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Distinctively visual henry lawson
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Distinctively visual allows one to explore the ways images are created through the use of visual and literary techniques. The Australian bush is a harsh, dangerous and lonely land with no one around for miles. Henry Lawson clearly identifies this as he highlights the difficulty and consequences if one doesn’t adapt to it. The prescribed texts ‘The Drover’s Wife’, ‘In a Dry Season’ and ‘The Bush Undertaker’ by Henry Lawson and related material ‘Spelling Father’ by Marshall Davis-Jones as well as ‘Australia’ directed by Baz Luhrmann paint an image of what is normal for someone in their position as well as what they need to be. This can be seen through the concepts love for the family, the harsh Australian environment and the eccentric minds stereotypically …show more content…
Henry Lawson creates an image in his readers’ mind of the protagonist and all that she does for her children. ‘The Drover’s Wife’ portrays the love the mother has for her family as she does everything in her power to care for her family and home. Lawson highlights on several different occasions the lengths the Drover’s wife went to keep her children safe. She takes on the role of the man when her husband is away and there is danger, such as a raging bushfire, flood or snake nearby. “She makes a bed on the kitchen table for the children, and sits down beside it to watch all night.” The emotive language Lawson utilises conveys the protectiveness and fear the Drover’s wife experiences when faced with the knowledge that the snake is in the house with them. The love for the family can be seen in the text ‘The Drover’s Wife’ by Henry Lawson as the main character faces many challenges trying to keep her children …show more content…
‘In a Dry Season’ by Henry Lawson paints an image of the typical harsh and unforgiving Australian outback as well as it’s monotony. He attempts to illustrates its true nature and not romanticise about the sparse landscape or the difficulty of growing crops. He demonstrates the integrity of the bush characters which is heightened compared to lesser individuals. “The least horrible spot in the bush, in a dry season is where the bush isn't - where it has been cleared away and a green crop is trying to grow.” The word “horrible” reinforces that fact that the bush isn’t a hospitable place. The visual imagery through the descriptive language paints an image of crops starting to grow in the shade and suburban areas. The harsh, unforgiving and dangerous Australian environment is illustrated through Henry Lawson’s short story ‘In a Dry Season’ through descriptive language and visual
Motorcycles and Sweet Grass is a very rare occurrence in aboriginal literature. Most works about oppression and sadness as the aboriginal population once was. However, Drew Haydn Taylor attempts to implement humorous aspects of native culture in this novel.
The distinctively visual provides a means of which a composer can connect with his or her audience in order to create a clear, distinct visual image of other people and their worlds - conveyed through the use of visual or literary techniques in their media. Composers such as Henry Lawson and Dorothea Mackellar are able to effectively depict an image through an exceptional use of language and techniques that help shape our understanding of the Australian people and their world. In particular, Henry Lawson’s short stories ‘The Drover’s Wife’ and ‘The Loaded Dog’ and the Dorothea Mackellar Poem ‘My Country’ are able to effectively depict the unique environment of the Australian bush landscape.
One of the many factors that have contributed to the success of Australian poetry both locally and internationally is the insightful commentary or depiction of issues uniquely Australian or strongly applicable to Australia. Many Australian poets have been and are fascinated by the issues relevant to Australia. Many in fact nearly all of these poets have been influenced or have experienced the subject matter they are discussing. These poets range from Oodgeroo Noonuccal Aboriginal and women’s rights activist to Banjo Patterson describing life in the bush. Bruce Dawe is also one of these poets. His insightful representation of the dreary, depressing life of many stay at home mothers in “Up the Wall” is a brilliant example of a poem strongly relevant to Australia.
The 21st Century appears to be headed towards a future of vast corruption and exploitation as a result of the often inhumane and uncivilised individuals who, over the years have become desensitized to poverty, war, consumerism, racism, mental illnesses and political corruption. As the world moves towards further democracy, and decentralization it is vital that art is given the opportunity to stimulate people’s awareness, participation and judgment. Arts purpose is not only to be a fulfilment of society’s visual needs but is needed be utilised as a function to alert people to society’s problems. Australian born George Gittoes, works within war zones to create confronting paintings, film, photography and prose that frequently portray man’s inhumanity to man. Gordon Bennett, also Australian, paints images that depict his own self questioning about his identity and the injustice towards Aboriginal Australians since the time of settlement.
Creating “worlds of their own, with particular kinds of boundaries separating them from the larger world”, families ideally provide encouragement and protection for each of their members (Handel, xxiv). In J.K. Rowling’s Harry Potter and the Prisoner of Azkaban, however, the Dursleys and Aunt Marge fail to fulfill their roles as Harry’s primary caregivers. In Russell Hoban’s The Mouse and His Child, the father mouse is unable to give his child all that he needs and longs for. In these two children’s stories, the expectation that families will provide physical support, emotional support, and encouragement for their children is not met.
The suburban house, as the film’s setting and sphere of action, is extraordinary partly because it is ‘next-door’ to an airport. The odd layout of this backyard is underlined because their suburb meets the kind of architectural cast-offs often found at the margins of big cities. This mix of the humble backyard with the international vectors of travel, tourism and international trade plays out in the film’s narrative which connects the domestic and the distant. The Castle displays many locations and landscapes easily identified as being unique of Australia- The ‘Aussy’ barbeque and patio setup, greyhound racetrack and poolroom, just to name a few. The neighbours of the Kerrigan’s are a symbol representing the multicultural diversi...
This book is appropriate for three-to-five years of age children as the story is very engaging and children are exposed to the Aboriginal culture. The book is illustrated in oil paint in impressionism and the whole story is in double-page illustration, which shows the landscape of Cape York and Aboriginal people. The pictures use vibrant colours including forest green and many shades of brown and the kangaroos and the snake people have red eyes. Educators can guide children to discuss the information in the image which can help children to understand how these details support meaning construction (Spence, 2004). For example, educators can tell children that the kangaroos and snake people who have red eyes reveal that they are evil, so that children can understand that adding more details in both writing and speaking can provide more information for audiences and the explicit language is very effective in constructing the meaning. Educators can use toy snakes and toy kangaroos and other materials to retell the story with children or make a small display that shows part of the
Set in 1889, it could imply that the man is quite sad, as he has been unsuccessful as a gold prospector. This highlights the importance of gold in the early development and growth of Australian colonies. Throughout this time the painting of an individual prospector struggling for a lucky break, and taking shelter in the bush, creates the symbol of hope and freedom for the rest of Australia. However, ‘Down his Luck’ contradicts the idea of hope and freedom as the emotion conveyed on face is more prominent. Over time, society have become more judgemental on religion and belonging. The technique of contrasting the black of the man’s clothing and hat against the bush in ‘Down his Luck’, suggests the man could be an outcast to society, as it could be implied that he is an outcast to the Australian bush. Being the main focal point in both images, it can also depict the men as
...atures that make Australia what it is today. He uses the words “sunlit plain”, “vision splendid” and “wondrous glory” to provide the reader with an image that represents Australia’s reminiscent landscape. This is done to capture the reader’s thoughts in an attempt to persuade them. Paterson silences the negative aspects of rural life and the positive aspects of city life.
The choices a parent makes before and during their child’s life strongly influences the future of the child and the choices they make as they grow older. William Faulkner’s “As I Lay Dying” and Natasha Trethewey's “Native Guard” both present characters whose lives are the way they are because of the decisions their parents made before they were born. Addie deceives her husband and truly only loves one of her kids and this affects the two youngest of the five kids the most. Trethewey’s parents get married illegally and she has to spend the rest of her life defending and justifying their decision.
mother, and narrative point of view, to illustrate the tension between the two protagonists and
The impact the environment has on the individual, and isolation are aspects of society that can be examined by popular representation. Physical isolation and the hardships of living in the Australian bush have been effectively explored in Henry Lawson’s short stories “The Drovers Wife”, and “In a Dry Season” and John Currons film, “Tracks”. These concepts are shown through the creation of distinctively visual imagery which allows the audience to feel the challenges and negative effects of the harsh environment by being encapsulated in the personas world through the images created.
Her fascination with these lands is evident through her experiences of the road trip she embarked on around the desert. In her travelling, her attention was drawn to how vulnerable the desert plants were. She wanted to contemplate about the environmental and the cultural history of the land, and through her fascination of the grasses, she found that they tell one story “of that conjoined history”. The desert had a way of seducing her to its “austerity and spare lines, tempting interpretation as pure nature, too harsh and unruly to be harnessed to prosaic economic purposes, as if existing only as itself.” The desert was autonomous, it can only be interpreted in one way, as nature per se. Her focus was mostly on Mount Leislar, which was a small area that was engulfed by bloodwood trees and “beautiful grass”. Almost more than a century later, despite white colonisation, the “very beautiful grasses, continue to thrive”. Anthropologist T.G.H. Strehlow speaks for the older Aboriginal people who had condemned environmental change. He speaks of how their country has been transformed into a desert by “the senseless whites”. Many of their native species became extinct through the introduction of new species like the rabbits.
Schirato, T. and Webb, J. (2004). Reading the visual. Crows Nest, NSW: Allen & Unwin.
This short-story has the Australian bush or outback as its setting. This is revealed in the two first paragraphs, where the author makes a short and precise description of the little house and the surrounding landscape. To tell the time of the story is, however, more difficult. The text gives us only a few clues to when it might have happened. The most obvious one is, "The drought of 18 - ruined him". First I thought that 18 meant 1918, but considering that the short-story was written in 1892, this must be wrong. The year referred to is most probably 1818.