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Maria de los Reyes Book Chapter Proposal Title: Evolution of Graffiti Main argument: This chapter will argue that graffiti can be invaluable as it preserves tradition, through its portrayal of the postmodern nature of reflecting on the past. Context: The Graffiti Tunnel in Sydney University echoes the postmodern ideals of questioning structure by challenging what is known to be art. The different views of graffiti – vandalism versus street art – reflect the instability and uncertainty of postmodernism. Furthermore, through its nature of storytelling, graffiti reflects traditions and preserves culture and the ideas and beliefs of the context it was created in. Key Words: Tradition, Postmodernity, Graffiti Definitions: Graffiti is often understood to mean “any form of unofficial, unsanctioned application of a medium onto a surface” (Lewisohn 2008). There are many terms that are associated with graffiti, including Graffiti Writing and Street Art. Tradition is generally understood to involve the preservation of a way of life and ideas and beliefs. This chapter will review how graffiti is a very useful way of finding out about the hidden side of the past - the unofficial history of those who did not have a place in the official records. Postmodernity is said to be “a reaction against the Modern movement” (Nicol 2009) and has shown a complete disregard for many aspects of art and design that were popularized during modernity, including: legibility, the grid, and use of a clear hierarchy. Postmodernism, as an art movement, aims to create works based on an independent style. Nothing is new in postmodern art, in a sense that something always comes from something else. Plan: Introduction: • Main argument • Graffiti holds histori... ... middle of paper ... ...ext will contribute to the exploration of the shifting paradigm of the views of graffiti. Taylor T. n.d. Seeing the Writing on the Wall: Graffiti in History - from Pompeii to Belfast, National Centre for History Education, accessed 2 April 2014, • Taylor propose the cultural significance of graffiti by exploring its history and context of ancient graffiti • This will form the basis of my argument that graffiti has the ability to preserve tradition Morley, D. 1996, ‘Postmodernism: the rough guide’, in J. Curran, D. Morley & V. Walkerdine (eds) Cultural Studies and Communication, Arnold, New York • Morley identifies different ways of understanding postmodernism and how it challenges the modern • This examination will contribute to the discussion of the impact of postmodernity.
Inside the yard now stands a freshly painted mural, sixty feet wide and twelve feet high. The work is the result of weeks of designing and planning, and with luck it might last as long on the train as it already has on paper. What the boys have done, what has taken place inside that trainyard, is a work of art. [Let us begin with a basic assumption. One may object to graffiti on social or moral grounds, but only in the most conservatist terms can it not be considered “art.” Any idea of art which does not go out of its way to disinclude vandalism will, in fact, contain graffiti. We will, then, put aside social and moral considerations for the duration, and consider graffiti as art.]
Reichert, Jake. "A wilderness of walls: past and future of graffiti writing in Winnipeg." Canadian Dimension33.6 (1999): 20-26. Alternative Press Index. EBSCO. Web. 22 Apr. 2011.
Webster defines graffiti as an inscription or drawing made on some public surface. Graffiti is often thought of as gang-related, because gangs have traditionally painted their identifying symbols in places to mark their turf.
Graffiti is an art form that was bred from the rebellion of youths. The first sighting of graffiti was seen on subways, and other impoverished areas around New York. This form involved what is called tagging , where the artist signs his or her name, nickname, or group name, on the side of a building or other surface. It is well known for its bold, colorful presence and intricate script. It is still prominent and visible in those areas of the Bronx today.
The “vandalism” is displayed in museums all around the world, many people have recognized graffiti and become more interested, and lastly, many people appreciate it for the beauty and emotions tied into the artwork.
Art is an expression of one’s mind or imagination through drawings and paintings on a canvas or words written in a book. Graffiti is an expression as well of one’s imaginations or feelings through words, or drawings displayed on a surface such as a building, wall or subway train.
The Graffiti community is, although they will not admit, a bunch of aesthetic filled souls. Everyone gathers recognition in this community. “Graffiti isn't something a normal person does, I have been through a lot of situations just cus I do what I do,” my subject explains. These artist ARE outcasts, for a good. They express culture and it is something they get a feel for. It is brilliant, even with the trouble.
Graffiti has been around for centuries. It can be seen on buildings, cars, and anything that can be painted with a spray can. Since graffiti came to exist, there has been much debate on whether it is an art form or an illegal activity. While it has been banned and deemed illegal all over the world, it still persists in today’s society. Along with the controversy that comes with graffiti, many commonly known stereotypes are apparent within the act of graffiti. Stereotypically, graffiti is seen as an urban act done by younger people. Typically, since this act is considered illegal, it is mostly done in the middle of the night, and the people partaking are usually wearing dark or black clothes. The picture, “LATA 65 IS A CREATIVE
Even though graffiti, in general, has had a rough past, it has started a movement where it's a form of expression through the artist. Graffiti can be a wonderful work of art when it has a space where it doesn't disturb public or private property. The artist creating graffiti often wants to send a message. In many cases, the street art made on public property is to invoke a reaction or conversation to intrigue the viewer. A key element in graffiti and street art is to create a space where the artist can do his/her work and even receive compensation from art
Graffiti is a cross cultural phenomenon that has been common in all civilizations up to the present. Within the context of their production, Graffitis personalize de-personalized space, construct landscapes of identity, make public space into private space and act as promoters of ethnic unity as well as diversity. Graffiti can be understood as concrete manifestations of personal and communal ideologies which are visually striking and challenging; as such they are worthy of continued attention as an artistic movement.(5)
DeNotto, Michael. "Street art and graffiti." College & Research Libraries News Association of College & Research Libraries. N.p., n.d. Web. 6 May 2014.
“ Many disputes surrounding murals have a lot to do with advertising,when an area of a city is downtrodden, muralists choose highly visible walls for their works to spruce up space.” ( Bjorgum 512) Muralists make murals on the wall to bring the town/city to life. For example, they can be making murals to tell a story of their personal lives Or for loved ones that passed away. Graffiti is known as defiance because people use it as a way that is known to vandalize property. “The undesirable fact is graffiti has become an expensive social problem in many cities in the world.” “U.S. cities spent an estimated four billion dollars cleaning graffiti in 1994 (Walsh,1996). Kan (480) Graffiti is and still continues to be a huge costly problem that we deal with today and can not really be prevented.
No matter what people say about it, Graffiti is a form of self-expression. It is important to realize the amount of talent and work required to create a piece of graffiti. The scale of such a piece can be small found on a corner to massive one taking up an entire wall. However, there are varying
Humans are social beings, we want to know and to be known as well as we desire to be understood and be heard by other people. Therefore we choose different ways to express ourselves and make our statements. Graffiti is one of the main uncurbed ways to do it which makes it one of the most discussed topics. While some people consider it as art some people call it just “stain” or “vandalism”. Leonard Kriegel emphasizes his negative thoughts and experiences in his article titled “Tunnel Notes of a New Yorker”. However because of he had traumatic childhood memory, he is being too emotional and personal in his article. For this reason he loses his credibility in his words. Although I think that graffiti is a way to express ourselves freely and it includes artistic value it is undeniable that respectively it affects society and environment in a negative way, it violates the law, and cause the decline of the urban civility.