Humor in "Harrison Bergeron"

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Kurt Vonnegut’s Harrison Bergeron is a short story about a futuristic version of the United States in which everyone is made equal through physical, emotional, and intellectual handicaps. The story focuses on two characters, George and Hazel Bergeron, who are sitting together and watching television. Hazel is described as being of “perfectly average intelligence”, while George is required by law to wear a device in his ear that transmits signals that prevent him from using his above average brainpower. The program that they are watching is interrupted by a news bulletin from a “ballerina” saying that Harrison Bergeron, a 7 foot tall, hyper-intelligent 14 year old — and the son of George and Hazel — has escaped from captivity and had plans to overthrow the government. Almost immediately, Harrison appears in the television studio and declares himself the new emperor due to his physical and intellectual superiority. He then chooses one of the ballerinas as his empress, and they leap upwards toward the ceiling together — and then are immediately shot and killed by the “Handicapper General”, Diana Moon Glampers. The television signal goes out, and George, who had gone to the kitchen to fetch a beer, finds Hazel crying, but she cannot remember why. At the end of the story, they cannot remember any part of what just happened due to their handicaps.

One part of Harrison Bergeron that stands out immediately is the way it uses humor. The premise of the story is one that is immediately reminiscent of Aldous Huxley’s Brave New World, George Orwell’s 1984, and Ayn Rand’s Anthem, in that the people that live in this world are forced into government-mandated mediocrity. However, rather than taking a heavier-handed and idealistic approach, as ...

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...ry is narrated in a very basic and rudimentary manner. However, when Harrison appears, the tone becomes more erudite, and larger and more descriptive language is used. Once Harrison is killed, the narration returns to normal. This change allows Vonnegut to emphasize the natural difference between Harrison and all other people who are placed under handicaps, as it gives him a sort of mythic quality that is a drastic change from the plainness of George and Hazel. It is also notable that the character of Hazel is excluded from this sequence, while George is not — it is noted early in the story that George is heavily handicapped both mentally and physically. Harrison’s appearance serves as a brief reprieve and ascension from the enforced mediocrity that they live in, both for George and for Harrison, and Vonnegut’s shift in tone and word choice reinforces that change.

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