Throughout the story Kurt Vonnegut uses figurative language in order to explain the extensive thought or pain George is going through. Time to Time bergeron’s “mental handicap” buzzes in his ear “ A buzzer sounded in George's head. His thoughts fled in panic, like bandits from a burglar alarm” (6) this smilie explains how whenever George’s get his mind starts to think more “intelligently” than everyone else the alarm goes off breaking his train of thought until his mind goes blank again. Also Kurt Vonnegut uses figurative language to explain the different sounds and noises george hears “ Sounded like somebody hitting a milk bottle with a ball peen hammer”. To describe Harrison he uses a similes to explain the sheer power of harrison “Harrison
“A book may be compared to the life of your neighbor. If it be good, it cannot last too long; if bad, you cannot get rid of it too early.” - Henry Brooke. This quote mimics Mark Aiello’s poem, comparing the first chapter of a book to someone’s childhood, or first chapter of life. Also like the quote, his poem explains how the first chapter of a book is very pleasurable, but it does not last long until the disturbing plot comes into play. Mark Aiello’s poem, “Chapter One”, is very literally about the first chapter of a novel. Furthermore, Aiello’s use of figurative language allows the reader to interpret the poem in numerous ways beyond the main idea. While analyzing the poem, the reader is permitted to compare the first chapter of a book to
Relationships and Interdependence in the Works of Kurt Vonnegut While on the surface Kurt Vonnegut's works appear to singularly contain the pessimistic views of an aging, black humorist, his underlying meanings reveal a much more sympathetic and hopeful glimpse of humanity that lends itself to eventual societal improvement. As part of Vonnegut's strategy for enhanced communal welfare, the satirist details in the course of his works potential artificial family groups to connect the masses and alleviate the lonely.
Harrison Bergeron’s mother, Hazel Bergeron, is the definition of the Handicapper General’s “normal” and model for enforced equality. Everyone must be leveled and thereby oppressed to her standards. Hazel’s husband, George Bergeron, is no exception. “‘I’d think it would be real interesting, hearing all the different sounds,’ said Hazel, a little envious. ‘All the things they think up.’” (Vonnegut 910). George suffers from his own comically ludicrous mental handicap. The fact that this incites jealousy in Hazel reaffirms the artificial equality Vonnegut ridicules. The author satirizes oppression in American society through his depictions of misery and restraint exhibited in his characters’ ordeals. “The different times that George is interrupted from thinking, and his inner monologue is cut, we have a sort of stopping his having dialogue with himself. So he can’t have a unique personality, which itself involves his worldviews” (Joodaki 71). Not being able to know oneself epitomizes
Kurt Vonnegut, born on November 11, 1922, was an American writer. He was best known for his use of humor, science fiction, and satire in works such as Cat's Cradle, Slaughterhouse-Five, and Breakfast of Champions. Vonnegut was born into a family of three and enlisted in the United States Army while in college at Cornell. A while later, on Mother’s Day, in 1944, Vonnegut discovered that his mother had committed suicide. That same year Vonnegut was assigned to a new combat unit and captured during the Battle of the Bulge while serving as a private with the 423rd Infantry Regiment (Bio). Throughout his stay as a prisoner of war he was able to take up a position as a leader but was soon revoked when he spoke out to the German guard. In February of 1945, Vonnegut witnessed the Allied firebombing of Dresden, which destroyed the city. Along with other American survivors, Vonnegut was one of the few that survived the bombing in an underground slaughterhouse meat locker. The German guards called the meat locker “Schlachthof Fünf” which translated to “Slaughterhouse Five" (Wiki). After the unforgettable experience of the bombing the name stuck with the building and was soon his inspiration for his famous novel, Slaughterhouse-Five. Slaughterhouse-Five was Vonnegut’s novel written about the journey and experience of a young solider named Billy Pilgrim. Vonnegut makes the biggest event in his novel the bombing of Dresden to make the novel a semi-autobiography because like Billy, Vonnegut experienced the horrible bombing personally. The main character, Billy Pilgrim portrays the experiences that Vonnegut went through while he was a suffering POW. It is clear after reading the novel and essay written by Vonnegut over a forty y...
There is a fine line between sanity and insanity, a line that can be crossed or purposefully avoided. The books The Things They Carried and Slaughterhouse-Five both explore the space around this line as their characters confront war. While O’Brien and Vonnegut both use repetition to emphasize acceptance of fate, their characters’ psychological and internal responses to war differ significantly. In The Things They Carried, the narrator and Norman Bowker carry guilt as evidence of sanity. In Slaughterhouse-Five, Billy Pilgrim and the innkeepers carry on with life in order to perpetuate sanity. Both authors develop a distinct theme of responding in the face of the insanity of war.
Author James Thurber’s use of imagery greatly enhanced the characterization, whereas Vonnegut’s use was lacking. This is because the imagery used in Thurber’s story directly connected to the characters, unlike Vonnegut’s use which seemed incomplete. An example of Vonnegut’s inadequate imagery would be this quote: “A buzzer sounded in George’s head. His thoughts fled in panic, like bandits from a burglar alarm.” (Vonnegut 1) In contrast to that, here is an exemplary use of imagery from Thurber’s story: “Then, with that faint, fleeting smile playing about his lips, he faced the firing squad; erect and motionless, proud and disdainful, Walter Mitty the Undefeated, inscrutable to the last.” (Thurber 3) Both of these quotes are examples of imagery, however Thurber’s passage prevails in terms of effectiveness.
"When I was just out of school I worked with a team of engineers in redesigning a nozzle for a nuclear steam turbine generator... It was an awesome machine... And when it ran... lighting up every home in New York, a feeling radiated through the pit of my stomach as if its nerve endings were connected to each of those ten million light bulbs. That was power. But the winds coming around the corners of that house was God" (251). George's experience in the hurricane is just one example of the contrasts between technology and spirituality. George ardently believes that every problem can be solved with rational thinking, planning and plenty of hard work. His obsession with fixing the bridge after the hurricane further illustrates this point; despite assurances from Mama Day and Dr. Buzzard that the bridge would be built in its own time, George diligently pushes the townsfolk beyond their capacity to work. His behavior surrounding the bridge--not to mention the boat he tries to mend--is based on his desire to save Ophelia from a strange illness. He ignores the advice and guidance of Mama Day and plunges into the crisis through rational means. Ultimately, he loses his own life when saving his beloved wife, though George never understands how or why. Dr. Buzzard had warned him that "A man would have grown enough to know that really believing in himself means that he ain't gotta be afraid to admit there's some things he can't do alone" (292).
Ray Bradbury uses figurative language to develop from a naïve tone to a frantic tone to emphasize that technology, the devices that we rely on so much will end up destroying society and nature will not miss our absence. The house, the protagonist in this story symbolizes mankind. Bradbury describes the house having a self-protective and an alert personality when the bird, a symbol of nature, brushes against the houses window. The author writes… “If a sparrow brushed a window, the shade sapped up. The bird, startled, flew off! No, not even a bird must touch the house!” This house not letting anything in implies technologies ignorance to the outside world.
“ Some things about living thing weren’t quite right, though. April for instance , still drove people crazy by not being springtime. And it was a clammy month that the H-G Men took George and Harrison Bergeron’s fourteen-year old son, Harrison, away”(vonnegut 1 ). Harrison knew that the society was not right and he wanted to change it for the better. By disobeying the rules of his Dystopian Society, Harrison Bergeron made a choice but was immediately punished for his actions.
Kurt Vonnegut’s Galapagos tells the tale of shipwrecked humans stranded on an island called Saint Rosalia in the Galapagos archipelago. Meanwhile, in the other parts of the world, a virus wipes away humanity. The castaways, supposedly the only human beings to not have contracted the virus eventually evolve into furry beings resembling seals which took million years. The narrator, Leon Trout is a ghost that silently observed and documented the human evolution. The narrator often interjects with a contrast between the humans of today to the primitive aquatic version of humans of a million years later. This interjection along with the characterization provides the readers with a satirical albeit somewhat cynical view of the human intelligence.
In this poem called “Creatures” by the author Billy Collins there are three examples of figurative language helps convey the meaning that the author Billy Collins is conveying. The three examples of figurative language that the author Billy Collins uses are a metaphor, enjambment, and imagery. These three examples of figurative language help illustrate Billy Collins” theme in this poem called “Creatures” that he is writing because these three examples of figurative language help emphasize the theme of the poem. These three examples help emphasize this poem called “Creatures” meaning because it makes the theme of this poem have a deeper meaning. The theme of the author Billy Collins poem called “Creatures” is that the reader has to imagine
In this story Vonnegut describes Harrison as a tall, strong, and intelligent man. Right then you think of the hulk right? Well she might be alluding to the hulk. Then if you are not average you have to have these things called “handicaps” and they are used as symbolism in this story for holding you back from your abilities. Harrison gets taken away from his family by the government because he is “dangerous” to the people when he is really just all around better. Soon after he gets taken he busts out. This is a symbol of freedom. Finally,
Jimmy S.Baca use of metaphors, similes, imagery, diction, tone and mood are used in a very effective way in his essay Coming into Language. His use of metaphors and similes really give the reader a visual, helping develop imagery. Baca’s use of imagery paints pictures in the reader’s head but also develops a type of emotion by the use of diction. The word choice used provides the reader with an understanding of where the author is coming from leading us into tone and mood. The author’s tone starts off very low but by the end of the essay you will feel very satisfied.
Just as nobody wants to be criticized and underestimated, so does Quoyle. While his family considers him as a root of failures and doesn’t give enough love to him, Quoyle also thinks about himself that he is not part of his family and wants to leave for somewhere. He is always despondent and not confident about his family, his appearance, and his life. However, through the picture, he finds out that he has something in common with his father. The author uses various dictions, imagery, and figurative language in order to vividly illustrate how Quoyle feels about himself and his family.
Authors use figurative language to express nuanced ideas, those that beggar literal description. Such language provides the author an opportunity to play with his reader’s imagination and sense. A piece of literature that uses figurative language is more intriguing and engaging than a writing that aims only to explain. Ralph Ellison’s use of figurative language in “The Battle Royal” paints a powerful and unique story of oppression and the struggle for self-discovery. His juxtaposition of literal and figural language gave the story a dream like quality, all while creating a profound and vivid image.