alive.
No matter what actions or words a mother chooses, to a child his or her mother is on the highest pedestal. A mother is very important to a child because of the nourishing and love the child receives from his or her mother but not every child experiences the mother’s love or even having a mother. Bragg’s mother was something out of the ordinary because of all that she did for her children growing up, but no one is perfect in this world. Bragg’s mother’s flaw was always taking back her drunken husband and thinking that he could have changed since the last time he...
Often when a person suffers through a tragic loss of a loved one in his or her life they never fully recover to move on. Death is one of hardest experiences a person in life ever goes through. Only the strong minded people are the ones that are able to move on from it whereas the weak ones never recover from the loss of a loved one. In the novel The Sweet Hereafter by Russell Banks, character Billy Ansel – having lost his family serves as the best example of brokenness after experiencing death. Whether it is turning to substance abuse, using his memory to escape reality or using Risa Walker as a sexual escape, Billy Ansel never fully recovers from the death of his twins and his wife. This close analysis of Billy’s struggle with death becomes an important lesson for all readers. When dealing with tragedies humans believe they have the moral strength to handle them and move on by themselves but, what they do not realize is that they need someone by their side to help them overcome death. Using unhealthy coping mechanism only leads to life full of grief and depression.
An individual’s meaning or purpose in life cannot truly be realized unless they are faced with a situation in which their course of action directly affects their future. In most cases, humankind is forced to face an extreme circumstance when something comes to an end, whether it be positive or negative, for that ending means that change is inevitable and approaching. Thus, life becomes more meaningful as something ends, for people are forced to realize what is truly important to them as well as the idea that nothing lasts forever. Individuals must choose which of the aspects and goals of their lives are the most significant and should be focused on as they approach a resolution, as can be seen in the Gawain Poet’s Sir Gawain and the Green Knight and William Shakespeare’s Hamlet. Therefore, due to the finality of an ending and the uncertainty of the following events, humankind can reveal what they believe are the
For many people, the early hours of the morning can hold numerous possibilities from time for quiet reflections to beginning of the day observations to waking up and taking in the fresh air. In the instance of the poems “Five A.M.” and “Five Flights Up,” respective poets William Stafford and Elizabeth Bishop write of experiences similar to these. However, what lies different in their styles is the state of mind of the speakers. While Stafford’s speaker silently reflects on his walk at dawn from a philosophical view of facing the troubles that lie ahead in his day, Bishop’s speaker observes nature’s creations and their blissful well-being after the bad day had before and the impact these negative thoughts have on her psychological state in terms
Death is inevitable to all forms of life. In giving birth to a typical family, Flannery O’Connor immediately sets the tone for their deaths, in the story, A Good Man is Hard To Find. O'Connor’s play on words, symbolism and foreshadowing slowly paves the way for the family’s death.
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
Is it better to be loved alive or dead? In The Best American Essays edited by Lauren Slater, Toi Derricotte writes an exquisite short story “Beginning Dialogues” about the love for her dead mother, a love that was never there while her mother was living. The loss of her mother was not a poignant moment for her as she confesses, “I truly do not miss her like that, do not feel that irreversible moment of no return” (49). She navigates us through the stringent power her mother had over her as a child leaving us to wonder if when we feel love is as paramount as the feeling of love itself. Derricotte’s short story exhibits her sumptuous prose with vivid descriptions of her ambiance, her calamitous childhood moments, and her captivating ending.
In conclusion, the tenuous relationship Sethe shared with her mother led to Sethe’s inability to provide for her children. Consequentially, the murder of Beloved built an emotional barrier that added to the preexisting issue of concerning her stolen milk left Denver with too little milk and the primitive drive to live that at first seemed foiled by her mother’s overbearing past. Yet, against all odds Denver was able to break her family’s legacy of being engulfed in the past and began taking steps for a better future.
The story begins as the boy describes his neighborhood. Immediately feelings of isolation and hopelessness begin to set in. The street that the boy lives on is a dead end, right from the beginning he is trapped. In addition, he feels ignored by the houses on his street. Their brown imperturbable faces make him feel excluded from the decent lives within them. The street becomes a representation of the boy’s self, uninhabited and detached, with the houses personified, and arguably more alive than the residents (Gray). Every detail of his neighborhood seems designed to inflict him with the feeling of isolation. The boy's house, like the street he lives on, is filled with decay. It is suffocating and “musty from being long enclosed.” It is difficult for him to establish any sort of connection to it. Even the history of the house feels unkind. The house's previous tenant, a priest, had died while living there. He “left all his money to institutions and the furniture of the house to his sister (Norton Anthology 2236).” It was as if he was trying to insure the boy's boredom and solitude. The only thing of interest that the boy can find is a bicycle pump, which is rusty and rendered unfit to play with. Even the “wild” garden is gloomy and desolate, containing but a lone apple tree and a few straggling bushes. It is hardly the sort of yard that a young boy would want. Like most boys, he has no voice in choosing where he lives, yet his surroundings have a powerful effect on him.
Katherine Philips is desperately trying to renew her faith in life, but she is struggling to do so because of the death of her son. She is attempting to justify the loss of her child as a form of consolation, while keeping somewhat emotionally detached to the later death of her stepson in “In Memory of F.P.” The differing phrases, words, and language contrast the two elegies and emphasize the loss and pain in “Epitaph” while diminishing the pain in “Memory of FP.”