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After two world wars, the balance of power between the genders in America had completely shifted. Tennessee Williams’ A Streetcar Named Desire is a harsh, yet powerful play that exposes the reality of the gender struggle. Williams illustrates society’s changing attitudes towards masculinity and femininity through his eloquent use of dramatic devices such as characterization, dialogue, setting, symbolism, and foreshadowing.
Stanley, the protagonist, is a symbol for society’s view of the stereotypical male. He is muscular, forceful, and dominant. Stanley’s domination becomes so overwhelming that he demands absolute control. This view of the male as a large animal is revealed in the opening of the play where Stanley is described as “bestial.” His power and control throughout the play are foreshadowed in the opening stage directions.
[…She cries out in protest…Her husband and his companion have
already started back around the corner.]
Stanley does not take notice of his wife’s concern, but instead continues on his original course, asserting his own destiny, without any thought to the effect it may have on those around him. This taking blood at any cost to those around him is foreshadowed in scene one, with the packet of met which he forces upon his wife. It is through actions such as these that Stanley asserts power, symbolic of the male dominance throughout patriarchal society. He also gains a s...
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...iking play, Tennessee Williams poses a question to society, as to whether or not these representations are accurate.
Works Cited and Consulted
Bloom, Harold. Introduction. Tennessee Williams. Ed. Harold Bloom. New York: Chelsea House, 1987. 1-8.
Londre, Felicia Hardison. "A Streetcar Running Fifty Years." The Cambridge Companion to Tennessee Williams. Ed. Matthew C. Roudane. New York: Cambridge UP, 1997. 45-66.
Nelson, Benjamin. Tennessee Williams: The Man and His Work. New York: Ivan Obolensky, 1961.
Williams, Tennessee. "Tennessee Williams Interviews Himself." Where I Live: Selected Essays by Tennessee Williams. Ed. Christine Day and Bob Woods. New York: New Directions, 1978. 88-92.
...e police officers. Miranda established the precedent that a citizen has a right to be informed of his or her rights before the police attempt to violate them with the intent that the warnings erase the inherent coercion of the situation. The Court's violation of this precedent is especially puzzling due to this case's many similarities to Miranda.
In the game of life man is given the options to bluff, raise, or fold. He is dealt a hand created by the consequences of his choices or by outside forces beyond his control. It is a never ending cycle: choices made create more choices. Using diverse, complex characters simmering with passion and often a contradiction within themselves, Tennessee Williams examines the link of past and present created by man's choices in "A Streetcar Named Desire" and "Cat on a Hot Tin Roof."
The decision requires law enforcement officers to follow a code of conduct when arresting suspects. After an arrest is made, before they may begin questioning they must first advise the suspect of their rights, and make sure that the suspect understands them. These rights are known as the Miranda Warnings and include:
Gun-control laws are a very controversial topic right now in the U.S., especially when it comes to allowing concealed-carry holders on college campuses. Nevertheless, guns should be permitted for concealed carry on college campuses if the carriers have concealed-carry licenses because mass shootings occur mostly in gun-free zones. There have been many incidents in which concealed-carry holders have disarmed attackers, and concealed-carry holders are overwhelmingly law-abiding citizens. However, the argument’s opponents believe guns should not be allowed on college campuses for various reasons, including: professors might be afraid to issue bad grades, a gun may go off by accident, college
“You have the right to remain silent. Anything you say can and will be held against you in the court of law. You have the right to an attorney. If you cannot afford an attorney, one will be appointed to you.” (What are your Miranda rights?). Two rights you should know, and 4 sentences you never want read to you.
Social upheaval in many senses was explicit through the beginning of the twentieth century; two world wars had - for a short time - shifted the balance of power between men and women. Women were increasingly employed to fill positions which had previously been considered masculine. This was not to last however, and by the fifties men had reassumed their more dominant role in society. People were finding new voices at this time by taking pre-existing forms and pushing the boundaries to re-voice established literary forms. Tennessee Williams wrote A Streetcar Named Desire around the time this reversal was occurring in American society. Williams was a homosexual from the deep south of America, and his play is about physical, emotional and sexual conflict. We also see a discourse about the qualities of an Old South and a New America. It is an astute depiction of the continual metamorphosis gender roles were encountering; and in the play Williams highlights this gender struggle to represent the continual fight for supremacy on the one hand - and equality on the other - in the home between men and women and in the country between the Old south and the New America. Williams depicts "otherness" describing how people are marginalized and objected from society, for example Mitch and Blanche, he is also interested in femininity. Williams take on femininity is interesting as his female characters are central figures that are focused on as primary desiring subjects.
The character Stanley represents the theme of reality. Stanley Kowalski is the simple blue-collar husband of Stella. His actions, reactions, and words show reality in its harshest most purist form. His actions are similar to a primitive human. For example he doesn’t close the door when he uses the restroom. This rudeness represents the harsh reality that Blanche refuses to accept. Moreover, when he was drunk he hit Stella. This attack on Blanches sister could be a symbolic “wake up” slap to the face of Blanche.
College campuses are more dangerous than ever because of the past decade; guns have not only been manufactured in excess, but availability and ease of accessibility. According to James Cool (2008), a supporter of guns on campus, reasoned why the increase of weapons occurred recently; “Our nation was founded … during the same time that modern firearms were invented and became readily available due to the Industr...
In this paper I am going to be discussing the Miranda rights. What they mean to you, what they entitle you to, and how they came to be used in law enforcement today. I am discussing this topic because, one it is useful to me as a police officer, two they can be very difficult to understand, and three if they are not read properly to you when you are placed under an arrest it could actually get you off. I will start off by discussing the history and some details of the Miranda case.
Hornberger, Jacob G.. "The Bill of Rights: The Rights of the Accused." The Future of Freedom Foundation. N.p., n.d. Web. 2 Dec. 2013. .
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Stanley repeatedly gets what he wants by using any means possible. In addition, the person whoever threatens the existence of his poker game receives a beating, in this case his wife. This scene demonstrates Stanley’s viscous animal-like traits with such violence. If what happened here was repeated in today’s society, he would find himself in a jail cell with a pending divorce.
Have you ever wondered how many people carry guns on college campuses or maybe have one in their dorms or vehicles? People believe that it is necessary to carry guns on college campuses, those people are the ones that feel they need guns to feel safe. Shootouts normally don’t happen on college campuses, but when they do, they are horrifying. Many people are injured or end up dead. Due to all the shootouts on college campuses and the people that are injured during the shootouts, guns should be prohibited.
Tennessee Williams’ A Streetcar Named Desire is a play that needs no introduction. This complex piece of drama is most readily associated with Marlon Brando’s iconic portrayal of Stanley Kowalski’s lamenting cry in the streets of New Orleans. Stanley screams STELL-LAHHHHH!, and his “heavenly-splitting violent” cry only emphasizes the voicelessness of the female characters (Williams 2322). Despite Blanche’s ability to hold her own in verbal sparring matches or Stella’s lively demeanor, both women are oppressively held under the thumbs of various men.
Tennessee Williams’ A Streetcar Named Desire is considered by many critics to be a “flawed” masterpiece. This is because William’s work utilizes and wonderfully blends both tragic and comic elements that serve to shroud the true nature of the hero and heroine, thereby not allowing the reader to judge them on solid actuality. Hence, Williams has been compared to writers such as Shakespeare who, in literature, have created a sense of ambiguity and uncertainty in finding a sole “view or aspect ” in their works. Because of the highly tragic elements encountered in Streetcar, many immediately label it a tragedy. Nevertheless, the immense comical circumstances encountered in the play contradict the sole role of tragedy and leave the reader pondering the true nature of the work, the question being whether it is a tragedy with accidental comic incidences or a comedy with weak melodramatic occurrences.