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Comparison of two war poems
A critical essay comparing and contrasting war poems
A critical essay comparing and contrasting war poems
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Recommended: Comparison of two war poems
Good afternoon Mrs Thompson and class,
It is more than a pleasure to share with you my analysis of two poems; “In Flanders Field” by John McCrae and “Anzac” by John Le Brereton. War rhetoric and propaganda are expressed and challenged in these poems, as they were written during the period of World War I. The sharing relationship between Brereton and McCrae’s poetry is very profound however, their opinion of war differs in the way they’ve been subjected to it.
After burying a close friend in comrade, a doctor John McCrae, was perched in the back of a field ambulance when he noticed how the bright flowers were pushing through the newly dug graves. ‘In Flanders Field’, McCrae recognises the blankets of red poppies as the first signs of life to appear on the devastated battle field of the western front. Follow along while I read aloud ‘In Flanders Field’ by John McCrae.
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With his use of poetic techniques, you can feel the marvelous tone within his poem; a call for action, a call to do your duty and to serve your country in honour. The power and authority of McCrae’s writing is certified; we feel by it first person. It speaks to us as a nation and positions us as witnesses during that time. As if “I” who speaks as a witness to war, as someone telling you what McCrae has experienced and our fight for
The novel All Quiet On the Western Front by Erich Maria Remarque, the poem, “In Flanders Field,” by John McCrae and the film, Gallipoli, Demonstrates how war makes men feel unimportant and, forces soldiers to make hard decisions that no one should half to make. In war people were forced to fight for their lives. Men were forced to kill one another to get their opinion across to the opposing sides. When men went home to their families they were too scared to say what had happened to them in the war. Many people had a glorified thought about how war is, Soldiers didn't tell them what had truly happened to them.
The powerful poem ‘Weapons Training’ showcases a sergeant, through malicious words, guiding his troops. However it is through ‘Homecoming’, where Dawe exposes the brutal hopelessness brought forth by the futility of war. Therefore it can be seen that war has an emotional toll on both families and the soldiers. Both poems have a recurring message that all war does is bring loss, death and mourning, showcasing Dawes strong opinions about a futile
The Anzac Legend is the source of the Aussie Fight and bravery that will live on for future generations to understand and to acknowledge their courage and bravery.
All Quiet On The Western Front and Gallipoli are two stories independent of each other that chronicle the experiences of two separate young men in the same war. Paul Baumer, a nineteen-year old German soldier, narrates the story of All Quiet On The Western Front. This tragic story begins with Baumer in training camp and concludes with his untimely death. Archy, an eighteen-year old Australian athlete, is the main character in Gallipoli. Gallipoli, a peninsula in Turkey, becomes the background for another account of a young life wasted. Although these two young men are from opposing forces of the war and lived on opposite sides of the equator, they are alike in every way else.
The poet Wilfred Owen was one of many poets who were against war. He reflected this idea of anti-war in his poems, one of his poems called “Anthem for Doomed Youth”, mirrors most aspects of war all put together in this short still deep poem. An example of that would be when the speaker stated,” What passing-bells for these who die as cattle?”(1) The speaker asks is there any sound that marks our soldier’s death other than the sounds of church bell’s which are mostly rung to represent somebody’s absence? Clearly, the speaker sets anger as the tone of the poem through this question to show that soldier’s death is unremarkable.. The speaker compares the soldiers to a “cattle” which illustrates that soldiers are treated more like animals with no feelings and also shows how they are killed indiscriminately in war. Finally the line ironically contains an iambic pentameter which is a natural rhythm for such dark, grim, dull subject. The two novels, The Red Badge of Courage by Stephen Crane, and All Quiet on The Western Front by Erich Maria Remarque, both present a similar idea of how soldiers are killed out there in the front comprehensively and the dehumanization of war towards its soldiers. The first novel is set during the Civil War, and it focuses on the psychological aspects of one soldier named Henry Fleming and how his naive thoughts about war constantly change through the course of the novel. The second novel presents the life of a soldier named Paul Baumer and his friends who were faced with the terribleness of war and how severely it affected their lives. The Red badge of Courage and All Quiet on The Western Front are similar in the way of how the main characters develop through the novel to change from naïve and innocent men ...
Using references and quotes from three wartime poems I will explain what they tell us about wartime life and the thoughts and feelings of civilians and soldiers. I will also clarify how the poets communicate emotional and moving responses to the disturbing war. The three poems that will be analysed are: · Route March Rest - by Vernon Scannell, · Night Raid - by Desmond Hawkins, · The Battle - by Louis Simpson. I have selected these poems because they contain both similarity and contrast. These aspects are important in order to produce a high-quality essay as they provide a more balanced view of the poems.
...hor of the poem ¡§For the Fallen¡¨, Laurence Binyon, has also expressed the feeling of loss and alienation that comes along with war as he writes about those who fought in the Gallipoli campaign. Not only the alienation of soldiers, but the families who have suffered from their deaths:
Throughout the history of war poetry, no aspect of war can be said to feature more prominently than the representation of death and dying. While such representations are constant in their inclusion in war texts, the nature of the representation varies greatly, be it as a noble act for ones country, or as the defining negative of war. Poems such as Brooke’s ‘The Soldier’ and Seaman’s ‘Pro Patria’ are strong examples of the former; while others such as ‘Dolce et decorum est’ by Owen and ‘The Rear Guard’ by Sassoon best exemplify the latter. The question remains however as to why these representations of death and dying differ so, and whether there is a relevant relationship between the type of depiction and the time period or conflict, as well as the author’s proximity to death’s harsh reality.
War and its ramifications for those who are unfortunately entangled in it, is an issue that has fueled both political discussion and literary exploration throughout the previous century. Underived, authentic accounts of the experience and effects of war, from those who have served in it, can be especially enlightening for the majority of society who have had the fortune of not being intimately familiar with war. Through the examination of poems and stories written by soldiers, who were inspired by their involvement in conflict, one can obtain a greater understanding of this gruesome aspect of life, without having to directly experience it. Similarly, soldier turned poet, Bruce Weigl, has contributed his perspective on war through his literary
Autobiographies, diaries, letters, official records, photographs and poems are examples of primary sources from World War One. The two primary sources analyzed in this essay are the poems, “Anthem for Doomed Youth” by Wilfred Owen and “In Flanders Fields” by John McCrae. Primary sources are often personal, written from the limited perspective of a single individual. It is very difficult for the author to capture their own personal experience, while incorporating the involvement and effects of other events happening at the same time. Each piece of writing studied describes the author’s perception of the war. Both of the poems intend to show to grave reality of war, which often was not realized until the soldiers reach the frontlines. The poems were both written at battle within two years of each other. However, the stark difference between the two poems is astonishing. “Anthem for Doomed Youth” gives a much different impression than “In Flanders Field” despite the fact that both authors were in the same war and similar circumstances. The first two lines in “In Flanders Fields” “…the poppies blow, Between the crosses, row on row.” are an image o...
World War One was a massive event. It affected millions of people from all walks of life, and inspired countless written pieces. Nevertheless, without being there, it is impossible to truly be able to tell what the war is like. Therefore the use of setting is very important in giving the reader an idea of the circumstance. This is not to say that everyone is in agreement over how the war should be displayed. Quite one the contrary, the two Poems “In Flanders Fields” and “Dulce et Decorum Est” use their settings to create two very contrasting images of human conflict.
The title ‘Anthem of Doomed Youth’, is juxtaposed to its real meaning of anthem being something to celebrate and be proud of. The assonance between the ‘Doomed’ and collective noun ‘Youth’ can come as a shock to society as topic of death and youth do not go together. In other words, the soldiers are too young and are already fated to death by enlisting in the war. This highlights how war is cruel as the soldiers are stolen of their youth, entering a battlefield designed to ‘sapt the soldier 's spirit.’ Furthermore, Owen shows that the fallen soldiers themselves will not get a proper burial of “candles,” “pall,” nor “flowers.” Instead, these are substituted with negative imagery “The pallor of girls’ brows” and personification “patient minds” to demonstrate that the thoughts of the ones waiting for the fallen soldiers back home are the closest thing they will have to a funeral. This is epitomised in the personification “bugles calling them from sad shires,” which conveys a nation in mourning back home. Collectively, these poetic devices in “Anthem for the Doomed Youth” shows that the death of the young soldiers negatively affects the people around
The Falling Soldier is in the anthology’s first section entitled: ‘dumb was as good as dead; better to utter…’ Duffy emphasises how the war was a terrible waste, using the present continuous verb ‘falling’ as a euphemism for the soldiers who fell to their death. This portrays a sense of patriotism and makes the reader feel a want to honour those who gave their life serving for their country. Ultimately, Duffy develops the idea that the war is misleading and emphasises us to leave violence: ‘dropping the gun’. Duffy draws focus to human attitudes throughout ‘The Falling Soldier’ by saying that we should respect those who lost their lives through war, regardless of its futility; this is the essence of her motif of bees.
The two poems about World War 1, ‘The Soldier’ by Rupert Brooke, and ‘Anthem for Doomed Youth’ by Wilfred Owen, each present their views in different ways. World War one started in 1914 and ended after four years. There are two main responses from soldiers. The two approaches have been written each in these poems. Both have similarities and differences. They are conveyed in different ways that affect the reader more at some points and less than others.
In this comparative piece on these two anti-war sonnets, from World War One and the Battle of Vinegar Hill, I will attempt to explain how each writer displays the particular event in their poetry. Both these poems have irregular rhyme schemes and around 10 syllables on each line. The aim of these poems is to remind us to respect those men who lost their lives in battle, and how disgraceful war really is. In Anthem for Doomed Youth, Owen splits his sonnet into two stanzas, an octet and a sestet. The octet describes the imagery of the battlefield and the trenches on the front line.