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Analysis of the book "heart of darkness
Analysis of the book "heart of darkness
Compare and contrast of two items
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Comparisons and Contrasts in Heart of Darkness
Comparisons and contrasts are important devices which an author may use to help convey his thoughts and feelings about a situation or an event. Joseph Conrad makes use of these devices in his novel Heart of Darkness. Throughout the novel when he was trying to convey a deeper meaning about a situation or a place, he would us a comparison or contrast. The comparative and contrasting themes in the story help to develop Conrad's ideas and feelings in the Heart of Darkness. Light verses dark, the Thames verses the Congo, the Savages compared to the civilized people, and the darkness of both worlds are all contrasts and comparisons that are important to the meaning as well as the understanding of this novel.
The most obvious contrast found in Heart of Darkness is between that of light and dark. In the beginning of the novel when the sun set upon London, the city began to light up yet the narrator describes the light as a "lurid glare under the stars" (Conrad 6). The lights from the city illuminated the Thames River. Because London is described as being light, the light then symbolizes civilization, or at least Conrad's view of civilization. Conrad's view of civilization is one of great despise. Civilization is a place where evil is ever present but ignored and people believe they know everything. The light is the knowledge that we have gained through exploration and the civilizing of places that have not yet been civilized. In contrast there is the darkness. Represented in the novel by Africa and the Congo River, the darkness is the evil that lurks in the unknown. The darkness is full of savages and cannibals. It is the uncivilized and uninhabited part of the world where people eat people and the savages lurk in the trees and in the darkness. Africa is the "heart of darkness," the place where man's inner evil is brought out in the open and is displayed through their thoughts and actions, such as those on Marlow's boat, letting the bullets fly into the jungle without reason or need.
The contrast between light and dark is very important when attempting to understand Conrad's thoughts and ideas about civilization and what it really is.
In Heart of Darkness, cultural identity and the dominance of the European, white male is constructed and asserted through the constructions of the "other", that is the African natives and females, largely through language and setting. Thus, while claims of Conrad's forwardness in producing a text that critiques colonialism may be valid, Heart of Darkness is ultimately a product of it's time and therefore confirms the contextual notions of difference.
The realism movement of the late nineteenth century produced works in literature that were marked by reduced sentimentality and increased objectivity. The goal was to let details tell the story, and remove noticeable bias of the author through scientific and detailed descriptions. While this form of storytelling undoubtedly is most accurate, it creates difficulties for authors to incorporate their themes into the story. This resulted in an increase in symbolism in realist works. The objects and descriptions within the story are the author’s vehicle for displaying the values and themes of the work. Light and darkness are symbols commonly used in literature, and have held specific symbolic meanings for hundreds of years. Simply stated, light commonly symbolizes good, while darkness symbolizes its antithesis - evil. (Cooper) For centuries light vs. dark has been quite possibly the most common symbol in all literature. In Heart of Darkness, Joseph Conrad uses detail to create a feeling that transcends the literal text - most notably through his use of light and dark and the inversion of their traditional meanings. The end goal of this inversion is the establishment of the theme that not everything is as it seems. More specifically, Conrad uses detailed imagery of light and dark to show often times white men can be more savage than the natives.
However, in addition to the struggle over Bosnia, there were several underlying causes of World War I sweeping across Europe on the eve of World War I which contributed to the start of the war. These conflicts had plagued Europe for years and made a large-scale European war unavoidable. Although the direct cause of World War I was the assassination of Archduke Francis Ferdinand, long term causes such as the political instability of Europe, rivalries and alliances between countries, and the conflict between large empires and nationalism brought Europe into a situation in which a large-scale war was inevitable. By 1914, these factors made the major European powers on the verge of war and a small spark in the “tinderbox of Europe” was all that was necessary to cause World War I.
Asking the right questions is indeed an art form . It is however an even bigger burden to try to answer from an analytical presepective these subjective questions which inspire answers and explanations to the ultimate “why” and “how” . As readers we are obligated to carry with us an open mind, an analytical eye and room for suggestive arguments when trying to dissect a piece of writing. Joseph Conrad's novella Heart of Darkness offers the perfect platform for interpretation. With a dozen shades of foggy gray's, the short story is begging for a set of eyes that can see it through. Without proceeding too far into the novella, one can draw out a great deal of analytical suggestions as to what the title itself implies. The word Darkness seems to be a consistent theme throughout the book. So much so, that the amount of weight it carries has given it a special place on the cover. Many critics have found common ground on deciphering the interpretation of the word .The concept of darkness could be respresenting evil. However, some significant subjective questions remain unaswered: Exaclty which character in the novella has fallen victim to this evil? Is it Conrad himself, Marlow, Kurtz or the natives? All of them? Are there different forms in which this evil can manifest itself? Is it talking about darkness in the literal or figurative sense? Would we be considered naïve if we thought evil could be contained or is darkness a necessary evil we all posses and an undeniable part of our reality?
Joseph Conrad's Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it, displayed by the domination, torture, exploitation and dehumanization of the African people. Conrad often emphasizes the idea of what is civilized versus what is primitive or savage. While reading the novel, the reader can picture how savage the Europeans seem. They are cruel and devious towards the very people they are supposed to be helping.
Conrad uses light and dark imagery to help create the setting for the story; light represents civilization while darkness suggests the uncivilized. The novel opens on the deck of a boat called the Nellie, as we are introduced to the passengers we are told how the sun is slowly fading, and soon darkness will engulf the area. This image is Conrad?s first use of light and darkness; he uses it to foreshadow the ultimate darkness Marlow will face. Conrad is warning his readers to be careful, lest they let down their guard and allow the darkness to come them. The other character in the book, Kurtz, is taken over by the evil embodied in the darkness. During Kurtz?s journey into the heart of darkness the isolation, darkness and power all made him lose control of himself and allowed the darkness to take over.
Heart of Darkness by Joseph Conrad is one of the most widely recognized and acclaimed novellas written. But with fame and recognition comes controversy, which is clearly demonstrated by the broad interpretations of the book. Many people believe Heart of Darkness is racist, while others believe the book is perfectly civil. Chinua Achebe, one of Africa's most renowned novelists, strongly believes that the book is dehumanizing and racist; I agree with him, to a certain extent. Three of the most prominent ways that Achebe discusses Conrad’s racism is by the way the African people are portrayed, the African culture, and the comparison of Europe to Africa.
Throughout its entirety, Joseph Conrad’s Heart of Darkness utilizes many contrasts and paradoxes in an attempt to teach readers about the complexities of both human nature and the world. Some are more easily distinguishable, such as the comparison between civilized and uncivilized people, and some are more difficult to identify, like the usage of vagueness and clarity to contrast each other. One of the most prominent inversions contradicts the typical views of light and dark. While typically light is imagined to expose the truth and darkness to conceal it, Conrad creates a paradox in which darkness displays the truth and light blinds us from it.
World War One or ‘The First World War’ as it became known, occurred due to many causes including the assassination of the heir to the Austro-Hungarian throne, Archduke Franz Ferdinand, and ideologies such as nationalism and militarism. The most obvious trigger for the war was the assassination of the Archduke Franz Ferdinand and his wife Sophie on June 28, 1914. The assassination took place during the Archduke’s visit to Sarajevo, the capital of Bosnia and Herzegovina. The Archduke was targeted due to an ill feeling amongst Serbians that, once appointed to the throne, Ferdinand would continue the persecution of Serbs living within the borders of the Austro-Hungarian Empire. Just moments after the couple had been shot; authorities arrested the triggerman, Gavrilo Princip, a Serbian student, who was believed to have been linked to the Serbian terrorist organization, The Black Hand.
Civilization is not as advanced as first assumed. Joseph Conrad asserts this disheartening message in his novel, Heart of Darkness. The novel follows a European man reliving his journey to the Congo through story telling to his shipmates. Through Marlow’s journey, Conrad reveals the stark contrasts between European civilization and African savagery. Heart of Darkness explores the struggles of different societies with an intention to expose the weaknesses of a complicated imperialistic ideal.
In Joseph Conrad’s Heart of Darkness, something is always contrasted against something else. Within the title itself, the contrast of light and dark is made. Throughout the book, the contrast is made between good and evil, between the pilgrims and the cannibals that Marlow encounters. Using the ironic opposition of the pilgrims and the cannibals will present a way into a post-colonial analysis of the book.
Conrad also employs the literary device of symbolism to further display the theme, the duality of human nature in his novella Heart of Darkness. Three major examples of symbolism are evident in this novella. These examples include, light and dark, the Congo River, and ivory. Similar to Stevenson, Conrad uses light and dark symbolism throughout his novella. Yet curiously in Heart of Darkness, light does not symbolize genuine goodness nor does dark symbolize pure calamity. Marlow proves this when he says as a comment to the Nellie’s sailors that, “I know that the sunlight can be made to lie, too” (Conrad 1944). The true essence of the light and dark symbolism is portrayed when Marlow compares the white men to the black men, concluding that these men are all the same. In Heart of Darkness, the symbolizing of light and dark actually represents the duality of human nature, a universal condition, which affects all men despite their skin color. In Heart of Darkness, Marlow’s voyage up the Congo River represents Marlow’s own inward journey. As Marlow advances up the river in search for Kurtz, he begins to learn more and more about himself. Nearing the end of his voyage up the Congo River, Marlow realizes he has more in common with the natives than with the European imperialists. At the end of his journey, when Marlow finally reaches Kurtz, he has learned that everybody has a dark side, but some people learned how to conceal it better than others. The third example of symbolism is ivory. In Heart of Darkness, ivory symbolizes greed and the calamitous nature of man, or the evil side. All throughout the novella the agents and managers of the Company are consumed by obtaining ivory. So much so, that they abandon all their moral principles and...
In the novel Heart of Darkness, there are several themes including Good versus Evil, Power, Femininity, and Fate. Two themes are further prevalent and significant. These themes are restraint and identity. They are the two most noteworthy themes in the book because both capitalize on the complexity and flaws of human nature.
Joseph Conrad’s Heart of Darkness is a great example of a Modernist novel because of its general obscurity. The language is thick and opaque. The novel is littered with words such as: inconceivable, inscrutable, gloom. Rather than defining characters in black and white terms, like good and bad, they entire novel is in different shades of gray. The unfolding of events takes the reader between many a foggy bank; the action in the book and not just the language echoes tones of gray.
Heart of Darkness is a story full of irony and deception. At one point, Conrad made a very interesting point. He suggested that the light is used to indicate deceit in Heart of Darkness. Conrad uses the character of Marlow to make use of his own thoughts and views about the people in the Congo. He feels pity for them as he sees them falling down carrying heavy packages and Kurtz commanding them like a battalion of troops.