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History of comic books
History of comic books
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Comic Books In the United States, there are many subcultures. Subcultures come in a variety of forms. Comic books are a subculture that is always evolving. A subculture is group within a larger culture, often having beliefs or interests at variance with those of the larger culture (dictionary). From the beginning of comic books, people have been skeptical about how successful they would become and how it would impact our society. Comic books evolution has gone from only being able to read picture books to live action movies, comic con, television shows, and animated feature films. Throughout time, comics are only becoming more popular and always evolving. Comic books are also a way for family members to bond with relatives. The first comic book written in history dates back to Europe made in 1772 (Smolderen 1). It took more than two centuries, but the first comic book in the United States was released in February 17th, 1936 and was named The Phantom. The Phantom was the first superhero that wore a mask to hide his identity and also the first hero that fought crime (thecomicbooks.com). The phantom had no extraordinary powers. The comic book character was just a normal human being. During the time of the Phantom Comic era, it was not as …show more content…
Just as Superman was the first comic book and television show, it was also the first movie that Detective Comics made. Superman was used for a lot of projects due to the popularity the comic book hero shared with the comic book community. Superman plays an iconic role in the comic book culture. In 1976, the first live-action film Superman was released, and it was able to relate more to comic book fans (Screencruser.com). While the Superman film was being made, it shared the same difficulties as the live-action show. Technology made it difficult to make, but it was just as successful as the television show. Many comic books fans rushed to the movie theaters on opening
Somewhere around 1939 and 1941 Detective Comics and its sister organization, All-American Publications, presented well known superheroes, for example, Batman and Robin, Wonder Woman, the Flash,
In Superhero Worship by Virginia Postrel published in The Atlantic explores the glamour of comic heroes coming to live, and what that glamour really is. From paper to screen superheroes have caught the wonder of the American people. The most wellknown superheroes were introduced in the 1930s through the late 1950s, during the time of warfare and national pride. Superman was welcomed in America in 1937 to keep spirits alive during the breakout of WWII, fighting Nazis or the Japanese Imperial Army. These heroes that were created used propaganda
A. Wonder Woman #172. (Second Series) DC Comics: (August 2001) Kanigher, Robert. A. A. Sensation Comics #97 - "The Spectacular" DC Comics: May-June 1950. Kanigher, Robert. A. A. Wonder Woman #204 - "The Wonder Woman" DC Comics: January-February 1973.
McCloud, Scott. “Time Frames”, Understanding Comics: The Invisible Art. New York : HarperCollins Publishers, 1993.
Both superhero films, Spiderman and Superman have evolved in many ways. I will however elaborate more on the evolution of the Spiderman films. Spiderman has had many changes to his costumes. The traditional costume that has been used a lot is made from lycra and spandex. The suit had blue and red on it although most of the suit was covered up with blue.
Every child in the United States has heard or read the Marvel and DC comics books. If you have not then you have probably have heard of their characters like the famous star spangled hero, Captain America, or the Dark Knight himself, Batman. Both Marvel and DC has influenced the children and adults of American in its darkest times. The great wars affected many by its poisonous grasps, and its victims sought comfort with the antidote provided by the marvelous illustrators and writers of comic books. Now their cinematic counterparts are here to inspire the 21st century. The Marvel and DC cinematic universes have similar content, they both have unique characteristics that set them apart.
In our society, certain ideals are held in high regard. Individuals relentlessly pursue these ideals to achieve a perceived perfection. These principles are often depicted in media that further glorifies and establishes a desire to pursue these paragons. In a medium such as comic books, however, these standards and perceptions are heavily distorted by the characterizations and settings. Particularly, the superhero genre absorbs the ideals we strive towards and regurgitates them in an extreme and unrealistic manner. The superhero genre is often reflective of societal changes in ideas and morals. These ideals are then molded into misleading representations that influence the behaviors of viewers. Comic books absorb elements of our society and transform them. For example, as the enemies of America change, so do the enemies of our superheroes. However, the enemies are transformed into supervillains that are extremely dark and villainous. Such characterizations cloud people’s understanding of real threats and enemies affecting our society. Also, to cater to the value that American society places on intelligence, attractiveness, and physical strength, comic books create characters that epitomize these characteristics. Though the represent society’s ideals, these characters manipulate the ideas and convey them back to the audience in an unrecognizable manner. In developing such distorted representations, the superhero genre affects human behavior and perceptions of these ideals.
-Themes and plot would also have to be portrayed differently if V was not a graphic novel. This is because the visuals would not exist to help form and build the conflicts.
The Dark Knight rose first in March 1939, in the 27th Issue of Detective Comics, which later became the name of the famous DC Comics for more than 70 years, Batman has been guarding the night in Gotham. But nowadays, people rarely encounter the Dark Knight for the first time, through his original medium, the comic book. In those seventy years Batman, and quote a few of other superheroes, branched out into other media. Beginning with cartoons and a live-action series, the comic book hero became a house hold franchise name. An array of movies throughout the decades, a multitude of video games and even fashion.
Stan Lee was only sixteen when he joined Marvel Comics which at the time was named Timely Comics and was started by Martin Goodman. Its first publication was Marvel Comics #1 (Oct 1939), featuring the second appearance of Carl Burgos’ android superhero, the Human Torch, and the generally available appearance of Bill Everett’s mutant anti-hero Namor the Sub-Mariner (Harras, Bob. “ Marvel Comics History and Marvel Comics Background).
Many people love reading comics but they might not see themselves on the page, this might make them less likely to buy the comics. Comic industries need those customers and if they don’t have customers they might not do as well. Though some may disagree, adding character differences in comic books, such as gender, race, religion, and other physical and mental factors,
“The Golden Age of Comics” PBS. PBS, 2011 Web. Retrieved on February 11 2014 from http://www.pbs.org/opb/historydetectives/feature/the-golden-age-of-comics/
Most people believe that graphic novels are just an art book with minimal text. They believe it is just for entertainment for kids or young adults. They think that graphic novels are just like comics. But to get to the point, graphic novels are just like all the other novels. They are a piece of literature that tells a story and pulls out the reader’s imagination, so that they feel that they are a part of the story or can even relate to the story. Graphic novels have changed and developed into such remarkable pieces of literature and should be accepted by all scholars to be placed in that category. According to John Ridley, “There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are-at their best-an amazing blend of art, literature and the theater of the mind”.
However, this popularity has fluctuated throughout history. In the past few decades, demand for comics in the print media had been falling, in part due to the successes of other children 's media, such as cartoons. “Our biggest fear was that that audience was going to get to a point where we weren 't able to build it up again,” says Dan DiDio, co-publisher of DC Comics, “and a lot of what we do would be branded lost because there was nobody out there reading it" (Martin 14). Luckily, comic creators realized that the stories were perfect for screen adaptations: "they 're full of spectacle [and] adventure with an emotional arc for the hero. That 's what movies have always been about” (Humphries). The promise of lucrative merchandise sales and cross-promotion undoubtedly encouraged production, as well. Comic books were first adapted for television in the 40s and 50s, and met with huge success. Thus, superhero television programs set the stage for the inevitable point when comics took to the big screen with the first Superman movie in 1978 (Humphries). This cinematic moment ushered in a tricking of other superhero feature films, which eventually became the flood of superhero films that is taking place in the 21st
Wright, Bradford W.. "Origins of The Comic Book Industry." In Comic Book Nation: the transformation of youth culture in America. Baltimore: Johns Hopkins University Press, 2001. 4.