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Feminism in Frankenstein
Depiction of women in Frankenstein
Depiction of women in Frankenstein
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In Mary Shelley’s Frankenstein, Shelley characterizes the female characters as passive, disposable and serving an utilitarian function. Women such as Safie, Elizabeth, Justine, Margaret and Agatha provide nothing more but a channel of action for the male characters throughout the novel. Meaning, the events and actions acted by them or happen to them are usually for the sake of the male character gaining new knowledge or sparking an emotion. Each of Shelley’s women serves an important role by way of plot progression are otherwise marginal characters. Yet, this almost absence of women is exactly the reason why they are important. This use of the female character introduces a concept of feminism; here, female politics exists due to the vacancy of a “role model.” Women such as Justine, Agatha, Elizabeth and Margaret in Mary Shelley’s Frankenstein play a key role, whether it’s for mere plot progression or by their absence. Justine Mortiz had lived with the Frankenstein family as a servant after …show more content…
Agatha’s purpose, as a woman once in high regard, is to exhibit and embody virtue, sensitivity and gentleness. This is what the Creature learns from just how she holds herself when she walks: “The girl was young and of gentle demeanour, unlike what I have since found cottagers and farm-house servants to be. [...] she looked patient,” (CITE FROM CHAPTER 11, PG 4). The monster also learns from her interactions with her blind father, “Agatha listened with respect, her eyes sometimes filled with tears, which she endeavored to wipe away unperceived” (93). Since he has never seen kindness before, through her inactive and tender nature, acts as a lesson for the monster towards healthy, human relationships formed out of love. Frankenstein’s monster’s next lesson comes from a close friend to Agatha,
In conclusion, in Mary Shelly’s novel Frankenstein, the female characters always fulfill the limited and archetypical roles that are set for them by society. In this novel, many female characters are considered to be possessions. In fact, they are considered to be the servants of men. “I have a pretty present for my Victor—tomorrow he shall have it.” (Mary Shelly, Pg. 70)
When first reading Frankenstein by Mary Shelley the examples of feminism are not apparent. Although learning more about Mary Shelley 's history helps one relate the events in Frankenstein to what occurred in Shelley 's actual life. Shelley 's feminist pedigree plays a huge role in her novel Frankenstein as it sublimely elaborates her own tragic loss of her first born child, reflects a man 's decision to create life, and Victor the creator of Frankenstein, leaves despite the connection with his own creation, and last influences Shelley 's jargon throughout her novel.For example, the moment the monster was created and throughout the rest of the story he was isolated from society. All the characters in the novel automatically feared the monster
It’s fascinating that she was responsible for the novel Frankenstein where women are given such little importance, due to the dominant male characters. Women are given no voice at all as the story is told by three male narrators, Walton, Victor and the monster, which is only a reflection of the position men had in all aspects of life, domestic, social, political and economic in the nineteenth century.
Mary Wollstonecraft Shelley lived in a sexually separated early 19th century Europe when she wrote her classic novel “Frankenstein”, and many ideas of her society reflect in her novel. Mary grew up in an English society where the role of women was primarily limited to the home while their male counterparts were out and about doing whatever such work he did (“Women in the 19th Century”). Much paralleling true society, gender roles in “Frankenstein” are very much different for men as they were for women. In volume I of “Frankenstein”, the main character, Victor Frankenstein, refers to nature as a female – “I pursued nature to her hiding places”(Mary Shelley, 49) – partaking in a gendered segregation whose consequences are everywhere evident throughout the novel; the affects of the separation of genders lead to destruction time and time again in the novel, possibly illustrating the beliefs of Mary Shelley of the consequences of this segregation. “Whether Shelley intended it or not, Frankenstein offers formal and thematic echoes of the revolutionary philosophy that made cultural room, of an ever-evolving shape and nature, for the fictional interventions in political and social realms,” (Batchelor, Rhonda) says Rhonda Batchelor in her essay reviewing feminine voice in the eighteenth and nineteenth centuries. It is quite possible that Shelley had no intention of including her views on male directive, but there is greater evidence pointing to the fact that she did in fact include her beliefs in her novel to include into the newly founded woman's movement of her time. This essay will argue that Mary Shelley adds intimations in her novel "Frankenstein", clearly indicating her perception that men viewed women as a feeble second class in the...
The idea for the novel of Mary Shelley’s Frankenstein came to her one night when she was staying in the company of what has been called ‘her male coterie’, including Lord Byron and her husband, Percy Shelley. Mary Shelley’s whole life seems to have been heavily influenced by men. She idolised her father, William Godwyn, and appears to have spent a good part of her life trying very hard to impress both him and her husband. There seems to have been a distinct lack of female influence, her mother, Mary Wollstonecraft, having died weeks after her birth, being replaced by a neglectful step-mother. These aspects of her life are perhaps evident in her novel. The characters and plot of Frankenstein were perhaps influenced by Shelley’s conflicting feelings about the predominately masculine circle which surrounded her, and perhaps the many masculine traits that we see in novel were based upon those of the male figures in Shelley’s own life. In this essay I will attempt to show some of these traits.
There are numerous numbers of novels and books that offer different portrayals of the female gender and femininity in the early nineteenth century, each novel shedding a different light on women, their gender role, and the definition of femininity during this time period. The first thought that pops into most people’s minds is Mary Wollstonecraft’s A Vindication of the Rights of Woman or any Jane Austen novel. People do not typically think of Mary Shelley’s Frankenstein. Nonetheless Frankenstein offers us the reader an extremely well portrayal of the female gender in the early nineteenth century while also providing us with the cautionary tell on why no man should ever attempt to play God for the reason that only God can play God. In this essay I will be discussing how Mary Shelley used the description of femininity her mother, Mary Wollstonecraft created in her book A Vindication of the Rights of Woman. For that to be done I will analyzing three female characters from the novel and discuss how these characters are leading examples of the early nineteenth century woman. I will be using examples from both A Vindication of the Rights of Woman and Frankenstein to support my arguments. Lastly I will discuss what the characteristics of the female characters in the novel say about Mary Shelley’s thoughts on women and femininity during the early nineteenth century.
Although Frankenstein by Mary Shelley is not technically a feminist novel, Shelley ever so subtly makes a strong case for the plight of women in a patriarchal society. Speaking from the male point of view, Shelley is able to depict everything that is wrong with society from subservient stereotypes, interpretation of procreation and the demeaning treatment of women as objects. While staying true to the gender roles in the time period, it becomes apparent that not only are men held to a different standard than women, but they are also undeserving. Rather than force her controversial observations down her readers' throats, she stealthily crafts the novel leaving one with a newfound respect and value of women and their role in society. Although the novel is written by a woman, there are only male narrators leaving the female representation to be from the perspective of male authors in that time period.
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.
Many consider Shelley as an early feminist. Certainly her mother’s views on the issue cannot be doubted. In her book “A Vindication of the Rights of Women” Mary Wollstonecraft criticizes society’s treatment of women. Similarly in Frankenstein Shelly, more than simply telling a story, challenges a dominant patriarchal value system. In the novel the women are constructed as victims of male egotism and selfishness. Caroline Beaufort, Victor Frankenstein’s mother, lived in ‘poverty’ due to her father’s ‘abominable pride’ that refused to accept help or charity. Safie, daughter of the Turkish merchant is almost kept from the one she loves by her father’s ‘treachery’. Thus we can see that Shelly presents us with a s...
Throughout Mary Shelley’s Frankenstein there are many female minor characters. Some view these minor characters as passive and subordinate, the epitome of a delicate woman, that reflect the gender roles during the author’s era. This simplifying view of the intricately complex female characters does not accurately represent the powerful and firm importance of their underlying, yet commanding, voice. One of these characters is Justine Moritz who, although charmingly modest and gentle, is a testament to the dignified power of women. During her short appearance in the novel, it is clear Victor Frankenstein fears her for the bravery and strength she exquisitely exhibits through her unjust trial. In addition, the contrast between the characters is distinct. Evidently Victor fails to posses such courage and admirable traits reflecting the insufficiency of supposed male dominance as compared to feminine vigor. Mary Shelley’s minor character Justine is a subtle yet potent force who depicts the perseverance and strength of women by illustrating the considerable lack of such traits Victor Frankenstein.
In both Robert Burns’s Tam O’Shanter and Mary Shelley’s Frankenstein; or, A Modern Prometheus, the authors use gender as an underlying theme throughout the narrative, a common thread present in the characters’ goals and motivations. In the case of Tam O’Shanter, Tam’s midnight adventure is against the advice of his wife and nearly ends with his death due to his inability to control himself when faced with a sultry witch. Frankenstein, though less blatant in its gendered imagery, follows the monster as he searches for a woman to play the role of his mother, wife, or daughter, demonstrating his need for female companionship in the light of Victor’s failure to be a father to him. The gender role that Victor himself plays is also debated, as he
Mary Shelley depicts the Romantic ideal of inferiority of women in Frankenstein. These ethics can be compared and contrasted with values of today’s society. Shelley had all male narrators to accentuate the belief of male superiority. The female orphans of the story portray the assumption that women are helpless and the lack of letters from Margaret emphasizes the essential worthlessness of a woman’s opinions. Finally, the female presence in the workforce contradicts Romantic ideals, however housewives and male proposals parallel the ideals Shelley uses in Frankenstein. The Romantic ideals that women are secondary to men are expressed throughout Frankenstein as well as in Romantic times and today.
In “Frankenstein” penned by Mary Shelley, one cannot help but notice the role of women in the novel compared to men. Even though Mary Shelley is the daughter of Mary Wollstonecraft, a mother advocating for women’s rights in society, she displays the roles of Caroline, Elizabeth, and Justine as passive women. This may be the time period when women were considered inferior to men. Caroline, Elizabeth, and Justine are depicted as possessions by men, admired for their superficial beauty, and do not take action without the permission of men. On the other hand, Shelley illustrates Safie as a woman who speaks up for her own rights when her father forbids her to find Felix. The three points that contribute greatly to the passive role of women are the lower of rank women in society compared to men, women being seen as possessions for men to protect, and women admired for their superficial beauty.
Although Mary Shelley’s Frankenstein and Charlotte Bronte’s Jane Eyre are comparatively different, the characters are delicately crafted to unfold a captivating theme throughout each novel which embodies the idea of the social outcast. The Monster and Jane Eyre struggle through exile due to an inability to fit into the social norms presented by the era. The characters embark on a journey while coping with alienation and a longing for domesticity which proves to be intertwined with challenges. Character, developed as social outcasts are appealing and sympathized with by readers because of their determination to reach a level of happiness. The voyage toward domesticity, away from the exile of society which Jane Eyre and The Monster embark on
Banerjee additionally argues against notions that Shelley isn’t solely concerned on the usurpation of woman’s creative power (Banerjee 1) because the male and female family of Frankenstein are equally destroyed by his creation. Rather than just pulling women up into man’s sphere of separation from nature, Banerjee suggests that Shelley wants to remove the dichotomy; “for the family to ensure the well-being of all members men need to commit to it as much as women.” (Banerjee 12). But I find that there are many instances when feminine does work to bring stability, even though it is divided into different spheres, instead the problem is that the entities are ill-defined in Victor’s own androgynous impulses. For example, Victor’s father and mother