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Construction of gender roles for women
Understanding gender roles
Understanding gender roles
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Michelle Miller’s definitions of femininity and masculinity in her TEDx Talk entitled, ‘We need to restore Femininity’, are clearly demonstrated in Mary Shelley’s novel Frankenstein through the dominance of the male characters such as Victor Frankenstein and his creation and the victimization of women; Shelley agrees that society would benefit from more feminine influences as the absence of powerful women negatively impacts the male characters.
In Frankenstein, women invested in experience, as Miller describes, are presented with feminine qualities and victimized by possessive male characters throughout the novel. In Miller’s TEDx Talk, she describes femininity through experience as relating to such words as sensitivity, compassion, beauty,
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Miller describes some of these masculine qualities such as “focus, competition, aggression, and logic” (Miller, 1:00). Victor Frankenstein is the greatest example of these attributes as he is rational, focused, and driven. He shows excessive, almost absurd, dedication to his experiment to the point that he loses all track of time: “Winter, spring, and summer passed away during my labours; but I did not watch the blossom or the expanding leaves… so deeply was I engrossed in my occupation” (57). He focuses on a single outcome - giving life to the dead. This drive for creation agrees with Miller’s definition of masculinity as “result oriented actions.” Throughout the novel, Victor expresses a preference of a male dominant society rather than one with a feminine voice. Even though his creature becomes threatening and demanding, he refuses to create a new female creature as a companion for his male creature. Frankenstein fears that the woman could become independent and uncontrollable by his original male creature: “... and she, who in all probability was to become a thinking and reasoning animal, might refuse to comply with a compact made before her creation” (170). In fear of the powerful female, Victor destroys his second creature and with that, withholds the opportunity for his …show more content…
I have learned that a character who is limited to traditional, fixed sexual roles is ultimately unable to succeed or find happiness. While there is a natural predisposition to one biological sex, a sustainable society would best be reached by an accepted balance between the two. While the world may see femininity and masculinity as male or female oriented, I can now identify these traits in new ways. I hope to now recognize both the feminine and masculine qualities in myself and continue to grow with
In conclusion, in Mary Shelly’s novel Frankenstein, the female characters always fulfill the limited and archetypical roles that are set for them by society. In this novel, many female characters are considered to be possessions. In fact, they are considered to be the servants of men. “I have a pretty present for my Victor—tomorrow he shall have it.” (Mary Shelly, Pg. 70)
‘[The] characters and plot of Frankenstein reflect . . . Shelley’s conflicted feelings about the masculine circle which surrounded her.’
For example, in a play titled Frankenstein, based on a novel by Mary Shelley, Elizabeth Frankenstein is depicted as a woman of perfect and well-rounded personality in society. Taking into consideration that the novel was written in the 1817, when women were not even accepted as students in universities, as shown in the film, Mary Shelley presents Elizabeth Frankenstein both as a creative writer and a loving wife. Elizabeth has deliberately symbolized Shelley's expectations of an independent woman. She is represented as intelligent, a creative writer, just like Mary Shelley herself, and a loving, caring and supporting wife. Also, in the novel, Elizabeth is portrayed as the type of woman, who always wants to strike a balance between work and family life. That is why, in her letters to Victor Frankenstein, she always reminds him to keep in touch with his family and write back to her. Mary Shelley's plot of portraying Elizabeth as a successful writer as shown in the film, a profession, then rather unusual for a woman and almost entirely dominated by males, suggest...
In Mary Shelley's Frankenstein and Oscar Wilde's The Picture of Dorian Gray women are often portrayed as passive and weak characters. During the 19th century when these books were written, the proper domestic ideology was that women were naturally squeamish, defenseless, innocent beings, who needed protection from the male worlds of business and politics (Stepenoff). This theme is demonstrated throughout both of these novels through major and minor characters. In the case of Frankenstein, Shelley, who is a feminist herself, covers her book with submissive women who suffer calmly and eventually die. Similarly in Wilde's story, there are a few female characters that do not show much immediate importance, but they ultimately have a major impact on the story. Both authors portray their female characters as weak and passive, yet, despite their minor roles, these women strongly influence the men and greatly alter the course of events in each novel.
In feminist literary theory, it claims that Frankenstein’s act of creation is not only a sin against God and nature. It is also an act against the “female principle” which includes natural procreation as one of its central aspects. The monster, the result of male arrogance, is the enemy and destroyer of the eternal female principle.
Moers, Ellen. "Female Gothic: The Monster's Mother." Reprinted in Mary Shelley's Frankenstein. Norton Critical Edition. 1976; New York: W. W. Norton, 1996. 214-224.
In “Frankenstein” penned by Mary Shelley, the author depicts the roles of passive women through the roles of Caroline, Elizabeth, and Justine. Caroline marries Victor’s father, Alphonese Frankenstein, despite the huge age difference between them, and gets approval from her husband to make Elizabeth part of the Frankenstein family. Elizabeth joins the Frankenstein family after Caroline takes her from the orphanage, has superficial beauty, and constantly writes letters to Victor, waiting for his return and his hand in marriage. Justine cannot prove her innocence in court without the appearance of Victor. On the other hand, Shelley depicts Safie as a woman willing to stand up for her religion, disobeying her father’s orders of going to Constantinople, and finds Felix. Through the portrayals of Caroline, Elizabeth, and Justine, women are depicted as possessions by men, admired for their superficial beauty, and do not take direct action without the appearance of men. However, Safie’s portrayal in “Frankenstein” symbolizes a woman who longs to have her own rights and a woman who goes against the role of passive woman.
...wer over masculinity. The idea that man fearing feminine strength is clearly demonstrated between Justine and Frankenstein and depicts man’s insecurities regarding strong women.
In both Robert Burns’s Tam O’Shanter and Mary Shelley’s Frankenstein; or, A Modern Prometheus, the authors use gender as an underlying theme throughout the narrative, a common thread present in the characters’ goals and motivations. In the case of Tam O’Shanter, Tam’s midnight adventure is against the advice of his wife and nearly ends with his death due to his inability to control himself when faced with a sultry witch. Frankenstein, though less blatant in its gendered imagery, follows the monster as he searches for a woman to play the role of his mother, wife, or daughter, demonstrating his need for female companionship in the light of Victor’s failure to be a father to him. The gender role that Victor himself plays is also debated, as he
Mary Shelley depicts the Romantic ideal of inferiority of women in Frankenstein. These ethics can be compared and contrasted with values of today’s society. Shelley had all male narrators to accentuate the belief of male superiority. The female orphans of the story portray the assumption that women are helpless and the lack of letters from Margaret emphasizes the essential worthlessness of a woman’s opinions. Finally, the female presence in the workforce contradicts Romantic ideals, however housewives and male proposals parallel the ideals Shelley uses in Frankenstein. The Romantic ideals that women are secondary to men are expressed throughout Frankenstein as well as in Romantic times and today.
In Mary Shelley’s Frankenstein, Shelley characterizes the female characters as passive, disposable and serving an utilitarian function. Women such as Safie, Elizabeth, Justine, Margaret and Agatha provide nothing more but a channel of action for the male characters throughout the novel. Meaning, the events and actions acted by them or happen to them are usually for the sake of the male character gaining new knowledge or sparking an emotion. Each of Shelley’s women serves an important role by way of plot progression are otherwise marginal characters. Yet, this almost absence of women is exactly the reason why they are important. This use of the female character introduces a concept of feminism; here, female politics exists due to the vacancy of a “role model.” Women such as Justine, Agatha, Elizabeth and Margaret in Mary Shelley’s Frankenstein play a key role, whether it’s for mere plot progression or by their absence.
In a society where the focus on equality amongst different races, religions and sexes continues to grow, it is no surprise that literature has begun to follow suit. Publishers have seen a rise in strong, capable female protagonists who overcome a variety of struggles to save themselves or others and both teens and adults alike rush to get their hands on this material. With such popular literary works to choose from, it seems strange that many schools continue to rely on somewhat archaic material that mistreats and degrades so many women. In John Steinbeck 's Of Mice and Men, for example, the only female character the reader interacts with is treated like a lower-class prostitute who is ultimately killed off due to her seductive behavior. Though Steinbeck 's treatment of women comes mainly from classic gender roles, his portrayal of female characters in Of Mice and Men is
Mary Shelley, the author of the novel Frankenstein grew up in the early 1800’s with her father, a radical philosopher that believed in the equality of the sexes, and her mother, a vindicator of women’s rights. Shelley followed the footsteps of her parents and became a strong feminist advocate, and supporter of gender equality. The development of her novel granted her with the opportunity to express her feminist ideologies in a subtle, and realistic way, unlike any other authors during her time period. Thus, in the novel Frankenstein, Mary Shelley incorporates her feminist beliefs with the purpose of portraying the realities of a woman’s life during the early 1800’s.
Throughout the texts we have read in English thus far have been feminist issues. Such issues range from how the author published the book to direct, open statements concerning feminist matters. The different ways to present feminist issues is even directly spoken of in one of the essays we read and discussed. The less obvious of these feminist critiques is found buried within the texts, however, and must be read carefully to understand their full meaning- or to even see them.
In “Frankenstein” penned by Mary Shelley, one cannot help but notice the role of women in the novel compared to men. Even though Mary Shelley is the daughter of Mary Wollstonecraft, a mother advocating for women’s rights in society, she displays the roles of Caroline, Elizabeth, and Justine as passive women. This may be the time period when women were considered inferior to men. Caroline, Elizabeth, and Justine are depicted as possessions by men, admired for their superficial beauty, and do not take action without the permission of men. On the other hand, Shelley illustrates Safie as a woman who speaks up for her own rights when her father forbids her to find Felix.