Dehumanization And Narrative: Japanese-Americans And American Prisoners Of War

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Everything began for Louie and Mine as WWⅡ started its course. Even though they are very different they went through some of the same challenges. Louie and Mine were detained and held in captivity for long amounts of time. They were also made to feel invisible and were dehumanized as well as isolated. Yet they both had the opportunity to resist that invisibility aspect that they were being forced to experience. People, that were in similar positions as Louie and Mine were, show that if they have the will to live that they can survive most anything. Japanese-Americans and American Prisoners of War (POWs) were forced to experience the feeling of being invisible, along with striving to resist that feeling during their detainment. Japanese-Americans If he does raise his head or talk to other captives he is beaten. I believe that it is dehumanization and isolation because the guards are taking away who the men are but they are also isolating them from others and the normal world that they are used to and comfortable with. Another example of Louie and other Americans in captivity being forced to seem invisible is when they are beaten for doing almost anything, “Beatings are almost constant. Mean were beaten for virtually anything: folding their arms, cleaning their teeth, talking in their sleep, and most often, for not understanding orders issued in Japanese.” (Hillenbrand 149). They are being beaten and made fun of. The guards won’t let them do anything that they normally do and experience, along with beating them for not understanding the orders of the Japanese. I believe that this is an example of dehumanization because the guards are taking away what the men are used to. Mine experienced the perspective of feeling invisible as well as other Mine and other Japanese-American internees were very good at resisting invisibility in clever ways such as when they weren’t allowed to have cameras, “Internees were not allowed to have cameras, but Miné wanted to document what was happening inside the camps. She put her artistic talent to use making sketches of daily life inside the fences” (The Life of Mine Okubo). Mine is defying the rules of the camp by creating art about the people in their “daily lives” at the camp that she is located. A painting or sketch is almost as good as a picture, in the sense that you get to save the memory. This is an example of dehumanization because the guards/leaders of the camp are taking away a personal possession and interest. Louie and other Americans in captivity at the Omori camp rebelled and resisted invisibility by doing their jobs, “At rail yards they switched mailing labels, sending tons of goods to wrong destinations. They threw dirt into gas tanks.” (Hillenbrand 179). They were rebelling against the jobs that they were forced to do. Though they were still completing the jobs, they were sabotaging them. Finally Louie resisted invisibility by sticking to his personal goals, “Smiling, the producers invited Louie to accept this easy new life. Louie refused. The smiles evaporated. They ordered him to do it. He said no. The producers left to confer. “I

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