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Themes and symbols in a streetcar named desire
Key themes in a streetcar named desire
A streetcar named desire classic tragedy context
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In Tennessee William’s writing of A street car named he is able to create a battle between the powerful and the powerless. This conflict takes form as a struggle between men and women. It illuminates a situation in which the privileges of the powerful and the powerless are clearly seen and defined. Due to the play taking place in the 50s, the dynamic between men and women in relationships was quite different than our current decades. Women could be perceived as the powerless group being manipulated by the powerful. The men in the play, especially Stanley, project the attitude that society held and how unbalanced it was compared to standards we might abide by in today’s society. Much of the dialog condescends the women in the play who themselves …show more content…
In Scene One the first interaction we see between Stanley and Stella embodies the mentality held in that time. Stanley returns home from work with a package of meat, walks through the door, and immediately throws it at Stella wanting it to be prepared. Stella herself does not see anything wrong with this entrance as it is viewed as the status quo. More examples come to follow very soon after, next being during poker night. Stella and Blanche return home from a night at out a 2 a.m. and the men are still playing poker. Poker is seen as a competitive sport which Williams used to give a masculine energy to the room. The presence of a women dampens that masculine energy, causing Stanley to become irritated wanting them to leave. Blanche turns on the radio consequently causing Stanley to become extremely upset at her presence. Mitch, who appears to be the most benign of the group of men, can be quoted saying “Poker shouldn’t be played in the house with women”(pg.59). As the events escalate and Stanley eventually strikes Stella we can see where the power rests. Stanley’s friends restrain him but do not blame him for the events the transpired. As he was the one who shows initial aggression over what should have been only a minor annoyance, one would assume he would be held accountable for
The use of vernacular speech, in this play, lends to the overall feeling of life in the early 20th century. This definitely aids in establishing a link with this play’s key audience, women. And also helps to establish the play’s surroundings and setting. The use of language provides a backdrop for the play, illustrating the differences between men and women. More so, the purpose of this play was to illustrate the common bond between women, even in the face of the law. It proves that in hard times people of a common bond usually stick together, and written in the face of the up and coming women’s suffrage movement, it provides the reader with a real understanding of the motivation and the dedication these women put into their work.
After an attack, his wife states to her sister, "He was as good as a lamb when I came back and he's really very, very ashamed of himself (Williams, 2309). Due to human nature, he does show that he feels sorry for his wife, in order to make sure she doesn't get any ideas to leave. Stanley is unaware of this, but the fact that he fears his wife's departure is an insecurity we will never admit to (psychological/psychoanalytic approach).
With Streetcar, Stella Kowalski tries to gain some more with from her husband Stanley. After Blanche arrived Stella started defending herself more and telling Stanley what to do. For example, in the poker night scene, Stella says “Drunk- drunk-animal think, you! All of you- please go home! If any of you have one spark of decency in you-” (Williams
Stanley oftenly abuses Stella whenever he is drunk. One night, Stanley brings his friends over for a poker night. Mitch leaves the table in order to talk to Blanche. Stanley begins to get furious since Mitch is no longer playing. As more and more interruptions keep occurring, Stanley is furious and breaks the radio Blanche and Mitch were using. Stella then calls Stanley an animal. “He advances and disappears. There is a sound of a blow. Stella cries out.”(57) Stanley is usually abusive when he's either drunk or frustrated. After Stanley strikes her, Stella leaves the house and goes to her neighbors house. Blanche follows her sister upstairs to support Stella so she does not feel alone. Stanley then calms down and calls for Stella to come back. She returns and falls into Stanley's arms. Stella is very loyal to Stanley, she stays with him because he is her husband and does not want to change that. This is why she ignores her sister's pleas. Stanleys actions prove to the reader that he is an abusive husband to Stella and that Stella tolerates
When Stanley beats Stella in Scene 3, the abusive side becomes noticed and readers come to the conclusion that it was not the first time that this act of violence has occurred. (Williams 40). But Stella ends up coming back to him after he cries out to her, and their relationship resumes as it did in the times prior. He is also the one who investigates the protagonists’ (Blanche’s) past; as he knows there are things she is hiding. This need to know about Blanche’s history is driven by his hatred for her aristocratic ways. Furthermore, Stanley makes his dominance apparent through the expression of his sexuality. At the end of the play, he rapes Blanche as a way to regain his dominance in the household. Throughout the play, Blanche slowly gains some control over Stella, and causes disruption to Stanley’s
3. How might we get to the bald truth/reality of Stanley and Stella 's relationship during the poker game? How are we supposed to understand Stella 's motivation for being/staying with Stanley, despite his physical abusiveness? (that is, on what is their relationship based/founded/sustained)? How does the discovery of these things affect the relationship between Blanche and Stella, and why is this important?
The essential conflict of the story is between Blanche, and her brother in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed. Branching from that, Stella has an inner conflict because she does not know whether to side with her husband or her sister in each situation. Blanche and Mitch ha...
Stanley, the protagonist, is a symbol for society’s view of the stereotypical male. He is muscular, forceful, and dominant. Stanley’s domination becomes so overwhelming that he demands absolute control. This view of the male as a large animal is revealed in the opening of the play where Stanley is described as “bestial.” His power and control throughout the play are foreshadowed in the opening stage directions.
Stanley’s character may be down to earth, but proves harmfully crude, and brutish. He has a disturbing degenerate nature underneath, this is first hinted at when he beats his wife, scene 3-page 1800, “Take it easy, Stanley, easy fellow. Let's all . . . You lay your hands on me and I’ll [She backs out of sight. He advances and disappears. There is the sound of a blow, Stella cries out. Blanche screams and runs into the kitchen. The men rush forward and there is grapping and cursing. Something is overturned with a
The conflict between Stanley and Stella climaxes in scene ten. In this scene Stanley openly takes Blanche apart piece by piece he begins with unenthusiastic comments such as "Swine huh?
In the book named “A Streetcar Named Desire” by Tennessee Williams display many perspectives of cultural and morality difference. William shows the vulnerability of the female role in this play Stella and Blanch find happiness through the dependence on men even if they treat them nicely or insult them in anyway. William showcases the setting by institution and attitude in the setting of the postwar American where restrictions are held against women and this is shown through Stella and Blanche’s treatment from men in the play. Blanche and Stella sustain on the men to bring themselves up and create a perfect on self-image in their mind of themselves because they believe what they are told by the men. This idea is stated because they show the stereotypes in the postwar era where the show the domination of their opinion on gender.
As women's studies programs have proliferated throughout American universities, feminist "re-readings" of certain classic authors have provided us with the most nonsensical interpretations of these authors' texts. A case in point is that of Kathleen Margaret Lant's interpretation of Tennessee Williams' A Streetcar Named Desire in her essay entitled "A Streetcar Named Misogyny." Throughout the essay, she continually misreads Williams' intention, which of course causes her to misunderstand the play itself. Claiming that the play "has proved vexing to audiences, directors, actors, readers, and critics" (Lant 227), she fails to see that it is she herself who finds the play vexing, because it does not fit nicely into the warped feminist structure she would try to impose upon it.
In scene three Stanley is having his poker party (pg. 57). At this point he is very drunk. Blanche distracting Stanley by listening to the radio instigates him to grab it off the table and toss it out the window. Stella in a state of panic tells everyone to go home which angers Stanley so he chases after her and hits her. This type of behavior is not normal of any human being involved in any relationship. Stanley repeatedly gets what he wants by use of any means possible. In addition the person whoever threatens the existence of his poker game receives a beating, in this case his wife. This scene demonstrates Stanley’s viscous animal like traits with such violence. If what happened here was repeated in today’s society he would find himself in a jail cell with a pending divorce.
[More laughter and shouts of parting come from the men. Stanley throws the screen door of the kitchen open and comes in. He is of medium height, about five feet eight or nine, and strongly, compactly built. Animal joy in his being is implicit in all his movements and attitudes. Since earliest manhood the center of his life has been pleasure with women, the giving and taking of it, not with weak indulgence, dependency, but with the power and pride of a richly feathered male bird among hens. Branching out from this complete and satisfying center are all the auxiliary channels of his life, such as his heartiness with men, his appreciation of rough humor, his love of good drink and food and games, his car, his radio, everything that is his, that bears his emblem of the gaudy seed-bearer. He sizes women up at a glance, with sexual classifications, crude images flashing into his mind and determining the way he smiles at them.] Blanche is uncomfortable and draws involuntarily back from his stare. She is keenly aware of his dominant position and reacts as women of the day did. Through all of this he is the leader of his group and in full control of his household. Any opposition to his leadership is quickly put down by physical force. He beats his wife, fights his friends and eventually humiliates Blanche by raping her.
It is in this setting that Stanley is shown to be the alpha male amongst his group. Throughout the scene, Stanley is in control, telling his friends what particular game they are to play, when to drink and what to do. The drinks of Stanley’s choice include beer and whiskey, these are also symbols of masculinity and desire to consume alcohol as part of the social order. The combination of this alcohol indulgence and the game of poker create an atmosphere intended to establish male bonding and social order while at the same time excluding all aspects of the feminine. The shattering of this exclusion by Stella and Blanche’s return helps to expose Stanley’s desire for order. Without alcohol, Stanley would be more inclined to take a quieter stance on the disruption of his male order. It’s not until after Stella returns that there is a moment where she defies Stanley and we see the effects of alcohol take him over as he goes to beat Stella but his friends restrain him. His aggression shows again when Blanche turns on the radio but Stanley doesn’t want to radio on so he turns it off although all the other men are enjoying the