Jessica Lange's Portrayal Of Motherhood

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Actress Jessica Lange once said, “The natural state of motherhood is unselfishness. When you become a mother, you are no longer the center of your universe. You relinquish that position to your children. ” Lange’s statement implies motherhood comprises of selflessness, that women have a natural inclination to forswear their aspirations to assist their children to pursue their own. Nonetheless, other prevalent notions about motherhood share this same idiosyncrasy. Motherhood places the child’s needs above everyone else’s. Mothers who devote themselves to their children develop a large portion of their identities through their roles as mothers, sometimes to the point where they will do nothing else but raise their children. This is especially …show more content…

The tone given in the magazines makes the women feel like they must follow the advice given in the magazine if they want their children to grow up well and be productive members of Japanese society. Some magazines go as far as providing a time table to show mothers how to spend their day with their children. This time table appears controlling, as someone, who may not even have children, tells mothers how to spend their time. While home magazines intend to make motherhood more attractive, they do exactly the opposite through their inability to relate to the majority of readers. The portrayal of motherhood exhibits an unrealistic ideal—an ideal that a young, Japanese woman would consider unwanted. Conversely, other media, such as anime, demonstrate relatable mother figures, but also criticizes how these mother figures deviate from the …show more content…

However, the film criticizes the mother-figure’s social-economic status. In her essay, The Institutionalization of Motherhood in Japan: The Evolution of “Mother” Since the Meiji Restoration of 1868, Ninomiya Reiko writes: “Middle class is a matter of status as well as income and is signaled by subtler cues: how we live, what we spend our money on, and what expectations we have for the future .” Ninomiya’s comment states social class affects a mother’s ability to raise her children. Furthermore, Ninomiya’s comment implies that belonging to the middle (or upper) classes brings a status and respect the working class cannot attain. In this film, the mother has no option but to work to provide for her family. The Poet’s Life introduces the mother-figure spooling yarn during the evening while her son lies on the floor. From this short introduction, it appears the mother expects little in return from her son, as he just lies on the floor while she works. Nevertheless, tired as she may be, she keeps on working because of her devotion to her

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