Heart Of Darkness Research Paper

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Break the social limitations According to the author of Heart of Darkness, Joseph Conrad, "my task, which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel--it is, before all, to make you see.” Yes, literature is usually so powerful that it can enable readers to see a completely different world that they have never seen before. Due to this very feature, the conflict between writers and authorities has never been ceased--writers, more often than not, are restrained from liberally expressing their own incisive, reflective, or even revolutionary thoughts, due to the limitations posed by religion, politics, and ideology of the time and of the society or community that they live in. William Shakespeare, …show more content…

Based on María del Pilar Bravo's Literary Creation and the Supernatural in English Romanticism, English Romanticism was a spiritual and artistic movement that "strongly rejected rationalism as a constraint for imagination, creativity and artistic autonomy" (7) The supernatural is not present in all the Romantic literatures though, without any doubt, it was an important strategy for Romanticism to achieve its purposes. Along the same vein, Gothic literatures. Let's consider some aspects of the supernatural in Mary Shelleys' famous Gothic novel, …show more content…

Even if we are living in an era that people can mostly enjoy the freedom of speech, the tension between people and authorities is still in place. As far as I am concerned, I think Shakespeare's spirit is indeed embodied in some of my artwork. For instance, as a tribute to one of my favorite artists and activists in China, Ai Weiwei, I used a box of colorful cereal Trix to create the portrait of him, and documented the whole process by taking hundreds of photos. In 2011, filmmaker Alison Klayman published her short documentary video, titled as Who's Afraid of Ai Weiwei?, which ends as the government destroyed Ai's new studio in Shanghai and Klayman asking Ai why he is fearless. “I’m so fearful,” Ai answers, “If you don’t act, the dangers become stronger.” Since the answer toward that title question is quite obvious, my question Who's Afraid of Trix? alludes that nobody should be afraid of the colorful Trix, or of speaking out. Toward the ending of my video, each of the cereal ball was crushed and blended together; then, the portrait was immersed by hundreds of perfect Trix balls. I think the whole process of creating Ai's portrait by using Trix balls can be called as a drama; through this specific drama, I expressed my thoughts concerning the dissident, censorship, freedom of speech, and democracy; through the stop-motion video drama, I also

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