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Superheroes and comics effect on society
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In the current age of technology, it is difficult for most people to not come into contact with television. The same can be said of comics, as they are in the paper, on the internet, and sometimes referenced on television itself. The study of comics however, is not as simple to find. One must search for research on comic studies as opposed to television research or talk of television shows. It is far more prevalent to speak about a recent television show than a recent comic book. This leads me to believe that comic studies are less documented than television and its study. In the United States, Comic Studies and Television are close parallels of each other, but television receives more respect and recognition in both academic societies and publicly for now.
The history of television is a long one, but shows how it has been widely accepted into our everyday lives. Television has had a huge effect on the United States, shaping multiple facets of everyday life such as politics, news, and sports. In an article titled “History of Television” written by Mitchell Stephens, a professor of journalism and mass communications at NYU, he states that, “Few inventions have had as much effect on contemporary American society as television. Before 1947 the number of U.S. homes with television sets could be measured in the thousands. By the late 1990s, 98 percent of U.S. homes had at least one television set, and those sets were on for an average of more than seven hours a day” (Stephens 1). It is clear that television has had a huge impact on our everyday lives. In addition, television generally consumes a large portion of each day of our lives. It is unrealistic to assume that television has not taken a serious and large position in the everyd...
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...are both very similar, but comic studies have yet to reach the level of respect and perception that television has achieved. This is due to multiple factors, including the fact that the awards show for comics is not nearly as recognized as the show for television. Additionally, comics have not been integrated into the everyday life of Americans nearly as much as television has. However, both comics and television share many parallels. One of these parallels is how comics and television use multiple methods of communications to reach their readers or viewers. Additionally, some comic books have burst onto the television screen, such as the very popular show on AMC, “The Walking Dead”. In conclusion, both comic studies and television share similarities, but currently in the United States comic books are viewed as lesser than television in academics and the public eye.
Inspired by the way comics were able to illustrate the events of WWII I decided to investigate to what extent did comic books influence American perceptions during World War II. Comics turned into an apparatus to exploit racial and social contrasts and outlet for wartime purposeful publicity. The Golden Age of Comic Books portrays a period of American comic books from the late 1930s to the mid 1950s. During this time, present day comic books were initially distributed and quickly expanded in notoriety. The superhero model was made and some surely understood characters were presented, for example, Superman, Batman, Captain America, Wonder Woman, and Captain Marvel.
Many of the technological advancements in entertainment helped people live a much happier and exciting life. The television was wanted by almost every average American family in this decade and overwhelmed millions of baby-boomer children who’s relationship with TV has influenced the United States’ culture and politics. Television
In the 40s, comic books had a large audience. There would have been at least a dozen people in your class who read comics, claims Chabon. A few years later in the 70s, there would have been less than a dozen but more than one or two people who read comics. Now, it is hard to find more than a few people that you know who actually read comics. If you read comics today, you are considered unique. Children are loosing interest in everything that stimulates the mind in a positive way. Chabon claims that the obvious decline in interest in comic books should make authors want to take initiative and fix the
Media and Popular Culture. The McGraw-Hill Reader: Issues across the Disciplines. Ed. Gilbert H. Muller. 12th ed. Boston: McGraw-Hill, 2012. 426. Print.
Before television existed people had to depend on Radio stations to receive their little bit of entertainment and news. But in 1878, the invention of TV began. The first TV made didn’t look anything like the way TV’s look today. It was a mechanical camera with a large spinning disc attached to it (Kids Work). But as over the years, of course, inventions of different TV’s progressed and by the 20th century about 90 percent of our population had a TV in their household (MGHR). Television today is mainly used for people take a break from their life by relaxing and enjoying some entertainment.
Presently 98% of the households in the United States have one or more televisions in them. What once was regarded as a luxury item has become a staple appliance of the American household. Gone are the days of the three channel black and white programming of the early years; that has been replaced by digital flat screen televisions connected to satellite programming capable of receiving thousands of channels from around the world. Although televisions and television programming today differ from those of the telescreens in Orwell’s 1984, we are beginning to realize that the effects of television viewing may be the same as those of the telescreens.
This could be argued as the first superhero comic to television series developed. It became widely popular, especially with the rise of television and pop culture. It aired twice a week drawing in viewership with cliffhanger endings. However, it was not the intensity of the show, or cliffhanger endings that drew viewers, but rather the opposite. It was funny, light and filled with color, glam and everything pop.
Comics borrow concepts from both art and literature. Comics were not being taken seriously by the general public but have grown to celebrate the whole idea, and its concepts have also developed over time. Therefore, comic books blend image and text while narrating stories through a multimodal literature. There is a difference between comic books and traditional texts because of the visual nature of comic books. Many books and literature describe and try to make the public understand the concepts behind comic books.
Perhaps more so now than in the 1950's, comic books can be seen as positive literature even though they may not be as mentally nourishing as novels, but they still have their benefits. Works Cited Gustines, George G. "The Superhero as Society's Mirror, From World War II to Iraq. " N.p.,.
In the article “Life According to T.V.” published in 2009, in common culture: Reading and writing about American popular culture, Harry Water portrays that the media nowadays are easily to misrepresent the world and damage the society as a whole. First of all, he points out that the television is more influential than other forms of entertainment media in the public which affects social attitudes and creates cultural biases. Secondly, he refers to Gerbner’s study which is based on precise experiments and surveys and explains television changes the public’s view through multiple ways such as sex, age, race, work, health and crime, or other aspects of society. For instance, Water says that TV shows leave us a negative impression about the old people, which are silly, stubborn, sexually inactive and eccentric. Water also claims that crime rages about ten times more often than that in real life. Violence video always has a negative influence in society, especially the young generation. Water still points out that young people easily changes their attitude to choose a job because TV show greatly overestimated the proportion of Americans employed as physicians, lawyers, athletes, and entertainers.
The classic comic book is a polar opposite of the complex nature of poetry. The comic book is designed for the younger reader and possesses a simplistic nature that allows the creator to use visual media combined with short written dialog to tell a story. The pictures in a comic book are an integral part of the makeup of a comic book. The pictures allow the creator to portray the protagonist and antagonist in a way that is common to all readers. This however inhibits the use of imagination by the reader. The pictures are all an artist's interpretations of the actions and settings that make up each scene. When a person reads descriptive text with no pictures, it allows the reader to build a mental picture of each scene that is unique to his/her own personality. The comic book does not allow for this expressiveness in its prefabricated structure.
From the beginning of comic books, people have been skeptical about how successful they would become and how it would impact our society. Comic books evolution has gone from only being able to read picture books to live action movies, comic con, television shows, and animated feature films. Throughout time, comics are only becoming more popular and always evolving. Comic books are also a way for family members to bond with relatives.
“The Golden Age of Comics” PBS. PBS, 2011 Web. Retrieved on February 11 2014 from http://www.pbs.org/opb/historydetectives/feature/the-golden-age-of-comics/
However, this popularity has fluctuated throughout history. In the past few decades, demand for comics in the print media had been falling, in part due to the successes of other children 's media, such as cartoons. “Our biggest fear was that that audience was going to get to a point where we weren 't able to build it up again,” says Dan DiDio, co-publisher of DC Comics, “and a lot of what we do would be branded lost because there was nobody out there reading it" (Martin 14). Luckily, comic creators realized that the stories were perfect for screen adaptations: "they 're full of spectacle [and] adventure with an emotional arc for the hero. That 's what movies have always been about” (Humphries). The promise of lucrative merchandise sales and cross-promotion undoubtedly encouraged production, as well. Comic books were first adapted for television in the 40s and 50s, and met with huge success. Thus, superhero television programs set the stage for the inevitable point when comics took to the big screen with the first Superman movie in 1978 (Humphries). This cinematic moment ushered in a tricking of other superhero feature films, which eventually became the flood of superhero films that is taking place in the 21st
As the depression cast a dark curtain over America in the 1930s, no one had much time for comics. The American economy had fallen into disrepair and the unemployment rate was at an all time high. Just as FDR set forth his New Deal plan to aid America, the second World War was soon upon the country, drafting hundreds of thousands of men into the army to fight the Axis Powers. Boys were sent to the training camps and mature men returned in their place. These soldiers came back and wanted to enjoy the simpler things of life. As the economy picked up, more people were captivated by the entertainment industry. Comic books and comic strips began to regain popularity. Thus, America was launched into what is now known as the Golden Age of Comics—a time period when comic books were first seriously published at high demand and when their popularity soared.