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Literary element in a rose for emily and the cask amontillado
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. Samuel Johnson once said, “Actions are visible, though motives are secret.” In the two passages, “A Cask of Amontillado” by Edgar Allen Poe and “A Rose for Emily” by William Faulkner, Montresor and Emily did similar things however, their motives are completely different. These two characters have committed a crime towards the antagonist, however one was for love and the other was from hate. The differences in the characters show how looks can be deceiving. Montresor has a strong hatred for Fortunato this hate has been in him for a while he planned to murder him from the very beginning unlike Emily. Emily met Homer and grew fond of him she fell in love with him actually. Her father died before she ever met Homer so she lost the person she
When faced with a traumatic experience, one’s true nature reveals itself. The trauma forces those suffering from it to cope. How one copes is directly linked to their personality. Some will push everything away, while others will hold whatever they can close. Both of these coping mechanisms can be observed in the two short stories “The Jilting of Granny Weatherall” by Katherine Anne Porter and “A Rose for Emily” by William Faulkner. In “The Jilting of Granny Weatherall” and “A Rose for Emily,” the two protagonists prominent characteristics distinctly affect the way the protagonists copes when faced with trauma and the outcome of the short stories endings. To begin, Granny Weatherall is a prideful control freak. While, in contrast, Miss Emily is delusional and stubborn.
Can someone who is mentally ill truly love someone? If so, then how do they love? Is it different than how a sane person loves? I believe people who are disturbed can love another person, although it is not in the way people want to be loved. Someone who is suffering from mental illness or are mentally disturbed love in a way of obsession. They love so much that they are not able to let go of their loved ones and become deranged when they lose them. Short stories, “A Rose For Emily” by William Faulkner and “What We Talk About When We Talk About Love” by Raymond Carver, demonstrate how someone who is disturbed can love another.
A rose for Emily and Lamb to The Slaughter are both books about two females getting rejected to the men they love, and the way they get revenge was by killing them. Emily was a shy type of person but she came from a family that are known to be crazy and do crazy things. She fell in love with Mr. Grierson she met when he was doing construction work next to her house. Eventually she married him but not knowing that he is more attracted to men and for that reason she killed him. Mary was in a situation where her husband Patrick did love her but he decided he wanted to leave her for another woman when Mary was pregnant with his baby. This leading up to her killing over the anger she had towards him. The purpose of this is because both females have had the feeling of rejection, and revenge. Emily’s husband was attracted to other men which made her feel rejected because she knew she wasn’t going to be love by Mr. Grierson as much since he doesn’t find her attractive. For Mary, her husband Patrick did love but he wanted to leave her for another woman because he didn’t love her anymore.
In “The Tell-Tale Heart” by Edgar Allan Poe and “A Rose for Emily” by William Faulkner both main characters are portrayed as irrational and are isolated from reality. The narrator in “The Tell-Tale Heart” murders an elderly man, as he is fearful of the man’s eye. Emily Grierson in “A Rose for Emily” lives secluded from society, until she marries a man, Homer. She ultimately kills Homer in his bed and leaves his body to decompose for many years. Both the narrator in Edgar Allan Poe’s “The Tell-Tale Heart” and Emily Grierson in William Faulkner’s “A Rose for Emily” deny reality so vehemently that they isolate themselves from reality. Their isolation and denial of reality cause both to commit murder.
Montresor proves not to mess with someone's feeling. He explains, “I must not only punish, but punish with impunity” (Poe 372). Fortunato does not know that he is going to die, yet Montresor and the reader do know, making the situation dramatic irony. By punishing him with impunity he is going to get revenge that he has wanted now for years ever since he did wrong to Montresor and now that he finally gets the chance of course he will seek revenge on Fortunato. And it is dramatic irony because Fortunato is oblivious to the situation. Montresor proves that one should be careful on what they say. He speaks, “I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation” (Poe 372). Montresor is saying
A common theme of southern gothic writer’s such as William Faulkner and Flannery O’Connell is the disparities of social norms and social stratification; this is apparent in both A Good Man is hard to find and A Rose for Emily. Both portray interplay across generations which manifest itself as resistance of change in previous generations. The grandmother in A Good Man is Hard to Find and Emily in A Rose for Emily are largely parallel to one another in respect to the themes of the stories. Through subservient motifs as privilege, nostalgia, and irony the overarching theme of death is effectually portrayed in both A Good Man is Hard to Find and A Rose for Emily.
Luck and love have always been two very important and contradicting themes in many stories. Children and adults would go above and beyond to receive their parent’s affection and approval even to the point of death and isolation. At times this creates a dysfunctional aspect in the family’s lives. “A Rose for Emily” and “The Rocking Horse Winner” have very similar symbol meanings and themes explaining the dysfunctional family, love and luck.
... carnival, so that the narrator would not consult another supposed wine connoisseur about the cask of amontillado, the reader must identify with the dark parts of their character and learn from the mistakes of the characters in this story. Like Montresor, all people have faults and by illustrating this extremely flawed character, Poe allows the reader a glimpse at the flaws in their own. Even Montresor recognizes that he must hares his crime, whether to confess or brag, the story could not die with him. Montresor is a vehicle that allows the reader to identify with their own shortcomings. He was consumed by a thirst for revenge, driven by pride, aided by intelligence, and suffering from a sense of inadequacy which created jealousy. Montresor demonstrates that vengeance and pride are impure motivators that lead to sinister thoughts and actions unfit for judgement day.
The pursuit of revenge is not always the right choice to make. As this theme is shown in the short stories written by Edgar Allen Poe and William Faulkner. The two main characters of the stories have hate fueling their motivation to commit cruel acts against others. In the story “Cask of Amontillado”, written by Edgar Allen Poe, Montresor kills a man simply for insulting his family name. In the story “Barn Burning”, written by William Faulkner, Abner takes out his anger on others by destroying property and punishing the world for his poor lifestyle. Abner and Montresor seek revenge for different reasons; however, they do it to honor themselves. These actions will lead to their impending demise.
...person, unlike A Rose for Emily, it is safe to say that The Narrator is in fact insane. With the old man dead The Narrator would have been able to live a happy life, or so he thought. Although her reason was never stated in the story, one can safely assume that Miss Emily was happy lying in the arms of her dead lover. Both Faulkner and Poe show us in their stories that even if there are different characters, points of views or reasons for killing a loved one, there are still similarities.
In William Faulkner’s “A Rose for Emily,” and Sherwood Anderson’s “Hands,” both authors present main characters who isolate themselves after they are treated as objects of desire. In Faulkner’s work, Miss Emily is an outsider because she is dehumanized after becoming a victim of incest. Similarly, in Anderson’s work, Wing Biddlebadum is also dehumanized when he is beaten up by the town’s people after being accused of child molestation. In this way, both characters are outsiders in their haven because they are deprived of humane treatment.
F. Scott Fitzgerald’s The Great Gatsby and William Faulkner’s A Rose for Emily uses setting, characterization, and figurative language to show us how old money is selfish and responsible with their money and how new money is selfless, but uses their money unwisely.
In “A Rose for Emily”, by William Faulkner, Emily Geierson is a woman that faces many difficulties throughout her lifetime. Emily Geierson was once a cheerful and bright lady who turned mysterious and dark through a serious of tragic events. The lost of the two men, whom she loved, left Emily devastated and in denial. Faulkner used these difficulties to define Emily’s fascinating character that is revealed throughout the short story. William Faulkner uses characterization in “A Rose for Emily”, to illustrate Miss Emily as a stubborn, overly attached, and introverted woman.
When they arrive at the Montresor estate, Montresor leads Fortunato down the stairs into the catacombs. Down here is where the Amontillado Fortunato is going to taste and where the revenge of Montresor is going to take place. As he get closer and closer, the narrator opens up more and more to how he is going to kill his "friend". It sound like it is a premeditated murder. Montresor seems so inconspicuous that he acts like he cares about Fortunato which is still a part of his plan.
The first indirect factor that could contribute to Montresor’s vengeful act, and thus the story’s theme of revenge, is the character of Montresor. Montresor tends to harbor feelings of resentment and has a hard time not taking things out of context (Womack). He also plans the murder of Fortunato in advance and devises it in such a way that he will not be caught. In killing Fortunato, Montreso...